#纽约时报 剧院版:
『‘The Ally,’ a Play About Israel and Free Speech, Tackles Big Issues』
Itamar Moses wrote a drama of ideas about Israel and antisemitism. Then Oct. 7 happened.
https://www.nytimes.com/2024/02/22/theater/itamar-moses-the-ally.html
#纽约时报 剧院版:
『‘The Ally,’ a Play About Israel and Free Speech, Tackles Big Issues』
Itamar Moses wrote a drama of ideas about Israel and antisemitism. Then Oct. 7 happened.
https://www.nytimes.com/2024/02/22/theater/itamar-moses-the-ally.html
#纽约时报 剧院版:
『Robert Macbeth, Founder of Harlem’s New Lafayette Theater, Dies at 89』
He created a vibrant space for actors and playwrights that became a seedbed for the emerging Black Arts Movement of the 1960s and ’70s.
https://www.nytimes.com/2024/02/22/theater/robert-macbeth-dead.html
#纽约时报 剧院版:
『‘Jelly’s Last Jam’ Review: A Musical Paradise, Even in Purgatory』
Did Jelly Roll Morton “invent” jazz, as he claimed? A sensational Encores! revival offers a postmortem prosecution of one of the form’s founding fathers.
https://www.nytimes.com/2024/02/22/theater/jellys-last-jam-review.html
#新现场NewLive 微博:
#前些天你可能错过的消息 新现场在广州新添常规放映场地——位于越秀区的蓓蕾剧院!3月藉现代戏剧之父契诃夫逝世120周年之际进行主题放映,包括《海鸥》和《万尼亚舅舅》两部经典剧作英国、俄国两个版本的对映,以及同样风格鲜明的手语版《三姐妹》,每周五晚上19:30献映。目前大麦、猫眼均已开票~~
#新现场 Bilibili:
《武松日记》于2017年由香港话剧团制作并首演,本剧编剧兼导演潘惠森曾经在采访中提到:“我把武松写成一个很郁闷的青年,比较文艺,所以他会写日记。当然原著里面是没有这回事的。一个写日记的文艺青年在梁山这样一个比较刚性的群体里面,他是怎么活的呢,所以会有一点郁闷,有一点不得志的感觉。”这样的武松,在舞台上具有了他自己的新生命,也是一个足以和当代人交流的武松。潘惠森多姿多彩的文字处理雅俗共赏、妙趣横生,荣获第二十七届香港舞台剧奖最佳剧本及年度优秀制作,饰演武松的李镇洲获提名最佳男主角。
视频地址:
https://www.bilibili.com/video/BV1Yv421r7dL
https://t.bilibili.com/903824052970324017
https://www.bilibili.com/video/av1451121936&high_quality=1&autoplay=0
#纽约时报 剧院版:
『Forbidden No More: ‘Forbidden Broadway,’ Scrappy Spoof, Bound for Broadway』
The long-running parody show, which has been staged in New York and on tour, will open this summer at the Hayes Theater.
https://www.nytimes.com/2024/02/29/theater/forbidden-broadway.html
#纽约时报 剧院版:
『Review: For ‘Jack Tucker,’ Failure Is the Only Option』
Zach Zucker delivers a raucously funny portrait of a catastrophically dim stand-up comic at SoHo Playhouse.
https://www.nytimes.com/2024/03/05/theater/jack-tucker-comedy-standup-hour-review.html
#新现场NewLive 微博:
5月即将在小维克上演的百老汇获奖音乐剧《陌路相逢》(Passing Strange)宣布了卡司阵容,Liesl Tommy, 奥利弗奖Giles Terera(《汉密尔顿》《奥赛罗》), Rachel Adedeji和Keenan Munn-Francis等将组成这次的欧洲首演阵容。该剧讲述了一位年轻黑人音乐家途经80年代的洛杉矶、阿姆斯特丹和柏林,踏上音乐之旅的故事,由Stew Stewart担纲剧本创作,Stew Stewart和Heidi Rodewald作曲,2008年首演于百老汇并获得7项托尼奖提名。
#纽约时报 剧院版:
『‘Illinoise’: A Place of Overflowing Emotion, but Little Dance Spirit』
Justin Peck, who directs and choreographs a narrative dance musical to Sufjan Stevens’s concept album “Illinois,” resorts to his usual standby: community.
https://www.nytimes.com/2024/03/13/arts/dance/illinoise-dance-justin-peck.html
#纽约时报 剧院版:
『‘The Effect’ Review: Dissecting the Science of Desire』
In Jamie Lloyd’s revival of Lucy Prebble’s play, Paapa Essiedu and Taylor Russell are a couple who fall in love during a pharmaceutical trial.
