Uma inesquecível e lindamente ilustrada antologia com narrativas de doze autoras contemporâneas de diferentes nações indígenas. Os contos e os recontos que os leitores vão encontrar neste livro expressam a criatividade das mulheres originárias do Brasil. A partir de sonhos, vivências comunitárias, histórias e modos de vida passados de geração em geração e da observação da natureza, as doze autoras reunidas nesta antologia de literatura indígena feminina contemporânea compartilham suas vivências — subjetivas e de identidade coletiva. Tratando dos mais diversos temas — aventuras, relações familiares, histórias de amor e amizade, contos de origem — e mesclando ficção com não ficção, as narrativas são acompanhadas por um glossário e um texto informativo sobre o povo indígena originário de cada autora, além de pequenas biografias sobre cada uma das autoras. Esta é uma oportunidade imperdível para todas as pessoas que desejam conhecer mais a produção literária originária contemporânea, e mergulhar no universo das culturas e nações que desde sempre ocuparam o que hoje chamamos de "território brasileiro". Com histórias Auritha Tabajara, Bruna Karipuna, Chirley Maria Pankará, Eliane Potiguara, Glicéria Tupinambá, Lidiane Damaceno Krenak, Márcia Mura, Naine Terena, Simone Karajá, Telma Taurepang, Trudruá Dorrico e Vanessa Kaingang. Indicado para leitores a partir dos 9 anos.

Da feitiçaria antiga aos recentes movimentos neopagãos, a história da bruxaria está nas entrelinhas da própria história. As bruxas são um estereótipo duradouro e mutável na mentalidade coletiva. Sua tradição, repleta de perseguições e reviravoltas, tem uma trajetória silenciosa, mas não por isso menos verdadeira e devastadora. "História da bruxaria" é o mais abrangente estudo sobre o tema, e o discute de forma lúcida e estimulante, sob diferentes perspectivas. Os autores examinam a gênese, o auge e o declínio da caça às bruxas e revelam como a bruxaria sobreviveu, ressurgiu, reciclou-se e atua na sociedade contemporânea.

The hidden story of the wanton slaughter — in Indonesia, Latin America, and around the world — backed by the United States. In 1965, the U.S. government helped the Indonesian military kill approximately one million innocent civilians. This was one of the most important turning points of the twentieth century, eliminating the largest communist party outside China and the Soviet Union and inspiring copycat terror programs in faraway countries like Brazil and Chile. But these events remain widely overlooked, precisely because the CIA's secret interventions were so successful. In this bold and comprehensive new history, Vincent Bevins builds on his incisive reporting for the Washington Post, using recently declassified documents, archival research and eye-witness testimony collected across twelve countries to reveal a shocking legacy that spans the globe. For decades, it's been believed that parts of the developing world passed peacefully into the U.S.-led capitalist system. The Jakarta Method demonstrates that the brutal extermination of unarmed leftists was a fundamental part of Washington's final triumph in the Cold War.

In her first novel in verse, Anne Carson bridges the gap between classicism and the modern, poetry and prose, with a volcanic journey into the soul of a winged red monster named Geryon. There is a strong mixture of whimsy and sadness in Geryon’s story. He is tormented as a boy by his brother, escapes to a parallel world of photography, and falls in love with Herakles—a golden young man who leaves Geryon at the peak of infatuation. Geryon retreats ever further into the world created by his camera, until that glass house is suddenly and irrevocably shattered by Herakles’ return. Running throughout is Geryon’s fascination with his wings, the color red, and the fantastic accident of who he is. Autobiography of Red is a deceptively simple narrative layered with currents of meaning, emotion, and the truth about what it’s like to be red. It is a powerful and unsettling story that moves, disturbs, and delights.

Global capitalism is facing an unprecedented crisis. The global economy is mired in prolonged stagnation. The worldwide social fabric is in decay. Civil strife and social upheaval are tearing up political systems and, in some cases, leading to the collapse of states. The planetary ecosystem is breaking down. Millions are fleeing, displaced by climate change, transnational corporate land grabs, wars and political persecution. How far into the future can global capitalism endure? In this urgent new study, sociologist William I. Robinson presents a “big picture” snapshot of the crisis of capitalism and the battle for the future of humanity. Drawing on 30 years of scholarship and activism, Robinson applies his original theory of global capitalism to the emerging digital age. He shows how global elites have pinned their hope on economic reactivation through the application of radical new digital technologies and financial strategies to the global economy and society. The rulers will turn to enhancing a global police state to contain mass rebellion as humanity enters a season of chaos and global civil war. The capitalist class and privileged strata of humanity may be able to survive collapse for decades to come even as a majority of humanity faces desperate struggles for survival that lead many to perish in the coming years. But there is eventually a terminal point to capitalist expansion as mass extinction and the radical alteration of the natural environment make life for our species and most others impossible. The only solution is a reversal of escalating inequalities through a radical redistribution of wealth and power downward as a first step in replacing the capitalist system, with its relentless pursuit of private profit at all cost, by an ecosocialism that prioritizes social need and harmony with the rest of nature. Theoretically sophisticated and engaging, this concise study will be satisfying to scholars yet accessible to a broader public concerned with the urgent political affairs of our day.

