This is “PEACE OUT,” a track I painstakingly reworked from specifically for the party event “VIVA : NU-NRG REUNION” held at ZEROTOKYO in Shinjuku, Tokyo on August 2, 2025. The original source material was created back in 1997, and the master tape's sound quality was utterly terrible. With no data or parts remaining whatsoever, I struggled to finish it, striving to make it fit the venue's state-of-the-art sound system. It's quite niche, but if you like it, feel free to add it to your collection!

This file will be available from noon on September 06, 2025, Japan Standard Time, until 11:59 AM on September 13, 2025.

The original 5 track EP was upgraded with 14 remixes by old & new friends on February 26 2025.

"Broke and fixed, acidic and base — deftly programmed braindance that traverses and transcends the glowing terrain of “dance” music. Breakbeat buildings dot a landscape seen from the windows of a passing maglev, swollen synth mountains in the distance against a sky of fluorescing hues and modulated clouds. The train moves across bridges above wide water sprinkled with iridescent islands and bioluminescent algae blooming in beat. Down the car, robotic attendants push trolleys full of sequenced beverages, effervescent and still, while pitched vocals sing electric arias and something unseen yet vibrantly felt skitters and slides between the tapping feet of passengers entranced by the voyage." - Rubber City Noise

"Electronic alchemist indek embraces the hedonistic impulses of breakcore and braindance in his work, filling each second with jolts of manic energy fueled by beats and samples that stomp and glitch and disintegrate under their combined weight. But even as his sounds short circuit and create sparks in cramped spaces, he never loses sight of how these often-disparate sounds can be fused together to create a core of nervous electricity and emotional catharses. He works in abstract musical realization, in the propagation of feral patterns and cacophonous anomalies, searching for commonality in uncommon things. This drives him to rearrange and deconstruct sounds without bowing to referential influence or (sub)genre limitations." - Joshua Packard /