The fate of the entire hotel industry is at stake. A group of evil black ninjas have threatened to insinuate themselves into the industry, take over, and transform the operation into something unspeakable. Thank heaven the white ninjas are on hand to save the day. Agnes Chan heads the cast, so we assume she's the "ninja queen." This one isn't a whole lot better than others of its ilk, but at least there's some novelty in the settings.

Unexpected events occur when Pat, a glamorous British-born star of American soaps, returns home to plug her auto-biography on television and meets, for the first time since they were teenagers, Margaret her plain and frumpy younger sister. The meeting is painful for both women highlighting the vast differences in their lives and resurrecting painful memories of their unhappy childhood with an uncaring, errant mother. The tabloid press smell a juicy story and a race ensues to trace the whereabouts of the long lost parent.

The Earth is threatened by an alien race who kidnap and kill humans and even animals and use them for their body parts. In the year 1980 S.H.A.D.O. (Supreme Headquarters Alien Defence Organization), a highly secret military organization, is set up in the hope of defending the Earth from this alien threat. This organization operates from a secret location beneath the Harlington-Straker film studio in London. S.H.A.D.O. also has a base on the moon with Interceptors as well as an early warning satellite that detects inbound UFOs (called S.I.D.), and operate a fleet of submarines. General James Henderson and commander Ed Straker have a team of highly trained and well equipped females and males to battle the regularly incoming hostile UFOs.

An English bon-vivant osteopath is enchanted with a young exotic dancer and invites her to live with him. He serves as friend and mentor, and through his contacts and parties she and her friend meet and date members of the Conservative Party. Eventually a scandal occurs when her affair with the Minister of War goes public, threatening their lifestyles and their freedom.

Writing for ITV's SATURDAY NIGHT THEATRE series, Dennis Potter introduced the notion that popular music expresses the yearning of the human spirit for a better world. A troubled young man, David Peters (Ian Holm), claims, "Once dreams were possible, that's what the popular songs told us." Rejecting rock music of the day, Peters is immersed in the tunes of Thirties crooner Al Bowlly (killed during the London blitz). He collects Bowlly memorabilia, publishes the Bowlly fan-club newsletter, and finds pleasure in lip-synching Bowlly records but his obsession with Bowlly masks certain darker events in his past.

The brutally entitled Don't Be Like Brenda (1973) is an eight-minute lecture to young women, telling them not to be sexually promiscuous like the film's hapless heroine – although heaven knows, the promiscuity hinted at here is tragically modest. Poor Brenda goes all the way with a boy who does not marry her. The film is stunningly without any useful educational content on contraception and makes it entirely clear that the woman, not the man, is to blame. The film even makes her poor unwanted child suffer from a heart defect, so that no one wants to adopt the poor little thing – just to hammer the point home. (from: http://www.theguardian.com/film/filmblog/2009/feb/11/sex-education-films)

Roy leaves his abusive father's house and starts life anew as a woman, named Wendy. Through trial and error, she learns the skills and consequences of being a woman.

In London for the Prime Minister's funeral, Mike Banning discovers a plot to assassinate all the attending world leaders.

Two best friends and cop partners become the subject of a beautiful news reporter's documentary. The two soon find themselves competing for screen time as well as the love of the reporter while after a murderous arms dealer.