Forty years ago, the world nearly ended. Be is an old robot who was there, and doesn’t want to think about what happened, or what role they played in that conflict. They have settled into a life of isolation in the abandoned ruins of an old mill in the former New York Botanical Gardens, disinterested in what has happened in the outside world since they stepped away from the war. Someone out there, though, has not forgotten about them, and when they are attacked, their person vandalized, one of their legs stolen, they set out to find the thief accompanied by a cyborg dog and a human mechanic. The world has changed, but the recovery from the war is uneven and faltering, and Be begins to suspect a malicious hand trying to rekindle the old conflict and finish what was started. In order to stop them, Be needs to come to terms with both their own past and who they have become, and how everything and everyone else they knew has changed in their absence. Being left alone is no longer an option, and peace may be impossible. This is a story about coming to terms with your past, with who you’ve become and who you still want to be: a tale of resilence and hope, an ode to those struggling to become whole in a world half-broken.

In this introduction to the work of postmodern sex and gender theorists, gender activist Riki Wilchins explains the key ideas that have shaped contemporary sex and gender studies. Using straightforward prose and concrete examples from LGBT politics — as well as her own life — Wilchins makes thinkers like Derrida, Foucault, and Judith Butler easily accessible to students, activists, and others who are interested in some of the most compelling and divisive issues of the last 100 years. Additionally, Wilchins reports on the ways queer youths today are using the tools of queer theory and gender theory to reshape their world. This book connects postmodern theory to political passion, personal experience, and the patterns of everyday life.

"No work in modern literature, with the possible exception of Uncle Tom's Cabin, can compete with What Is to Be Done? in its effect on human lives and its power to make history. For Chernyshevsky's novel, far more than Marx's Capital, supplied the emotional dynamic that eventually went to make the Russian Revolution."—Joseph Frank, The Southern Review Almost from the moment of its publication in 1863, Nikolai Chernyshevsky's novel, What Is to Be Done?, had a profound impact on the course of Russian literature and politics. The idealized image it offered of dedicated and self-sacrificing intellectuals transforming society by means of scientific knowledge served as a model of inspiration for Russia's revolutionary intelligentsia. On the one hand, the novel's condemnation of moderate reform helped to bring about the irrevocable break between radical intellectuals and liberal reformers; on the other, Chernyshevsky's socialist vision polarized conservatives' opposition to institutional reform. Lenin himself called Chernyshevsky "the greatest and most talented representative of socialism before Marx"; and the controversy surrounding What Is to Be Done? exacerbated the conflicts that eventually led to the Russian Revolution. Michael R. Katz's readable and compelling translation is now the definitive unabridged English-language version, brilliantly capturing the extraordinary qualities of the original. William G. Wagner has provided full annotations to Chernyshevsky's allusions and references and to the, sources of his ideas, and has appended a critical bibliography. An introduction by Katz and Wagner places the novel in the context of nineteenth-century Russian social, political, and intellectual history and literature, and explores its importance for several generations of Russian radicals.

Exploring anti-fatness and anti-Blackness at the intersections of race, police violence, gender identity, fatness, and health. To live in a body both fat and Black is to intersect at the margins of a society that normalizes anti-fatness as anti-Blackness: hyper-policed by state and society, passed over for housing and jobs, and derided and misdiagnosed by medical professionals, fat Black people in the United States are subject to culturally sanctioned discrimination, abuse, and trauma. In Belly of the Beast, author Da’Shaun Harrison–a fat, Black, disabled, and non-binary writer AMAB (assigned male at birth)–offers an incisive, fresh, and precise exploration of anti-fatness as anti-Blackness. Foregrounding the state-sanctioned murder of Eric Garner in a historical analysis of the policing, disenfranchisement, and invisibilizing of fat Black men and trans and nonbinary AMAB people, Harrison discusses the pervasive, insidious ways that anti-fat anti-Blackness shows up in everyday life. Fat people can be legally fired in 49 states for being fat; they’re more likely to be houseless. Fat people die at higher rates from misdiagnosis or non-treatment; fat women are more likely to be sexually assaulted. And at the intersections of fatness, race, disability, and gender identity, these abuses are exacerbated. Taking on desirability politics, f*ckability, healthism, hyper-sexualization, invisibility, and the connections between anti-fatness and police violence, Harrison viscerally and vividly illustrates the myriad harms of anti-fat anti-Blackness–and offers strategies for dismantling denial, unlearning the cultural programming that says “fat is bad,” and moving beyond the world we have now toward one that makes space for the fat and Black.

