From legendary filmmaker and author Werner Herzog, a compact, effervescent, and deeply personal exploration of art, philosophy, and history that unravels one of our most elusive and contested questions: What is truth—and how to find it in our “post-truth” era?

For over half a century, Werner Herzog has challenged, enriched, and expanded our understanding of the truth. His films and books have mixed fiction and nonfiction, documentary and drama, reality and imagination. Invariably, Herzog goes beyond the appearance of what is true in search of a higher truth, or what he has often referred to as the “ecstatic truth.” In The Future of Truth, a great artist essays an answer to one of humanity’s deepest, most eternal questions. At a moment when deepfake AI videos are proliferating, and most people have simply thrown up their hands in despair at the ubiquity of what we now know as fake news—not to mention the constant lying and propagandizing from certain public figures—Herzog seeks a remedy. Mixing memoir, history, politics, poetry, science, and fierce opinion, he writes with dazzling originality and panache, urging readers to be unflagging and imaginative in the pursuit of truth, endless though the quest may be:

I don’t think truth is some kind of polestar in the sky that we will one day get to. It’s more like an incessant striving. A movement, an uncertain journey, a seeking full of futile endeavor. But it is this journey into the unknown, into a vast twilit forest, that gives our lives meaning and purpose; it is what distinguishes us from the beasts in the fields.

Legendary filmmaker and celebrated author Werner Herzog tells in his inimitable voice the story of his epic artistic career in a long-awaited memoir that is as inventive and daring as anything he has done before
Werner Herzog was born in September 1942 in Munich, Germany, at a turning point in the Second World War. Soon Germany would be defeated and a new world would have to be made out the rubble and horrors of the war. Fleeing the Allied bombing raids, Herzog’s mother took him and his older brother to a remote, rustic part of Bavaria where he would spend much of his childhood hungry, without running water, in deep poverty. It was there, as the new postwar order was emerging, that one of the most visionary filmmakers of the next seven decades was formed.
Until age 11, Herzog did not even know of the existence of cinema. His interest in films began at age 15, but since no one was willing to finance them, he worked the night shift as a welder in a steel factory. He started to travel on foot. He made his first phone call at age 17, and his first film in 1961 at age 19. The wildly productive working life that followed—spanning the seven continents and encompassing both documentary and fiction—was an adventure as grand and otherworldly as any depicted in his many classic films.
Every Man for Himself and God Against All is at once a personal record of one of the great and self-invented lives of our time, and a singular literary masterpiece that will enthrall fans old and new alike. In a hypnotic swirl of memory, Herzog untangles and relives his most important experiences and inspirations, telling his story for the first and only time.