In the era of the twelfth Shogun, Tokugawa Ieyoshi, a notorious bandit known as "Shippu" (or "Swift Wind") emerged in Edo. Shippu would send a warning message called the "Thief's Summons" before striking, yet despite the magistrate's desperate search efforts, they couldn't find any leads. One day, a summons was shot into the residence of Ono Ryusai, who was leading a peaceful retirement life with his two concubines, O-Ran and O-Koshi. With the summons, various individuals including O-Ran's brother Itami Shigoshiro, the master of the Muso-ryu dojo, vigilante Mankichiro, rope expert Gohei, and Den'ichi from Kuromon Town were assigned to monitor the situation. However, while they were distracted by a neighboring fire, a chest containing a thousand ryo was stolen, and O-Koshi was killed.

Bored Hatamoto film #10

Bored Hatamoto movie #11

Drama about a famous one-eyed, one-armed samurai swordsman of the middle of the Tokugawa period by the name of Tange Sazen. By chance, Tange gets an old pot in which the secret of the treasure of 1000000 ryos of gold is hidden. However, a bunch of different people hunt for the pot and Tange will have to apply his phenomenal fencing skills with the sword.

A period piece about the love of a wealthy blind woman, a teacher of koto and shamisen, and her devoted manservant. Based on a novella by Tanizaki Junichiro.

Jidaigeki by Tai Kato

The story of five easygoing Yakuza who come together to save the live of a young innocent girl, Oichi, from an evil vassal.

A young girl, Okimi, falls in love with Kiritaro, a handsome thief disguised as a wealthy young master.

​The story follows the chance meeting between Senkichi, a wandering gambler on the run, and Orin, a blind musician who offers him kindness and shelter. As their lives become intertwined, they attempt to find a sense of peace and domesticity while caught in the crossfire of the violent Bakumatsu revolution.

In late 19th-century Tokyo, Kikunosuke Onoue, the adopted son of a legendary actor, himself an actor specializing in female roles, discovers that the praise he receives is only due to his status as his father's heir. Devastated, he turns to Otoku, a servant of his family, for comfort, and they fall in love. Kikunosuke becomes determined to leave home and develop as an actor on his own merits, and Otoku faithfully joins him.