Play in Utopian and Dystopian Fiction is a wide-ranging and interdisciplinary study of the different forms of play to be found in depictions of radically better and radically worse societies across literary, filmic, and televisual texts. The book sets out to dismantle common myths about the role of play in such fiction by arguing that, far from being dull and static, utopias are primarily playful and dynamic. In contrast, in the twentieth and twenty-first centuries, dystopian fiction has been popularized by reader and audience expectations of spectacular and exciting action, but in this book such readings of dystopia are also challenged. Accompanying this is a discussion about labor and its role in relation to a future society that might privilege play over work. The book covers texts as diverse as Thomas More’s originary 1516 travel narrative, Utopia, and South Korean Netflix dystopian hit Squid Game (2021-25). It consists of chapters detailing the nature of play in utopian fiction; the connection between utopia and stasis; dystopian forms of violent and deadly play; boring dystopias; the absurd in utopian and dystopian fiction; and, finally, the future of play promised by new digital utopias and made possible by videogame technologies.

This monograph recuperates the concept of entertainment as a legitimate basis for ‘small screen’ criticism. It suggests that critical approaches to television might treat the text as an object of potential which actively engages and provides for aesthetic experience through entertainment. Aesthetic experience is characterised by emotion, and this study shows how the textual production of specifically forward feelings such as anticipation, aspiration, fear or dread may be mobilised and made sense of, shaping our sense of the future and its objects of hope. The argument is demonstrated by case studies arranged from ‘light’ to ‘dark’ in tone — as varied as Eurovision and Succession, The Repair Shop and The Leftovers — showing how these provide potentially significant, affecting encounters that are ‘hopeful’ in varying degrees and guises. Hope is adopted both as a theme of analysis and as a critical strategy of interpretation which privileges entertainment efficacy, and thus moves towards a more viewer-centric appreciation of cultural value.

This is a book that students of architecture will want to keep in the studio and in their backpacks. It is also a book they may want to keep out of view of their professors, for it expresses in clear and simple language things that tend to be murky and abstruse in the classroom. These 101 concise lessons in design, drawing, the creative process, and presentation—from the basics of "How to Draw a Line" to the complexities of color theory—provide a much-needed primer in architectural literacy, making concrete what too often is left nebulous or open-ended in the architecture curriculum. Each lesson utilizes a two-page format, with a brief explanation and an illustration that can range from diagrammatic to whimsical. The lesson on "How to Draw a Line" is illustrated by examples of good and bad lines; a lesson on the dangers of awkward floor level changes shows the television actor Dick Van Dyke in the midst of a pratfall; a discussion of the proportional differences between traditional and modern buildings features a drawing of a building split neatly in half between the two. Written by an architect and instructor who remembers well the fog of his own student days, 101 Things I Learned in Architecture School provides valuable guideposts for navigating the design studio and other classes in the architecture curriculum. Architecture graduates—from young designers to experienced practitioners—will turn to the book as well, for inspiration and a guide back to basics when solving a complex design problem.

Richard Siken’s Crush, selected as the 2004 winner of the Yale Younger Poets prize, is a powerful collection of poems driven by obsession. Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism.

Pax Silica: The New Ruling Class explores the emergence of a new global order in which power is increasingly concentrated in the hands of a techno-capitalist elite. Robinson traces the rise of a "new capital complex" that brings big tech together with global finance and the military-industrial-repression complex. The chaos that now engulfs the world is driven by the predatory strategies of this complex as it seeks to seize markets, land, and resources needed for the AI revolution. In order to advance its interests, the complex is moving into alignment with authoritarian, dictatorial and fascist states as the tech and financial billionaires become global geopolitical actors. They are deeply invested in transnational systems of warfare, social control, repression and surveillance that are digitalized, automated, and embedded in the global economy and society. The new ruling class has concluded that the crisis of global capitalism can only be overcome by violently cracking open new spaces for accumulation, by transferring the cost of the crisis to the working classes, and by aligning states and political systems worldwide with its agenda. The consolidation of Pax Silica, Robinson argues, thus hinges on the ideological extremism and political warlordism of "Global Trumpism" and other ruling class mafias as the post-World War II international order crumbles and as geopolitical confrontation escalates. In this way, the economic totalitarianism that has come about over the past half century of neoliberalism and acute inequality is now translating into a political totalitarianism of a new type as the Pax Silica complex sets out to convert the chaos into new strategies for the accumulation of capital and power. Yet the fascist state remains embryonic. The ruling class is not omnipotent. Robinson sees great hope in the mass resistance movements and youth-led revolts that are proliferating around the world. These popular forces from below offer an alternative future, one based not on the domination of capital but on the needs of toiling majorities and the empowerment of working-class communities. If Pax Silica offers an urgent warning about a possible tragic future, it also provides a critical framework for understanding the global maelstrom and what it means for popular resistance and emancipatory struggles.

