This compelling and thought-provoking documentary provides riveting portraits of a diverse group of six men who once were women and chose to change their gender. The award-winning film is an unforgettable story of self-discovery and challenges all of us to re-examine the foundations of our ideas and feelings about gender, sexuality, and identity.

1979 film directed by Rangeela

Pat, the evasive, androgynous character made famous on Saturday Night Live by Julia Sweeney, was an inescapable figure in 1990s pop culture. As a child, filmmaker Ro Haber became obsessed with Pat—a character whose popularity stemmed from making others uncomfortable by defying gender norms. Decades later, and now an out trans filmmaker, Haber still grapples with Pat’s legacy. Thirty-five years after It’s Pat first aired, Haber assembles a group of queer and trans comedians, writers, and even Sweeney herself to revisit the character. Through conversation and critique, they aim not to erase Pat but to reframe them, transforming a symbol of ridicule into one of reflection and empowerment.

This documentary is set in the New Marilyn night club in Tokyo, Japan — where the hosts are transgender men. They can only make their living as hosts in a nightclub with other wannabes like them. The young women who come there often have relationships with them but the underlying fear is whether such a relationship can withstand the pressures on a girl to get married and have children. All three boys deal with this in different ways. These three hosts, the Shinjuku Boys, take us into their lives.

As a sci-fi obsessed woman living in near isolation, Beverly Glenn-Copeland wrote and self-released Keyboard Fantasies in Huntsville, Ontario back in 1986. Recorded in an Atari-powered home-studio, the cassette featured seven tracks of a curious folk-electronica hybrid, a sound realized far before its time. Three decades on, the musician – now Glenn Copeland – began to receive emails from people across the world, thanking him for the music they’d recently discovered.

Virginia Woolf's 1928 novel "Orlando: A Biography" follows the centuries-spanning life of a young nobleman who awakens to find that they are a woman. Almost a century after its publication, Paul B. Preciado claims that fiction has become reality and Orlando's story lies at the root of all contemporary trans and non-binary life.

A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.

What happens when two trans women get sick of non-transsexuals' uninformed representation of their sexualities and their lives? They grab their 8 millimeter home video camera, their last 200 bucks, and come up with an uncompromising in-your-face flick about their shitty relationships with gay men and their unabashed attraction to other transsexual women.