A futuristic thriller about climate change by the acclaimed screenwriter of First Cow, Meek’s Cutoff, and HBO’s Mildred Pierce. The year is 2052. Climate change has had a predictably devastating effect: Venice submerged, cyclones in Oklahoma, megafires in South America. Yet it could be much worse. Two decades earlier, the global protest movement known as the Upheavals helped break the planet’s fossil fuel dependency, and the subsequent Nuremberg-like Toronto Trials convicted the most powerful oil executives and lobbyists for crimes against the environment. Not all of them. A few executives escaped arrest and went into hiding, including pipeline mastermind Robert Cave. Now, a Pacific Northwest journalist named Jack Henry who works for a struggling media company has received a tip that Cave is living in Mexico. Hoping the story will save his job, he travels south and, using a fake identity, makes contact with the fugitive. The two men strike up an unexpected friendship, leaving Jack torn about exposing Cave—an uncertainty further compounded by the diagnosis of a life-threatening illness and a new romance with an old acquaintance. Who will really benefit from the unmasking? What is the nature of justice and punishment? How does one contend with mortality when the planet itself is dying? Denial is both a page-turning speculative suspense novel and a powerful existential inquisition about the perilous moment in which we currently live.

From the New Yorker staff writer Hua Hsu, a gripping memoir on friendship, grief, the search for self, and the solace that can be found through art. In the eyes of 18-year-old Hua Hsu, the problem with Ken—with his passion for Dave Matthews, Abercrombie & Fitch, and his fraternity—is that he is exactly like everyone else. Ken, whose Japanese American family has been in the United States for generations, is mainstream; for Hua, the son of Taiwanese immigrants, who makes ’zines and haunts Bay Area record shops, Ken represents all that he defines himself in opposition to. The only thing Hua and Ken have in common is that, however they engage with it, American culture doesn’t seem to have a place for either of them. But despite his first impressions, Hua and Ken become friends, a friendship built of late-night conversations over cigarettes, long drives along the California coast, and the textbook successes and humiliations of everyday college life. And then violently, senselessly, Ken is gone, killed in a carjacking, not even three years after the day they first meet. Determined to hold on to all that was left of one of his closest friends—his memories—Hua turned to writing. Stay True is the book he’s been working on ever since. A coming-of-age story that details both the ordinary and extraordinary, Stay True is a bracing memoir about growing up, and about moving through the world in search of meaning and belonging.

Fascinante história de uma africana idosa, cega e à beira da morte, que viaja da África para o Brasil em busca do filho perdido há décadas. Ao longo da travessia, ela vai contando sua vida, marcada por mortes, estupros, violência e escravidão. Inserido em um contexto histórico importante na formação do povo brasileiro e narrado de uma maneira original e pungente, na qual os fatos históricos estão imersos no cotidiano e na vida dos personagens. "Um defeito de cor", de Ana Maria Gonçalves, é um belo romance histórico, de leitura voraz, que prende a atenção do leitor da primeira à última página.

Logen Ninefingers, infamous barbarian, has finally run out of luck. Caught in one feud too many, he’s on the verge of becoming a dead barbarian – leaving nothing behind him but bad songs, dead friends, and a lot of happy enemies. Nobleman Captain Jezal dan Luthar, dashing officer, and paragon of selfishness, has nothing more dangerous in mind than fleecing his friends at cards and dreaming of glory in the fencing circle. But war is brewing, and on the battlefields of the frozen North they fight by altogether bloodier rules. Inquisitor Glokta, cripple turned torturer, would like nothing better than to see Jezal come home in a box. But then Glokta hates everyone: cutting treason out of the Union one confession at a time leaves little room for friendship. His latest trail of corpses may lead him right to the rotten heart of government, if he can stay alive long enough to follow it. Enter the wizard, Bayaz. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Logen, Jezal, and Glokta a whole lot more difficult. Murderous conspiracies rise to the surface, old scores are ready to be settled, and the line between hero and villain is sharp enough to draw blood.