Resources, Values and Development contains many of Amartya Sen's path-breaking contributions to development economics, including papers on resource allocation in nonwage systems, investment planning, shadow pricing, employment policy, and welfare economics.

From New York Times bestselling author Kate Quinn comes a gorgeously written fantastical adventure which poses the question: Have you ever wished you could live inside a book? Welcome to the Astral Library, where books are not just objects, but doors to new worlds, new lives, and new futures. Alexandria “Alix” Watson has learned one lesson from her barren childhood in the foster-care system: unlike people, books will never let you down. Working three dead-end jobs to make ends meet and knowing college is a pipe dream, Alix takes nightly refuge in the high-vaulted reading room at the Boston Public Library, escaping into her favorite fantasy novels and dreaming of far-off lands. Until the day she stumbles through a hidden door and meets the Librarian: the ageless, acerbic guardian of a hidden library where the desperate and the lost escape to new lives...inside their favorite books. The Librarian takes a dazzled Alix under her wing, but before she can escape into the pages of her new life, a shadowy enemy emerges to threaten everyone the Astral Library has ever helped protect. Aided by a dashing costume-shop owner, Alix and the Librarian flee through the Regency drawing rooms of Jane Austen to the back alleys of Sherlock Holmes and the champagne-soaked parties of The Great Gatsby as danger draws inexorably closer. But who does their enemy really wish to destroy—Alix, the Librarian, or the Library itself?

O autor neste livro quebra a cronologia linear da historiografia oficial para desnudar o saque ao continente que persiste desde o descobrimento. Analisando os mecanismos de poder, os modos de produção e os sistemas de expropriação, Eduardo Galeano reescreve a história da América Latina e expõe os quinhentos anos de exploração econômica e miséria social.

More incisive analysis from the dude.

Emma Goldman is often depicted in current academic discourse as a mere prototypical feminist and socialist. Yet this collection of essays by Goldman reveals that she often expressed ideas which many of her present day admirers might find surprising and unsettling. She distrusted the proletariat, wrote disdainfully of the early feminists who were her contemporaries, and even expressed scepticism of women's suffrage. Goldman was an admirer of Nietzsche and in many ways represents a model of a superior individual who is capable of rising above the herd instincts of the masses and embracing confrontation with danger. She never hesitated to countenance both the ire of public authorities and the scorn of public opinion. As contemporary anarchists have fallen into the mundane habit of politically correct conformity, a full examination of Goldman's thought suggests the need for a new anarchism that reflects the martial spirit of which Goldman was an exemplary. Emma Goldman is often depicted in current academic discourse, and the “Left” in particular, as a role model for feminists and a champion of the proletariat. Keith Preston however in reviewing each chapter of Goldman’s most famous work “Anarchism and Other Essays” reveals that Emma Goldman often expressed ideas which many of her present day admirers will find surprising and unsettling. He highlights the fact that Emma Goldman distrusted the proletariat, wrote disdainfully of the early feminists who were her contemporaries, and expressed scepticism of women’s suffrage. Keith Preston maintains that Emma Goldman can only be really understood by recognising her admiration for the ideas of the German philosopher Friedrich Nietzsche (an admiration that she shared with Adolf Hitler and the National Socialists). He argues that Emma Goldman (as with Nietzsche’s “Zarathustra”) represents a model of a “superior individual” who is capable of rising above the herd instincts of the masses — one who never hesitated to countenance both the ire of public authorities and the scorn of public opinion. Politically correct she was not.

An accessible, bold new vision for the future of intersectional trans feminism, called "one of the best books in trans studies in recent years" by Susan Stryker Why are trans women the most targeted of LGBT people? Why are they in the crosshairs of a resurgent anti-trans politics around the world? And what is to be done about it by activists, organizers, and allies? A Short History of Transmisogyny is the first book-length study to answer these urgent but long overdue questions. Combining new historical analysis with political and activist accessibility, the book shows why it matters to understand trans misogyny as a specific form of violence with a documentable history. Ironically, it is through attending to the specificity of trans misogyny that trans women are no longer treated as inevitably tragic figures. They emerge instead as embattled but tenacious, locked in a struggle over the meaning and material stakes of gender, labor, race, and freedom. The book travels across bustling port cities like New York, New Orleans, London and Paris, the colonial and military districts of the British Raj, the Philippines, and Hawai'i, and the lively travesti communities of Latin America. The book shows how trans femininity has become legible as a fault line of broader global histories, including colonial government, the sex work industry, the policing of urban public space, and the line between the formal and informal economy. This transnational and intersectional approach reinforces that trans women are not isolated social subjects who appear alone; they are in fact central to the modern social world.

