An alarm clock wakes a man who washes his face, has breakfast, drives his car to work, spins records, returns home, and takes his pills. It's a world of circles - often seen from above: an espresso cup, a stairwell, the pills, and the records spinning. At the dance where the music plays, the rhythms evoke images of a butcher slicing head cheese, gears driving other wheels and levers, a combine churning out bales of hay, a butcher cutting chunks of meat for a stew, and boxers punching. The circle of music and life.

Using an array of gloves in different styles and from different historical periods, the film is a short history of the cinema - from silent movies via pastiches of Buñuel and Fellini and Close Encounters of the Third Kind to a futurist junkyard where tin cans become animated police cars in a city of urban decay.