Ethnically Korean Japanese filmmaker Yoichi Sai directs this madcap crime comedy. Nakayama (Goro Kishitani) is a suave police detective who doesn't play by the rules. He busts a drug ring, but not before sampling a few of the wares, and he closes down an underaged prostitution ring after enjoying the company of a school girl hooker. One of duties is to shake down sniveling Korean gangster Hideyoshi (Ren Osugi) for information. In spite of their positions on opposite sides of the law, the two discover that they share a fair amount in common. A disregard for the law and the love of a comely prostitute from China named Momo-chan (Makoto Togashi). Though Hideyoshi is running an illegal alien smuggling ring with her and has lusted for her from a far for quite a while, Nakayama manages to bed her first. When she does finally appear in Hideyoshi's bed, she's unfortunately a corpse.

There is an ongoing war between two Girl Gangs, the Akabane 100 Club and the Ikebukuro Cavalry. Yukiko, the "Bankaku," or chief bodyguard of the Akabane, is released from reform school and sets about to finish an ongoing one-on-one grudge match with the Arab Falcon and the whole Cavalry gang. With a theme song by 1970s Japanese "Group Sounds" band Carol, and live performance. Rock and Sukeban unite for an extraordinary and cool piece of filmmaking.

The eruption of Mt. Fuji in 1707 released hordes of demons from deep inside the earth. Sakuya, the young daughter of a samurai killed fighting these demons, accepts a mission to travel to Mt. Fuji and defeat the evil spirits. Accompanying her on her journey are two veteran warriors who served her father, and Tarō, a young kappa, or river spirit, whom she has adopted as her little brother. Along the way, the two warriors have doubts about Tarō’s loyalties, and the young kappa himself must decide if he will stand with his own species or with the humans who have cared for him.

In late 90s Osaka, three people from various walks of life meet by chance. They team up to orchestrate a complex financial con targeting crooked businessmen in an attempt to solve their respective financial woes.

Two semi-slackers with an ultra-intimate friendship work, slack and drink in a freezing Hokkaido town.

Based on the novel of the same name by Kenzo Kitakata.

On August 9, 1945, the Americans dropped an atomic bomb on Nagasaki. This film, based on a story by Mitsukaru Inoue, describes the daily life of people in Nagasaki the day before that fateful event. It presents the human drama of people's lives, and their feelings of joy and sadness. These include a newlywed couple, an expectant mother, and lovers who must say farewell because the boy is called to serve in the army. Each of these people, like others in the city, hoped to live with their dreams for ‘tomorrow’. But tomorrow never comes for them, as their lives are brought to an abrupt and unexpected end. Knowing how the story ends, in this case, doesn't detract from it at all; rather, it enhances the emotional impact, which is further heightened by the poignant musical score from Teizo Matsumura. 'Ashita' is the first film in Kazuo Kuroki's 'War Requiem Trilogy,' which also includes 'Utsukushii Natsu Kirishima' (2002) and 'Chichi to Kuraseba' (2004).

An entertainment drama depicting the conflict of yakuza, centering on the female torso and her sister's feud.

Master swordsman Akiyama Kohei’s simple life in retirement is jarred into violent sword action when he meets an elderly fencing instructor who may be the target of a group of thieves planning a major armed robbery. At the same time dojo master Daijiro saves the life of man who, although skilled in archery has an aversion to killing and a woman artist comes into town where she is in danger of being raped by one of the thieves. From the pen of noted author Ikenami Shotaro, creator of such classics as Bandit Ve. Samurai, Hunter In The Dark, The Last Samurai, and Hissatsu-The Professional Killers! Brilliant storytelling that leads to superb swordsmanship!

Komaki is a thirty-something woman that has had it with her perpetually unemployed aspiring writer husband. Following the divorce, she moves back to her Tokyo-area hometown of Kyojima along with her young daughter, Non-chan. However, she has a difficult time making ends meet in big city Tokyo. Her solution? Take a chance and try opening her very own bento (lunch box) shop.

Toward the end of World War II, middle-aged soldier Keita is entrusted with a postcard from a comrade who is sure he will die in battle. After the war ends, Keita visits his comrade's wife Yuko and bears witness to the tragic life she has led.

The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

Kasumi is in the midst of an affair with Ishiyama, one of her husband's clients. When Kasumi and her family visit Ishiyama's villa in Hokkaido, she plans to abandon them to be with Ishiyama. The next morning, her daughter Yuka disappears, which throws Kasumi's life into turmoil. Years later, Yuka remains missing, and Kasumi journeys back to Hokkaido with Utsumi, a terminally-ill former detective, and tries to follow any leads she can.

Mitsu works in a factory and has a crush on Tsutomu, a young man she met on the Tokyo streets. One day the two go out, and after some deception, Tsutomu manages to have his way with her. Coming from a broken home, he is frightened by love, so he cruelly allows her to wake up alone. A month passes and a more grown-up Tsutomu returns. The lovers joyously reunite and move in together. All is blissful until both notice a strange sore on Mitsu's arm. The doctors diagnose it as leprosy. Without telling Tsutomu, Mitsu checks into a leper sanitarium. Hanging out with society's pariahs gives her much insight. She discovers the old lepers to be wonderful people. In turn, Mitsu becomes their source of joy and renewed hope. Still, she misses her Tsutomu. One day, the doctors inform her that they erred and that the sore is not leprosy. Happily she heads back to her true love until she realizes with a guilty pang that to return to him would mean unhappiness for her newfound friends

Shohei Taguchi is a salaryman who works for a securities company and loves women like no other. One day, he plans to use the cash borrowed from the gangsters and snatch to repay his debt . However, Sayoko Mukai, who said that she used the money of the company for gambling , took over the money. Shohei and Sayoko plan a robbery and steal cash from the gallery, but another man steals it.

Japanese horror move from 1978.

Class-A Kyoto, a strip joint in Kyoto, is raided by the police. Shohei, a salesman who happens to be there, gets caught in the middle of it and is fired from his job. Having nowhere else to go, Shohei reluctantly becomes the manager of the place... The film is a comedy full of pathos about the connection between strippers called "special delivery" and the "pimps" who hang on to them.

Hiroshi, a small-time racketeer, makes a name for himself extorting vulnerable companies and their directors for financial gain.

Special forces officer Ajisawa leaves his paramilitary group to take care of his newly-adopted daughter, Yoriko: the sole survival of a bloodbath for which he is responsible. Years later, Ajisawa is forced to return to the scene of the tragedy for his new job as a claims adjuster where he is subsequently arrested for his suspected involvement. But the threat of jail time is the least of his worries as his former organization comes gunning for him.