生き続けることは、罪を重ねることだ。産まれることは呪いではないか？



蒼い鳥が飛んでいる。

ずっと、ずっと遠くの空へ、たゆまず飛んでいる

眩しい太陽を遮って自ら眩しい存在になるようだ



もし、あの空へ飛べるなら

勝手な思い込み、足元が無意識的に運ぶ

落下するまで何秒かかるのかな、知らず知らずに

この肉体は既にボロボロ

In the presence of absolute [gravity], fate is destined to distort—none can escape. All dissolves at the edge of the void; only ██ endures.



Kreuzwave returns after half a year with a brand-new experimental release. For the first time, we delve into extreme sonic territories such as glitch, IDM, and breakcore—constructing an ever-collapsing gravitational field through audio, probing the limits of chaos, perception, and the unknown.



With every purchase or redemption of the digital album, we include a bonus: the English typeface "Residual Signal", the title font. Independent designers or studios with fewer than 10 members may use this font in commercial projects without additional licensing.



Please accept this gravity-bound gift—and unleash your creativity without constraint.

Manchester’s Dylan Nathan is one of the reason’s I started Planet Mu in the first place. It was tracks of his like “DMC” and “Brad’s Garden Maintainance” that inspired me to put his music out. Welcome to Spectrum’s classic hardcore meets drum’n’bass meets electro melodicism.

However ugly the term, drill’n’bass still sounds perfect for Dylan “Jega” Nathan and hisjarringly abstract machine-gun beat collages. Sometimes his ultra-precise work is easier to appreciate as engineering rather than music, but here he’s fired up and on cracking form. Taken from his imminent “Spectrum” album, “Pitbull” is a layered confection of elegant cinematic melody, bruising hip-hop breaks and sense-shredding metallic junglism. The stealthy, spring-loaded clatter of “Carbon 60” seems to be fashioned out of ulta-light alloy, while “Intron V” and “Naem” are Aphex-tinged collisions of randomised rhythm and kindergarten melody. It no doubt all makes perfect sense to Nathan, but it remains disturbingly beautiful to untuned ears.

CDs & Cassettes available here:

An album about exploring "wonderland".

Recorded and produced 31/05/2023 - 12/02/2024
Mastered by Moa
All artwork by Gabriel Good

Releases October 11th 2024

Thanks to VMR, J1nabae, Dac, Dalton, DrkTomy, Grave, Bowtie Media, Cybercrashers, iANO, Rosalie, Sticki and so many more who this album would have been impossible to make without.

Holding on to memories, moving forward, in search of the truth.

NOISJ254



Shadows don’t echo — unless Oz1 tells them to.

A haunting descent into abstract rhythm and controlled chaos.

Oz1 returns with Ghost — a raw, atmospheric drum & bass cut that distorts structure and space.

This single also features a ghostly reinterpretation of Death – Enigma, reimagined in Oz1’s signature fractured style.

Dark, unorthodox, and eerily hypnotic — this is Noisj in its purest form.