IDM
Digiform EP Bandcamp NeoDB
propulse
release date Jan. 22, 2021
Written, recorded and produced by Jon and Kyle Wall

Mastered by Nathan Wall

Artwork by Bobby Pena Mendez

© & ℗ A Person Disguised As People, 2021
Catalogue No: AS021
imouto basic soundtrack Bandcamp
Pigmhall
release date Aug. 9, 2025
Aug. 11, 2025 listened
[已购] [电子版] (2025.8.9)

Original animetion works collection DVD: https://pigmhall.net/dvd6.html

https://www.youtube.com/watch?v=d7wYyiNRpNs

这个时期他做的音乐逐渐开始techno起来了也比较有意思的

(但是他现在画图能不能少用点AI...)

(为什么隐藏track有奇怪的性癖内容)
Chiptune Denpa Hard Techno IDM Psychedelic
Yope NeoDB Bandcamp
Indek
release date April 1, 2024
The original 5 track EP was upgraded with 14 remixes by old & new friends on February 26 2025.

"Broke and fixed, acidic and base — deftly programmed braindance that traverses and transcends the glowing terrain of “dance” music. Breakbeat buildings dot a landscape seen from the windows of a passing maglev, swollen synth mountains in the distance against a sky of fluorescing hues and modulated clouds. The train moves across bridges above wide water sprinkled with iridescent islands and bioluminescent algae blooming in beat. Down the car, robotic attendants push trolleys full of sequenced beverages, effervescent and still, while pitched vocals sing electric arias and something unseen yet vibrantly felt skitters and slides between the tapping feet of passengers entranced by the voyage." - Rubber City Noise

"Electronic alchemist indek embraces the hedonistic impulses of breakcore and braindance in his work, filling each second with jolts of manic energy fueled by beats and samples that stomp and glitch and disintegrate under their combined weight. But even as his sounds short circuit and create sparks in cramped spaces, he never loses sight of how these often-disparate sounds can be fused together to create a core of nervous electricity and emotional catharses. He works in abstract musical realization, in the propagation of feral patterns and cacophonous anomalies, searching for commonality in uncommon things. This drives him to rearrange and deconstruct sounds without bowing to referential influence or (sub)genre limitations." - Joshua Packard /