Lung (Tony Poon), a rookie bodyguard, falls in love with the first subject he's overseeing, May (May Cheung). She has come to Hong Kong with false hopes of being a singer, but she's unwillingly set to enter the world of prostitution instead. Into this equation comes a model agency head (Margaret Lee – We're Going To Eat You) who's determined to conquer the love of Lung.

Wang, a womanising businessman miles away from home, makes it a sport to seduce young women. After one of his conquests got pregnant with his child and died after the abortion, one after another of his lovers are found murdered. It is only when he is arrested and convicted for these crimes that he finds himself embroiled in a plot of revenge. Based on the work of Japanese novelist Togawa Masako which was previously adapted by director Nakahira Kō into The Hunter’s Diary (1964 in Japan) and the Hong Kong version Diary of a Lady-killer (1969), Ho Fan’s remake, his third film for Shaw Brothers as director, is a stylistic tour de force and a more authentic rendering than the 1969 version, grippingly suspenseful and provocative with clever shots, dark humour, and sophisticated treatment of contemporary attitudes about sexual liberation, exploring the conflicts over human nature and desire. (By Reel to Reel Institute)

A sex comedy by the Shaw Brothers studio.

Ho Fan started his career as a Shaw Brothers actor, best known for his role as the monk Tang Seng in the classic Monkey Goes West film series. As a director, however, his forte was erotica. Like Li Han Hsiang, Ho Fan was a pioneer of the aesthetic school of erotica, known for his luscious cinematography and seductive lens. He is certainly one of the few Hong Kong erotica filmmakers to have made a respectable name for himself with Category III offerings like Adventure in Denmark, Yu Pu Tuan, and 1977's Innocent Lust. One of Ho Fan's representative works, Innocent Lust stars Ai Fei, Chan Chun Ho, and Lam Choi as college friends who are unlucky in love. They decide to go to a night club, and are surprised to discover that their innocent-looking classmate (Chan Wai Ying) works as a hostess there. When they step up to defend her from a lecherous old man, the encounter sparks off an unexpected journey of love and lust.

Adapted from the same infamous ancient text as the popular 1992 opus Sex and Zen, this film. Mei Yeung-sun is a man of letters who is less than thrilled with his sex life with his comely young wife Ti Yuk-xiang. Yet when Mei uncovers the family sex manual, their physical relationship improves considerably. So successful is the transformation that the two spend all of their time in the sack, much to the consternation of the girl's father. Later, Mei leaves home supposedly to become an official in the big city. In fact, Mei really plans to troll around the countryside and have sex with as many women as possible. Thanks to the advice of master thief Tsoi Kwun-lung, Mei visits a noted doctor and leaves the place with a massive newly installed penis. Brimming with cocksure confidence, he soon seduces lonely housewife Yim-fong. Her thuggish husband Kuan Low-si soon gets his revenge.

Before Michael Mak’s Sex And Zen became a cult favourite in the ’90s, there was Ho Fan’s Yu Pui Tsuen (The Carnal Prayer Mat, 1987). But without sex bomb Amy Yip, coarse humour or lesbian love affairs, Yu Pui Tsuen had to rely on the nudity and sex from his cast of relative unknowns to save the day. When a young man dreams that he drowns after a night of carnal passion, he asks a buddhist monk to translate the experience for him. The monk replies that the dream is a warning not to indulge the pleasures of the flesh to excess, but the man ignores his advice, marrying a virgin and making love to her constantly. However, after several torrid affairs, the man begins to realise the sagacity of the monk's warning.