Kwon returns to Seoul from a restorative stay in the mountains. She is given a packet of letters left by Mori, who has come back from Japan to propose to her. Kwon drops and scatters the letters, all of which are undated. When she reads them, she has to make sense of the chronology.

A filmmaker meets a beautiful painter and tries to flatter her into spending time with him. In another scenario, the filmmaker meets the same painter and soon, they are intoxicated by each other.

A novelist visits a bookstore run by a young colleague who's been out of touch, then takes a walk with a film director and his wife. She meets an actress and tries to convince her to make a film together.

Young-hee, an actress reeling in the aftermath of an affair with a married film director, escapes to Hamburg. But when she returns to Korea and meets with friends for drinks, startling confessions emerge.

While her husband is on a business trip, Gam-hee meets three of her friends on the outskirts of Seoul.

She has never lived in a high-rise apartment, and she wonders how her sister can live at this height every day. A few days ago she kind of burst in to stay with her sister, and she is now becoming re-accustomed to life in Korea. While seeming to keep a grave secret to herself, she manages life one day at a time with a sense of mindfulness. Meanwhile a certain director, some years younger than her, has asked her to join his project, and after a polite refusal, they have agreed to meet for the first time today. Downtown Seoul is filled with narrow alleys that harbor tiny old bars, and that's where they meet. As they are getting drunk, there is sudden rainfall and thunder.

Made for the Venice Film Festival's 70th anniversary, seventy filmmakers made a short film between 60 and 90 seconds long on their interpretation of the future of cinema.