A young woman opens her home for a film shoot, leading to newfound insights about her role as a woman in Iranian society.
Farshad Hashemi, previously known for his work as an assistant director on Ali Abbasi's Holy Spider, impresses with his remarkable directorial debut. The story revolves around a financially struggling woman who rents out her home, inadvertently subjecting her private life to the chaos of a film crew. On one level, it's a thought-provoking reflection on the nature of filmmaking and its ability to capture the intricacies of everyday life. Simultaneously, it serves as a poignant political film that, through the tale of one woman's restricted freedom, addresses the broader issue of women's oppression in Iran. It's also a playful and humorous film, both in its form and content."
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Vahid, an Azerbaijani auto mechanic, was once imprisoned by Iranian authorities. During his sentence, he was interrogated blindfolded. One day, a man named Eghbal enters his workshop. His prosthetic leg creaks, and Vahid thinks he recognizes one of his former torturers.