Hubert Fiorentini es un inspector de policía con unos métodos un poco ortodoxos, pero con un tierno corazón, al que obligatoriamente le darán unas vacaciones forzadas, ya que acaba de pelearse con el hijo del jefe de policía. Dos días después recibe la llamada de un abogado desde Tokyo, informándole que Miko, la mujer de su vida, que había desaparecido hacía 20 años, había muerto. Y lo que le había dejado en el testamento, no era ni dinero, ni presentes, ni nada material; le había dejado a su propia hija, Yumi, una extravagante adolescente, adicta a ir de compras, y con doscientos millones de dólares en su cuenta.

After dumping a bucket of water on a beautiful young woman from the window of a train car, wealthy Frenchman Mathieu, regales his fellow passengers with the story of the dysfunctional relationship between himself and the young woman in question, a fiery 19-year-old flamenco dancer named Conchita. What follows is a tale of cruelty, depravity and lies -- the very building blocks of love.

Get ready for a wildly diverse, star-studded trilogy about life in the big city. One of the most-talked about films in years, New York Stories features the creative collaboration of three of America's most popular directors, Martin Scorsese, Francis Coppola, and Woody Allen.

In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.

An absurd black comedy that cunningly reverses the conventions of the crime thriller to comment on the alienating and dehumanizing effects of contemporary urban life. Alphonse Tram is unwittingly involved in several murders despite having no memory of committing the crimes. His confusion lead him to confess to his neighbour, Inspector Morvandieu. Alphonse and Morvandieu become the axis around which murders occur.

In 2023, Alexia, Tam and Sylia are reunited in the City of Light after many years apart. At the same time, a work of art that belonged to their father – who had died ten years earlier in a mysterious fire at his art gallery – reappears in a prestigious exhibition at the Eiffel Tower. The sisters decide to risk everything to steal the painting, in the hope that they will finally solve the mystery of what happened to their father.

A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.

High fashion meets high drama in this behind-the-curtain look at an iconic French haute couture house. When the family dynasty behind the house falls into scandal, they must find a way to reinvent themselves—or be destroyed by their rivals.

Enfrentados a una oleada de horribles asesinatos sin resolver, la policía recurre a Jeanne Deber, una asesina en serie convicta, y a su hijo.

With Tag der Idioten (1982), Schroeter perhaps draws upon his brief studies of psychology. The film centres around a passionate woman, Carole (played by the well-known French actor Carole Bouquet) who feels alienated and repressed by the highly institutionalised public and private spheres of Western society. Unable to extract any kind of emotional response from her reserved boyfriend, Carole seeks attention by falsely denouncing her neighbours as terrorists. With this detail Schroeter briefly touches upon the panic and paranoia that was brought about by the German government crackdown on terrorism at its height during 1977 and Carole's subsequent institutionalisation in a mental asylum can be seen as an allegory for a society wishing to suppress radical activity of any sort. In Tag der Idioten Schroeter returns to a less linear narrative structure, more reminiscent of the episodic films of his second phase. He employs numerous hallucinatory sequences in order to convey the protagonist's state of mind. Furthermore, much of the film's meaning is delivered through Carole's body, facial expressions and gestures rather than through dialogue, and the film's montage serves to create spatial and temporal disorientation. Schroeter again won the German Film Prize for best direction for this film.

At a French boarding school for troubled youth in the early 1970's, the Headmaster and his wife decide that their son Daniel, who is fifteen years old but looks younger, should finally go live in the dorm with all the other students, as they do not want it to seem Daniel is receiving any special treatment. Daniel is now faced with the challenge of earning the trust and respect of the other students, who all come from troubled backgrounds.

Paris, fall 2015. Every week, Philippe Dayan receives in his office a stone's throw from Place de la République, a surgeon in the throes of romantic disarray, a couple in crisis, a teenager with suicidal tendencies and a BRI agent traumatized by his intervention at the Bataclan. Listening to these upended lives, the emotional earthquake that unleashes within him is unprecedented. In an attempt to escape, he reconnects with his former analyst, Esther, with whom he had cut ties for nearly 12 years.