In this chilling and groundbreaking documentary, former Indonesian death squad leaders reenact their real-life mass killings in the style of various film genres, from gangster epics to musicals. As they recreate their past atrocities, the line between reality and performance blurs, exposing the lingering impact of Indonesia’s 1965-66 anti-communist purge and the unsettling psychology of its perpetrators.

An optician grapples with the Indonesian mass killings of 1965-1966, during which his older brother was exterminated.

Twenty-five years after environmental collapse left the Earth uninhabitable, Mother, Father and Son are confined to their palatial bunker, where they struggle to maintain hope and a sense of normalcy by clinging to the rituals of daily life—until the arrival of a stranger, Girl, upends their happy routine. As tensions rise, their seemingly idyllic existence starts to crumble.

A kaleidoscopic history of the American heartland, nuclear weapons and the Native American genocide.

An early silent short by Joshua Oppenheimer in which a figure reflects light at the camera.

A group of flower arrangers practice their art in this second silent early short from Joshua Oppenheimer.

Animals are killed and processed for fast food. A man is tarred and feathered. A collage of ordinary horrors on the way to the millennium.

Experimental video and performance meditating on militias, American fundamentalism, and the opening of the American West.

Hugh is an elderly man keeping himself active in retirement. His hobbies include teaching children to play the piano, carpentry and driving into town to preach sermons on the evils of homosexuality.

For eighty cents an hour, prisoners in a New Mexico prison answer telephones for the state tourism hotline. Co-directed by Christine Cynn.

Meditation on psychlogical warfare, shopping and paramilitary death squads.

They say that when the Earth is destroyed beyond habitation, the only survivors will be the cockroaches. Filmmaker Joshua Oppenheimer gives the indomitable insects the floor in this perversely comic commentary on affluence and self-destruction. Leashed with thin ribbons, a small intrusion of cockroaches scramble over magazine spreads of the good life while a schizophrenic pest voice-over mutters like an asylum inmate recalling the good old days, when food was plentiful and the roach traps were the enemy. It is consumption and consumerism as empty activity and madness, played-out as a natural history documentary in the guise of an invasion picture, all set to the theme song from LOVE STORY.

Joshua Oppenheimer reimagines a sixty-second stock market update as maniacal monologue by a mumbling madman giving a bizarre play-by-play of floor traders and urban pedestrians as the trading day comes to an end. Created while in the midst of production on the feature-length GLOBALIZATION TAPES, this brief film is Oppenheimer's most concentrated piece of socio-political commentary: a quick, colorful political cartoon of capitalism plucked out-of-context and set to a soundtrack that is both comic and somewhat sinister. The upbeat musical accompaniment only enhances the empty celebration of meaningless activity.

Joshua Oppenheimer sets images of life in a retirement community in Arizona (as seen through television commercials) to a talk radio interview with a female convict extolling the benefits of her time on Sherriff Joe Arpaio's chain gang. It is two different kinds of sale jobs working at cross-purposes. Oppenheimer takes the luster off the idealistic advertising images through video distortion and electronic interference and cuts-up both the video and audio tracks until the weird poetry of the chain gang prisoner's lessons in life and death gives the commercial presentation a creepy disconnection from any kind of living ideal. It follows A BRIEF HISTORY OF PARADISE AS TOLD BY THE COCKROACHES and MARKET UPDATE as another sharp jab at consumerism as an illusory promise.