"Anyone will tell you the born of this world are marked from the get-out, win or lose." Set in the mountains of southern Appalachia, this is the story of a boy born to a teenaged single mother in a single-wide trailer, with no assets beyond his dead father's good looks and copper-colored hair, a caustic wit, and a fierce talent for survival. In a plot that never pauses for breath, relayed in his own unsparing voice, he braves the modern perils of foster care, child labor, derelict schools, athletic success, addiction, disastrous loves, and crushing losses. Through all of it, he reckons with his own invisibility in a popular culture where even the superheroes have abandoned rural people in favor of cities. Many generations ago, Charles Dickens wrote David Copperfield from his experience as a survivor of institutional poverty and its damages to children in his society. Those problems have yet to be solved in ours. Dickens is not a prerequisite for readers of this novel, but he provided its inspiration. In transposing a Victorian epic novel to the contemporary American South, Barbara Kingsolver enlists Dickens' anger and compassion, and above all, his faith in the transformative powers of a good story. Demon Copperhead speaks for a new generation of lost boys, and all those born into beautiful, cursed places they can't imagine leaving behind.

A groundbreaking work of feminist history and theory analyzing the complex relations between various forms of oppression. Ain't I a Woman examines the impact of sexism on black women during slavery, the historic devaluation of black womanhood, black male sexism, racism within the recent women's movement, and black women's involvement with feminism.

Spread out over many years and many different publications, the late author and activist Marta Russell wrote a number of groundbreaking and insightful essays on the nature of disability and oppression under capitalism. In this volume, Russell’s various essays are brought together in one place in order to provide a useful and expansive resource to those interested in better understanding the ways in which the modern phenomenon of disability is shaped by capitalist economic and social relations. The essays range in analysis from the theoretical to the topical, including but not limited to: the emergence of disability as a “human category” rooted in the rise of industrial capitalism and the transformation of the conditions of work, family, and society corresponding thereto; a critique of the shortcomings of a purely “civil rights approach” to addressing the persistence of disability oppression in the economic sphere, with a particular focus on the legacy of the Americans with Disabilities Act of 1990; an examination of the changing position of disabled people within the overall system of capitalist production utilizing the Marxist economic concepts of the reserve army of the unemployed, the labor theory of value, and the exploitation of wage-labor; the effects of neoliberal capitalist policies on the living conditions and social position of disabled people as it pertains to welfare, income assistance, health care, and other social security programs; imperialism and war as a factor in the further oppression and immiseration of disabled people within the United States and globally; and the need to build unity against the divisive tendencies which hide the common economic interest shared between disabled people and the often highly-exploited direct care workers who provide services to the former.

At the pinnacle of a grand and prolific career, W. S. Merwin has given us a shimmering new verse translation of the central section of Dante's Divine Comedy — the Purgatorio. Led by Virgil, inspired by his love for Beatrice, Dante makes the arduous journey up the Mountain of Purgatory, where souls are cleansed to prepare them for the ultimate ascent to heaven. Presented with the original Italian text, and with Merwin's notes and commentary, this luminous new interpretation of Dante's great poem of sin, repentance, and salvation is a profoundly moving work of art and the definitive translation for our time.

Uma inesquecível e lindamente ilustrada antologia com narrativas de doze autoras contemporâneas de diferentes nações indígenas. Os contos e os recontos que os leitores vão encontrar neste livro expressam a criatividade das mulheres originárias do Brasil. A partir de sonhos, vivências comunitárias, histórias e modos de vida passados de geração em geração e da observação da natureza, as doze autoras reunidas nesta antologia de literatura indígena feminina contemporânea compartilham suas vivências — subjetivas e de identidade coletiva. Tratando dos mais diversos temas — aventuras, relações familiares, histórias de amor e amizade, contos de origem — e mesclando ficção com não ficção, as narrativas são acompanhadas por um glossário e um texto informativo sobre o povo indígena originário de cada autora, além de pequenas biografias sobre cada uma das autoras. Esta é uma oportunidade imperdível para todas as pessoas que desejam conhecer mais a produção literária originária contemporânea, e mergulhar no universo das culturas e nações que desde sempre ocuparam o que hoje chamamos de "território brasileiro". Com histórias Auritha Tabajara, Bruna Karipuna, Chirley Maria Pankará, Eliane Potiguara, Glicéria Tupinambá, Lidiane Damaceno Krenak, Márcia Mura, Naine Terena, Simone Karajá, Telma Taurepang, Trudruá Dorrico e Vanessa Kaingang. Indicado para leitores a partir dos 9 anos.