Commencing well-respected Nippon director Kazuo Kuroki's sixth decade behind the camera, "A Boy's Summer in 1945" (literally "A Beautiful Summer in Kirishima") is a lyric, novelistic drama set in the countryside in the last days before Japan's surrender ending WWII. Striking a welcome retro note in its languid pacing and delicate handling of seriocomic ensemble threads, handsome production is a natural for fests. It might also prove a cornerstone for retrospectives or ancillary releases of works by a helmer ("Preparation of the Festival," "Ronin-gai") who's long been appreciated at home but has won just limited attention abroad.

Midori is a coming-of-age drama set amongst the heady high school world of peer rivalry and sexual awakening, featuring an emotionally-detached high-school girl who, her parents dead, lives with her brother and his overprotective wife. After being sent out of class due to a dizzy spell, she becomes acquainted with Shun, a boy in the class below, in the school sanatorium. As the two begin feigning illness together on a regular basis, their uncomfortable flirtations soon blossom into a full sexual relationship.

After suffering through a long and unsuccessful series of fertility treatments, Satoko and her husband Kiyokazu make the decision to adopt a child. Six years after adopting a boy they named Asato, Satoko has quit her job to concentrate fully on her husband and son. The family lives a peaceful existence until the arrival of a stranger.

A former yakuza returns to gangster life after an old enemy threatens his son.