The fate of the galaxy rests in the hands of bitter rivals. One, James Kirk, is a delinquent, thrill-seeking Iowa farm boy. The other, Spock, a Vulcan, was raised in a logic-based society that rejects all emotion. As fiery instinct clashes with calm reason, their unlikely but powerful partnership is the only thing capable of leading their crew through unimaginable danger, boldly going where no one has gone before. The human adventure has begun again.

A mysterious story of two magicians whose intense rivalry leads them on a life-long battle for supremacy -- full of obsession, deceit and jealousy with dangerous and deadly consequences.

Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.

In 1800, as Napoleon Bonaparte rises to power in France, a rivalry erupts between Armand and Gabriel, two lieutenants in the French Army, over a perceived insult. For over a decade, they engage in a series of duels amidst larger conflicts, including the failed French invasion of Russia in 1812, and shifts in the political and social systems of Europe.

A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.

Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.

In Charenton Asylum, the Marquis de Sade directs a play about Jean Paul Marat's death, using the patients as actors. Based on 'The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade', a 1963 play by Peter Weiss.

After years of war, the Federation and the Klingon empire find themselves on the brink of a peace summit when a Klingon ship is nearly destroyed by an apparent attack from the Enterprise. Both worlds brace for what may be their deadliest encounter.

Arriving in the small town of Fallwell, Massachusetts to claim her inheritance, horror hostess Elvira receives a less than enthusiastic reception from the conservative locals, including her sinister uncle Vincent.

Milo and Kida reunite with their friends to investigate strange occurances around the world that seem to have links to the secrets of Atlantis.

Set during World War II, a German army garrison is sent to guard a mountain pass in a village in Romania's Carpathian mountains and sets up barracks in an ancient stone fortress. Two of the soldiers unwittingly release a mysterious entity that kills or corrupts those within its influence, drawing the attention of a Gestapo commander, a Jewish scholar and a mysterious traveller.

Three anthropomorphic mice motorcyclists named Throttle, Modo, and Vinnie escape a war on their home planet Mars before arriving to defend the Earth from the evil that destroyed their homeland and to one day return to Mars.

A handsome jewel thief is arrested and in order to avoid prison, must break into the heavily guarded German Embassy to steal millions in gems.

During a bank robbery, the manager and a cashier are locked in the strongroom, while the crooks escape. Later, when the gang realise that their plan to release the pair has gone wrong, they return to the bank to try and release them before the police turn up.

While trying to expose corruption and greed, television reporter Edison Carter discovers that his employer, Network 23, has created a new form of subliminal advertising (termed "blip-verts") that can be fatal to certain viewers.

A mysterious new shop opens in a small town which always seems to stock the deepest desires of each shopper, with a price far heavier than expected.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.