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8mo nimu
cover

Book

Day of the Vipers
Goodreads
James Swallow publishing house: Pocket Books 2008 - 4
Before the Dominion War and the decimation of Cardassia...before the coming of the Emissary and the discovery of the wormhole...before space station Terok Nor became Deep Space 9...there was the Occupation: the military takeover of an alien planet and the violent insurgency that fought against it. Now that fifty-year tale of warring ideologies, terrorism, greed, secret intelligence, moral compromises, and embattled faiths is at last given its due in the three-book saga of Star Trek's Lost Era... A seemingly benign visitation to the bountiful world of Bajor from the resource-poor Cardassian Union is viewed with cautious optimism by some, trepidation by others, and a calculating gleam by unscrupulous opportunists. What begins as a gesture of compassion soon becomes something very different. Seen through the eyes of participants on both sides — including those of a young officer named Skrain Dukat — the personal, political, and religious tensions between the Bajorans and the Cardassians quickly spiral out of control, irrevocably shaping the futures of both worlds in an emotionally charged and unforgettable tale of treachery, tragedy, and hope.

acabou de ler Day of the Vipers 🌕🌕🌕🌕🌕
primeiro livro de star trek q eu leio e não achei "meh" ou "okzinho". aliás, longe disso. a construção de universo aqui foi top de linha. e também o jeito como a ocupação cardassiana foi de algo aparentemente impossível para algo inevitável foi precisamente sutil e elaborado (de modo bem cardassiano).

digno de ser "um ótimo livro de ficção científica" e não apenas "um ótimo livro de star trek".

nimu
@plushiedata@eggplant.place
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quaisquer pronomes / any pronouns

i usually post in portuguese mas às vezes posto em inglês tb

"the idea of innocence faces two ways. by refusing to enter a conspiracy, one remains innocent of that conspiracy. but to remain innocent may also be to remain ignorant. the issue is not between innocence and knowledge (or between the natural and the cultural) but between a total approach to art which attempts to relate it to every aspect of experience and the esoteric approach of a few specialized experts who are the clerks of the nostalgia of a ruling class in decline. [...] the real question is: to whom does the meaning of the art of the past properly belong? to those who can apply it to their own lives, or to a cultural hierarchy of relic specialists?"
(john berger)



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