Roberto Benigni, Bernardo Bertolucci, Gabriele Salvatores, Paolo Sorrentino and Giuseppe Tornatore talk about their idea of cinema.

The making of The Dreamers, its background and relation to the May 1968 student riots in Paris.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

The history of film and video censorship in Great Britain.

The American composer and author Paul Bowles was a man with a great deal of charisma and influence. When he moved to Tangier, Morocco, in 1949, half the world followed him to the enigmatic city. His marriage with author Jane Bowles was a loving relationship of opposites, even though both were homosexual. Based on exclusive interviews with Bowles shortly before his death interwoven with anecdotes recounted by his friends and co-workers, the film portrays a daring and visionary life as well as a relationship shaped by an interdependency that encompassed much more than sexuality.