A baroque mix of revolutionary politics, pop culture and semiotics loosely based on the play by Pedro Calderón de la Barca. A young prince learns that life is just a dream from which we wake when we die. And that dreams may be as real as life.

A surreal odyssey in which a melancholic maidservant crosses paths with a homicidal little boy, travels to a tiny island of pirates and encounters a man with multiple personalities.

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

This quickly-filmed avant-garde farce by prolific director Raul Ruiz features an insomniac (Michel Lonsdale) whose main preoccupation is surreptitiously watching private matters -- he is a voyeur. He and an equally disreputable acquaintance rape a woman alongside the Seine, a crime made all the worse because she is pregnant. The rest of this slow-paced film deals with the consequences of that action.

An island retreat. A man, his face bandaged, plays cards nonchalantly. His ex-wife arrives. Conversations happen.

Chilean exiles in Paris discuss the problems facing them. They kidnap and attempt to re-educate a touring singer from their fatherland.

A young working class girl falls in love with an upper class boy who is part of the plot to assassinate General Schneider, head of the Chilean Army. The film was shot in 1973 over six weeks with a budget of $170,000. As a result of the 1973 Chilean coup d'état and military dictatorship (1973–1990), the film was presumed lost for many years and not released until 1992.

An attorney defends a young man on trial for killing his aunt — a psychiatrist who took him in to study possible homicidal tendencies.