Hoping to find a sense of connection to her late mother, Gorgeous takes a trip to the countryside to visit her aunt at their ancestral house. She invites her six friends, Prof, Melody, Mac, Fantasy, Kung Fu, and Sweet, to join her. The girls soon discover that there is more to the old house than meets the eye.

Roger Cobb, a divorced horror novelist coming to terms with the disappearance of his young son, inherits an old mansion home to malevolent supernatural residents.

Trying to recover from the nearly marriage-breaking stress following the death of their child, Jack and Stephanie spontaneously take off on a road trip. But when their car breaks down in a remote area, they find themselves in a horrific nightmare. Seeking shelter in a house, they soon realize that more danger lurks inside than outside in this spine-chiller based on Ted Dekker and Frank Peretti's best-seller.

An eclectic collage of film fragments and styles bound together by a shared preoccupation of self-consciousness as being trapped in a cruel world.

A film by Ben Rivers

Hus is a film which attempts to reveal the private and hidden layers of our habitation. It is a live animation film shot on location which incorporates both pixilation (stop motion) and time-lapse photography. Every single shot opens up a hidden layer of the house and exposes it to the passing light. Within the accelerated time of the film the house gradually breaks down piece by piece and frame by frame. Once the house is completely dismantled it is reconstructed in a different location.

A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.

House is the story of a house in West-Jerusalem: abandoned during the 1948 war by its owner, a Palestinian doctor; requisitioned by the Israeli government as "vacant'; rented to Jewish Algerian immigrants in 1956; purchased by a university professor who undertakes its transformation into a patrician villa... The building site is like a theatre in which the former inhabitants, the neighbours, the workers, the builder and the new owner all appear. Israeli television censured the film. "Gitai wants this house to be both a symbol and something very concrete; he wants it to become a character in a film. He achieves one of the most beautiful things a camera can register 'live', as it were; people who look at the same thing but see different things - and who are moved by that vision. In this crumbling shell of a house, real hallucinations begin to take shape. The film's central idea is simple and the film has simply the force of that idea, no more, no less."

Fresh from group therapy, a man shares odd anecdotes with ten others inside a church.

Film about a cozy household.

An elderly couple gaze into one another's eyes as a house is demolished around them

A meditation on emigration and immigration, house and home.

A man runs after a house…

A family lives in a house on the mountain. The rhythms of the surrounding nature and love help her to overcome difficult situations.

Er wollte nur kurz telefonieren, doch nicht mit dem Teufel

Performance, 2002, in SISTERS BEGUINE, a group exhibition under the curatorship of Peter Morrens and Rik de Boe, the Voorkamer Gallery, Lier(B). In the transparent house she turns blue and hums a monotonous melody. The reading of Hadewijch's visions, who is said to have been a beguine or at least a religiously independent woman, was one of the reasons for the performance that explores the field of tension between physical consciousness and spiritual sensibility.

The story of a young girl living in an atmosphere of turmoil and apathy of the perestroika times.

After being forced to vacate her rented house, Sudha decides to build a new house for her family and herself. However, she faces a lot of difficulties owing to rampant corruption and red tape.