Buffalo Bill plans to put on his own Wild West sideshow, and Chief Sitting Bull has agreed to appear in it. However, Sitting Bull has his own hidden agenda, involving the President and General Custer.

Fifty-three minutes of deleted scenes and alternate takes assembled by David Lynch.

During World War II, a plane full of RAF fighter crashes in the Ethiopian desert and they are met upon by an enemy Italian patrol that allows them to go free. But, when the Brits are given orders to attack the Italians, lots of problems ensue.

During the fascist era, Adriana a beautiful young model, becomes a prostitute after a love affair gone wrong. She meets Mino, a partisan who falls in love with her and wants to redeem her.

An exasperated police inspector receives different eyewitness accounts surrounding a downed saucer and its female occupant.

Primary school teacher Mr. Mombelli, nevertheless satisfied with his life, is driven by his wife to resign and starting a new activity. He invest all his goodwill setting up a footwear little factory.

A team of highly trained Italian seamen are taken to the island of Stampalia where there are to take their torpedo-laden attack craft on a daring attack on the port of Suda.

A charming rogue, the self-proclaimed leader of Naples, locks horns with an American Army general and a police inspector.

Popular Italian comic Alberto Sordi does an excellent job of creating a bumbling yet effective police inspector by the unlikely name of Dante Lombardozzi, in this entertaining comedy-murder mystery by director Luigi Comencini.

A woman in her thirties is a single mother of a teenager daughter, and both are in love with the same young soldier. Mother sacrifices herself for Maricchia's marriage, but ultimately falls to her own passion, leading to family disruption.

A secret agent possesses a ring that makes him invisible for a short time, once every 10 hours. He is in pursuit of an evil criminal mastermind but, at the same time, must evade an enemy agent who also wants the ring.

Giacomo Casanova returns to Venice, to help his brother, falsely accused of robbery.

In Mussolini's Rome a murderer is targeting young girls. The movie explores how the fascist mind works, how it plays its values off the sentiment of the masses and explores the role of the press in creating a unified narrative.

Sicily, 1865. Two peasants, Gramigna and his father are tricked by Baron Nardò and robbed of their field, which then the baron lets to Assunta, her daughter Gemma and her fiancé Ramarro. Determined to take revenge, Gramigna begins to hunt down Nardò's complicit mediators. Unbeknownst to Gramigna, Gemma, to escape her arranged marriage, goes after him. Love and violence will follow all till their desperate ends.

Based on the story of real life Sardinian bandit Graziano Mesina.

Mino and Lello, two sons of a worker wrongly accused of murder, try to find out evidence of his innocence and begin to investigate mafia business in Torino.

The ordinary life of the prudent employee Mr. Travet accelerates as he and her wife meet his new chief.

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.
Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...
What more to say without spoiling the fun? Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.
It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels?
So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!

A lecherous governor of Naples in 1680 lusts after the wives of several peasants, particularly after the miller's wife Carmela. The miller himself plans to avenge his honor by seducing the wife of the governor.

1951 film by Alberto Lattuada