Beneath the towering bleached ribs of a dead, ancient beast lies the city of New Crobuzon, where the unsavory deal is stranger to no one—not even to Isaac, a gifted and eccentric scientist who has spent a lifetime quietly carrying out his unique research. But when a half-bird, half-human creature known as the Garuda comes to him from afar, Isaac is faced with challenges he has never before encountered. Though the Garuda's request is scientifically daunting, Isaac is sparked by his own curiosity and an uncanny reverence for this curious stranger. Soon an eerie metamorphosis will occur that will permeate every fiber of New Crobuzon—and not even the Ambassador of Hell will challenge the malignant terror it evokes.

The long-awaited essay collection from one of the most influential voices in disability activism that detonates a bomb in our collective understanding of care and illness, showing us that sickness is a fact of life. In the wake of the 2014 Ferguson riots, and sick with a chronic condition that rendered them housebound, Johanna Hedva turned to the page to How do you throw a brick through the window of a bank if you can’t get out of bed? It was not long before this essay, “Sick Woman Theory”, became a seminal work on disability, because in reframing illness as not just a biological experience but a social one, Hedva argues that under capitalism—a system that limits our worth to the productivity of our bodies—we must reach for the revolutionary act of caring for ourselves and others. How to Tell When We Will Die expands upon Hedva’s paradigm-shifting perspective in a series of slyly subversive and razor-sharp essays that range from the theoretical to the personal—from Deborah Levy and Susan Sontag to wrestling, kink, mysticism, death, and the color yellow. Drawing from their experiences with America’s byzantine healthcare system, and considering archetypes they call The Psychotic Woman, The Freak, and The Hag in Charge, Hedva offers a bracing indictment of the politics that exploit sickness—relying on and fueling ableism—to the detriment of us all. With the insight of Anne Boyer’s The Undying and Leslie Jamison’s The Empathy Exams, and the wit of Samantha Irby, Hedva’s debut collection upends our collective understanding of disability. In their radical reimagining of a world where care and pain are symbiotic, and our bodies are allowed to live free and well, Hedva implores us to remember that illness is neither an inconvenience or inevitability, but an enlivening and elemental part of being alive.

In The Right to Maim Jasbir K. Puar brings her pathbreaking work on the liberal state, sexuality, and biopolitics to bear on our understanding of disability. Drawing on a stunning array of theoretical and methodological frameworks, Puar uses the concept of “debility”—bodily injury and social exclusion brought on by economic and political factors—to disrupt the category of disability. She shows how debility, disability, and capacity together constitute an assemblage that states use to control populations. Puar's analysis culminates in an interrogation of Israel's policies toward Palestine, in which she outlines how Israel brings Palestinians into biopolitical being by designating them available for injury. Supplementing its right to kill with what Puar calls the right to maim, the Israeli state relies on liberal frameworks of disability to obscure and enable the mass debilitation of Palestinian bodies. Tracing disability's interaction with debility and capacity, Puar offers a brilliant rethinking of Foucauldian biopolitics while showing how disability functions at the intersection of imperialism and racialized capital.

Edward Snowden, the man who risked everything to expose the US government’s system of mass surveillance, reveals for the first time the story of his life, including how he helped to build that system and what motivated him to try to bring it down. In 2013, twenty-nine-year-old Edward Snowden shocked the world when he broke with the American intelligence establishment and revealed that the United States government was secretly pursuing the means to collect every single phone call, text message, and email. The result would be an unprecedented system of mass surveillance with the ability to pry into the private lives of every person on earth. Six years later, Snowden reveals for the very first time how he helped to build this system and why he was moved to expose it. Spanning the bucolic Beltway suburbs of his childhood and the clandestine CIA and NSA postings of his adulthood, Permanent Record is the extraordinary account of a bright young man who grew up online—a man who became a spy, a whistleblower, and, in exile, the Internet’s conscience. Written with wit, grace, passion, and an unflinching candor, Permanent Record is a crucial memoir of our digital age and destined to be a classic.

