It's the late sixties, a time of peace signs, free love and revolution; and Kent like others of his generation, is looking for a meaning to his life. Driving alone along the Big Sur, he flashes back to difficult memories about college, drugs, family and relationships. The flashback over, Kent is back in his car, but he loses control and crashes over an embankment. Stunned and hurt, Kent starts hitchhiking, not caring which direction. He wanders aimlessly, taking rides from strangers, never making real contact. Then he meets Julie who intrigues him and they move in together. Kent still has to find himself and the meaning of his existence.

Timmy Cleary returns to his Bronx home at the end of World War II and is soon disillusioned to find his parents' marriage filled with discord, quarreling, and recriminations.

Harry "Rabbit" Angstrom comes home one day from his dead-end job to find his pregnant wife Janice asleep, splayed in front of the TV, highball glass in hand. After a moment's contemplation, he decides to leave. Taking his coat and car keys, he's off and running on a rambling, aimless journey.

In Alexandria, in 1938, Darley, a young British schoolmaster and poet, makes friends through Pursewarden, the British consular officer, with Justine, the beautiful and mysterious wife of a Coptic banker. He observes the affairs of her heart and incidentally discovers that she is involved in a plot against the British, meant to arm the Jewish underground in Palestine. The plot finally fails, Justine is sent to jail and Darley decides to return to England.

A newlywed couple on their honeymoon visit friends who are having marital problems of their own.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

When greed threatens the livelihood of an Italian monastery, a monk flees with the formula for their special liquor.

A high-school music teacher is the victim of a student who writes indecent notes and assaults women.

Director Charles Lederer's 1959 musical stars James Cagney as an unscrupulous longshoreman who'll resort to every dirty trick in the book to win his union's presidency.

Over fifty of the greatest living comedians are called to a party at Bob Hope's house, where each of them is systematically killed (and their bodies thrown in Hope's pool!). Hope and the rapidly shrinking cast try to discover who is the mysterious killer known only as "Joys."

Mordecai Jones, a silver-tongued swindler and self-proclaimed “M.B.S., C.S., D.D.—Master of Back-Stabbing, Cork-Screwing and Double-Dealing,” has made a career out of charming and cheating his way through life. Played with devilish charm by George C. Scott, Jones takes on a new protégé in Curley, a wide-eyed Army deserter eager for direction. Together, they crisscross the backroads of the rural South, pulling off a string of homespun cons while staying one step ahead of a relentless local sheriff. Along the way, Curley falls for Bonnie Lee Packard, a rebellious heiress who joins their misadventures. But as the scams grow riskier, Curley begins to wonder whether a life of flimflam is worth the price. With its colorful characters, offbeat humor, and standout performance by Scott, The Flim-Flam Man is a rollicking Southern caper about cons, conscience, and unlikely camaraderie.