The days leading up to a toddler's second birthday are seen alternately from the child's point of view as well as that of his parents.

Drama about a famous one-eyed, one-armed samurai swordsman of the middle of the Tokugawa period by the name of Tange Sazen. By chance, Tange gets an old pot in which the secret of the treasure of 1000000 ryos of gold is hidden. However, a bunch of different people hunt for the pot and Tange will have to apply his phenomenal fencing skills with the sword.

A beautiful girl who seeks revenge, disguises herself by dressing up in men's clothes, geisha, etc. A young swordsman helps her uncover the plot and take revenge.

Legendary yakuza Shimizu Jirocho and his 28 henchmen travel the unruly path from a 'Fire Festival' in Akiba to a decisive battle by the Fujigawa.

A traditional bar mistress in Kyoto clashes with her Tokyo rival.

A gorgeous tragic love picture scroll depicting a beautiful woman who weeps over her strange fate and falters in her search for true love!

The sequel to Daibosatsu tôge (1960) and the second of the trilogy follows the adventures of Ryunosuke Tsukue after he is blinded.

Ichikawa's 1956 adaptation of Nihonbashi was the first to take the work of Kyoka Izumi— until then regarded as a writer of common tragic melodramas—and re-evaluate it as a tanbi-ha work of decadence, aestheticism, and intrigue. Ichikawa's film presents the tragic plot of the young geisha who is unable to enact her love for a man publicly in any way other than a histrionic story of torment, a heart-rending tale of lovers being crushed by fate. Instead, Ichikawa shows the contest of wills that transpires as two geisha, Oko and Kiyoha fight for the top spot in Nihonbashi, the pinnacle of the Tokyo geisha world. Nihonbashi is an elegant, if steely, exposition of manners. The young doctor, Shinzo Katsuragi, is the object of affection for both women, but appears to be more the choice reward for the plotting and thieving of these two early modern superwomen, than a lover they swoon over.

Kosaka drops to death while ice climbing with his friend Uozu to see the sunrise on the New Year’s Day. The investigators try to find the cause of the death, then discover that the cut rope was made in the factory for which Uozu’s brother works.

In a rural district of Tokyo, the owner of a farm is abandoned by his two daughters who are attracted to the life of the big city.

Hayase, a schoolteacher, assists Sakai in editing a German-Japanese dictionary. Hayase owes much to Sakai, as Sakai raised him for 13 years after Hayase lost his parents in a war. Hayase has been secretly married to Otsuta, a former geisha, and has been unable to tell Sakai of the marriage, aware as he is that Sakai wants him to marry his daughter, Taeko. Otsuta wants Hayase to tell Sakai about her, but understands the difficulty of his position. At a festival, Otsuta is mistaken for a pickpocket and taken to the police. Because of her background as a geisha, newspaper reporters eagerly delve into her past and report that she has been married to Hayase. Unaware of what has been printed in the papers, Hayase decides to tell Sakai about his marriage. Sakai shows the newspaper to him and orders Hayase to part with Otsuta. Given no chance to explain, Hayase accepts Sakai's order.

The title of the film reflects the custom of writing poems and lyrics on paper lanterns.
The film tells about the difficult relationship between the actors of the Japanese classical theater No, friendship, hatred and love…

The story follows Oshino, a geisha who is trying to start a new life with a lover who is a painter. However, her past filled with debts and pimps catches up to her.

The story of Yoshinaka during the tumultuous period of warring related to us in the Heike Monogatari. Close in setting to Kinugasa’s famous Gate of Hell (1953).

In Kyoto a young kimono maker with traditional ideas gets involved with a married professor.