H.P. Lovecraft's reputation has grown tremendously over the decades, and he is now commonly regarded as one of the most important horror writers of the 20th century, exerting an influence that is widespread, though often indirect. H.P. Lovecraft's tales of the tentacled Elder God Cthulhu and his pantheon of alien deities were initially written for the pulp magazines of the 1920s and '30s. These astonishing tales blend elements of horror, science fiction and cosmic terror that are as powerful today as they were when they were first published. This handsome tome collects together the very best of Lovecraft's tales of terror, including the complete Cthulhu Mythos cycle, just the way they were originally published. It will introduce a whole new generation of readers to Lovecraft's fiction, as well as being a must-buy for those fans who want all his work in a single, definitive, highly attractive volume. Contents: • Night-Gaunts • Dagon • The Statement of Randolph Carter • The Doom The Came to Sarnath • The Cats of Ulthar • The Nameless City • Herbert West - Reanimator • The Music of Erich Zann • The Lurking Fear • The Hound • The Rats in the Walls • Under the Pyramids • The Unnamable • In the Vault • The Outsider • The Horror at Red Hook • The Colour Out of Space • Pickman’s Model • The Call of Cthulhu • Cool Air • The Shunned House • The Silver Key • The Dunwich Horror • The Whisperer in Darkness • The Strange High House in the Mist • The Dreams in the Witch-House • From Beyond • Through the Gates of the Silver Key • At the Mountains of Madness • The Shadow Over Innsmouth • The Shadow Out of Time • The Haunter of the Dark • The Thing on the Doorstep • The Case of Charles Dexter Ward • The Dream-Quest of Unknown Kadath • To a Dreamer • Afterword: A Gentleman of Providence by Stephen Jones See also: Eldritch Tales .

Der MAGIRA-ZYKLUS stellt das Hauptwerk von Hugh Walkers Schaffen dar und wurde in über drei Jahrzehnten mehrmals in eine neue literarische Form gegossen. Die acht Romane über die Fantasywelt MAGIRA und die Anfänge des legendären »Ewigen Spiels« erscheinen in unserer Werkreihe in zwei Bänden, ergänzt durch umfangreiches Sekundärmaterial. Teil 1 enthält die Romane 1-4, die Erzählung »Die Faust der Gisha«, Story-Exposés, Beiträge von Helmut W. Pesch und Eduard Lukschandl sowie eine Cover-Galerie. Teil 2 enthält die Romane 5-8, die Regeln des »Ewigen Spiels«, Beiträge von Horst Hermann von Allwörden und Franz Schröpf sowie eine Galerie von Helmut W. Pesch. »Ich habe als Autor viele Stunden in meinen Phantasiewelten verbracht, und ich könnte mir keine Arbeit auf der Welt vorstellen, die schöner gewesen wäre!« (HUGH WALKER)

Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition. The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

In November 2019, Paul B. Preciado was invited to speak in front of 3,500 psychoanalysts at the École de la Cause Freudienne’s annual conference in Paris. Standing up in front of the profession for whom he is a ‘mentally ill person’ suffering from ‘gender dysphoria’, Preciado draws inspiration in his lecture from Kafka’s ‘Report to an Academy’, in which a monkey tells an assembly of scientists that human subjectivity is a cage comparable to one made of metal bars. Speaking from his own ‘mutant’ cage, Preciado does not so much criticize the homophobia and transphobia of the founding fathers of psychoanalysis as demonstrate the discipline’s complicity with the ideology of sexual difference dating back to the colonial era, an ideology which is today rendered obsolete by technological advances allowing us to alter our bodies and procreate differently. Further, Preciado calls for a radical transformation of psychological and psychoanalytic discourse and practices, arguing for a new epistemology capable of allowing for a multiplicity of living bodies without reducing the body to its sole heterosexual reproductive capability, and without legitimizing heteropatriarchal and colonial violence. Causing a veritable outcry among the assembly, Preciado was heckled and booed and unable to finish. The lecture, filmed on smartphones, ended up published online, where fragments were transcribed, translated and published with no regard for exactitude. Eighteen months on, Can the Monster Speak? Report to an Academy of Psychoanalysts is published in a definitive translation for the first time.

When an injury throws a young, battle-hungry orc off her chosen path, she may find that what we need isn't always what we seek. In Bookshops & Bonedust, a prequel to Legends & Lattes, author Travis Baldree takes us on a journey of high fantasy, first loves, and second-hand books. Viv's career with the notorious mercenary company Rackam's Ravens isn't going as planned. Wounded during the hunt for a powerful necromancer, she's packed off against her will to recuperate in the sleepy beach town of Murk—so far from the action that she worries she'll never be able to return to it. What's a thwarted soldier of fortune to do? Spending her hours at a beleaguered bookshop in the company of its foul-mouthed proprietor is the last thing Viv would have predicted, but it may be both exactly what she needs and the seed of changes she couldn't possibly imagine. Still, adventure isn't all that far away. A suspicious traveler in gray, a gnome with a chip on her shoulder, a summer fling, and an improbable number of skeletons prove Murk to be more eventful than Viv could have ever expected.