A woman is suspected of her husband's murder, and their blind son faces a moral dilemma as the sole witness.

巴黎鲁贝区的圣诞夜。警队队长德奥在区内巡逻。目睹被烧坏的汽车，暴力打架…… 每日面对的都是贫困、欺诈和求救等状况，德奥一眼便知道谁是谁非。路易刚从警察学院毕业，加入了德奥的小队。路易年轻又没有经验，很容易被人误导，经常误解所遇到的人和事。德奥和路易接报调查一名老妇被谋杀的案件。老妇邻居的两个年轻女子歌迪亚和玛莉被捕。她们是瘾君子、酒鬼和恋人……

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

« The scene is memory ». It is populated with a trio of faces: a mother, Amanda and her two children Laura and Tom. Amanda still pictures herself as a great southern lady. Tom provides for his family and rushes to the cinema whenever he gets the chance. Laura spends hours with her spun glass animals… Three solitudes almost behind closed doors, three frailties, three ways to dream of a different life. The plot is simple, elusive like a memory. After Arthur Miller’s A view from the bridge (2015-2016 grand prix of the Syndicat de la critique), Ivo van Hove returns to the Odéon with this founding masterpiece and offers Isabelle Huppert one of the mythical roles of the American repertoire.

Mira is an American movie star disillusioned by her career and a recent breakup, who comes to France to star as “Irma Vep” in a remake of the French silent film classic, “Les Vampires.” Set against the backdrop of a lurid crime thriller, Mira struggles as the distinctions between herself and the character she plays begin to blur and merge.

本剧松散改编自1996年Olivier Assayas创作、张曼玉主演的同名电影。
限定剧围绕美国电影明星Mira展开，她因事业问题和近期的分手而幻想破灭。Mira前往法国，参与经典法国默片《吸血鬼》的翻拍，在其中饰演Irma Vep。在这部犯罪惊悚片的拍摄过程中，Mira逐渐发现自己和角色之间的区别变得模糊。
《迷离劫》将向我们揭示虚构与现实、技巧与真实、艺术与生活之间的模糊地带。

Constance Debré poursuit sa quête entamée avec Play Boy, celle du sens, de la vie juste, de la vie bonne. Après la question de l’identité se pose la question de l’autre et de l’amour sous toutes ses formes, de l’amour maternel aux variations amoureuses. Faut-il, pour être libre, accueillir tout ce qui nous arrive ? Faut-il tout embrasser, jusqu’à nos propres défaites ? Peut-on renverser le chagrin ?
Adaptation de l'ouvrage éponyme de Constance Debré.

High fashion meets high drama in this behind-the-curtain look at an iconic French haute couture house. When the family dynasty behind the house falls into scandal, they must find a way to reinvent themselves—or be destroyed by their rivals.

Paris. Winter. One night, Antoine, a 22 year-old boy, decides to go to the seaside. All night long, dealing with drug and love, he will try to buy his train ticket, which will leave at the crack of dawn.