https://www.nytimes.com/2024/03/13/theater/the-effect-review.html
#新现场NewLive 微博:
奥斯卡影帝丹泽尔·华盛顿(Denzel Washington)和杰克·吉伦哈尔(Jake Gyllenhaal)将出演百老汇版《奥赛罗》?该剧将由Kenny Leon执导,计划2025年上演,目前地点和其他卡司未定
#新现场NewLive 微博:
曾经执导过《假面舞会》《叶甫盖尼·奥涅金》,执掌过俄罗斯瓦赫坦戈夫剧院,多次获得金面具奖的立陶宛导演里马斯·图米纳斯逝世,终年72岁
#新现场 Bilibili:
阿瑟·米勒名作的全新复排
扣人心弦的时代悲剧
解剖人性最深处的恐惧与黑暗
林赛·特纳执导的这版英国国家剧院全新复排版《萨勒姆的女巫》抓住了扣人心弦的戏剧张力与紧迫感,舞台设计师德夫林(Es Devlin)结合白色穹顶,使用昏黄色调简洁有效地营造出熔炉般的感官体验,又在幽蓝色调的人工雨墙中释放情绪,董汀滢的音响设计也配合得天衣无缝。目前这部《萨勒姆的女巫》仍在“新现场”放映中
视频地址:
https://www.bilibili.com/video/BV1nC411a7v9
https://t.bilibili.com/906041918275715110
https://www.bilibili.com/video/av1951439851&high_quality=1&autoplay=0
#新现场 Bilibili:
女主暴言:“我宁愿听我的狗冲着乌鸦乱叫,也不愿听一个男人发誓说爱我。”
在莎士比亚的喜剧佳作《无事生非》中,培尼狄克和贝特丽丝充满机智和戏谑的斗嘴是绝对的笑点担当~2022年英国国家剧院全新版本的《无事生非》,由《IT狂人》凯瑟琳·帕金森携手约翰·霍夫曼,故事背景转换至浪漫胜地意大利,再现莎士比亚最机智欢脱的爱情喜剧~
视频地址:
https://www.bilibili.com/video/BV1ZZ421y7ny
https://t.bilibili.com/906056010025664518
https://www.bilibili.com/video/av1151295408&high_quality=1&autoplay=0
#纽约时报 剧院版:
『Review: Welcome to ‘Illinoise,’ Land of Love, Grief and Zombies』
Sufjan Stevens’s 2005 concept album has become an unlikely and unforgettable dance-musical hybrid, directed and choreographed by Justin Peck.
https://www.nytimes.com/2024/03/07/theater/illinoise-review-sufjan-stevens-justin-pick.html
#纽约时报 剧院版:
『Dominique Blanc, at 67, Is in Her Prime』
After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she’s making a rare appearance in Manhattan.
https://www.nytimes.com/2024/03/08/theater/dominique-blanc.html
#新现场NewLive 微博:
获得过托尼奖和格莱美奖的音乐剧《冥界》(Hadestown)时隔五年后重返英国,发布全新预告!该剧由格莱美获奖唱作歌手Anaïs Mitchell一手包办词曲,托尼奖得主Rachel Chavkin执导,西区卡包括Melanie La Barrie (& Juliet), Gloria Onitiri (Cinderella), Zachary James 和Dónal Finn, Grace Hodgett Young等,目前在Lyric Theatre计划演至2024年12月22日 新现场NewLive的微博视频 https://video.weibo.com/show?fid=1034:5011016405155873
#纽约时报 剧院版:
『‘The Notebook’ Review: A Musical Tear-Jerker or Just All Wet?』
The 2004 weepie comes to Broadway with songs by Ingrid Michaelson and a $5 box of tissues.
https://www.nytimes.com/2024/03/14/theater/the-notebook-review-broadway-musical.html
#纽约时报 剧院版:
『How Ingrid Michaelson Made ‘The Notebook’ Into a Musical』
Family history is “wrapped up in these songs,” said the singer-songwriter Ingrid Michaelson, who is making the leap to Broadway with an adaptation of the popular romance novel.
https://www.nytimes.com/2024/03/08/theater/ingrid-michaelson-the-notebook-broadway.html
#纽约时报 剧院版:
『First-Time Tony Winners on Their Awards: Daniel Radcliffe, Kecia Lewis and More』
All of the actors who took home Tonys were first-time winners. Here’s what they had to say after their wins.
https://www.nytimes.com/2024/06/17/theater/first-time-tony-winners.html
#纽约时报 剧院版:
『Hollywood Actors Are Leaping Into Video Games』
Onscreen stars have increasingly been going virtual. Jodie Comer and David Harbour are making their video game debuts in a remake of the 1992 horror game Alone in the Dark.
https://www.nytimes.com/2024/03/18/movies/video-games-actors-comer-harbour.html
#新现场NewLive 微博:
在《燃烧的城市》(The Burnt City)落幕之后,著名浸没式戏剧公司Punchdrunk将带着改编过的早期作品《维奥拉的房间》(Viola’s Room)回归!24年前,Punchdrunk根据爱德华时代作家Barry Pain的短篇恐怖小说《月亮奴隶》(The Moon Slave)创作了最初、最纯粹的浸没式作品,每次只为一个人表演,但由于经费有限,只进行了4场演出,现在它将被改编为《维奥拉的房间》再度回归。这将是一部一小时的线性作品,没有演员,观众按照固定线路前进,正如Punchdrunk此前所提到的,观众将不再佩戴面具,但在这场演出中会配备耳机。《维奥拉的房间》由Felix Barrett构思、导演和设计,《燃烧的城市》中的设计师Casey Jay Andrews也将参与本项目,而灯光设计和音响设计均是首次与Punchdrunk合作,期待会带来不同的体验~《维奥拉的房间》将于5月14日至6月16日在伍尔维奇的Carriageworks限定上演,3月20日开票。
#纽约时报 剧院版:
『With ‘Tommy’ Revival, Pete Townshend Is Talking to a New Generation』
He’s also still working through his childhood trauma. Considering his musical’s legacy, he sees a story about how “we prevail ultimately, by turning toward the light.”
https://www.nytimes.com/2024/03/23/theater/pete-townshend-tommy-broadway.html
#纽约时报 剧院版:
『Cynthia Nixon Knows What Poem She Wants Read at Her Funeral』
“I love ‘I heard a Fly buzz — when I died,’” said the actress, currently performing Off Broadway in “The Seven Year Disappear.” “That one gets me every time.”
https://www.nytimes.com/2024/03/23/theater/cynthia-nixon-seven-year-disappear.html
#新现场NewLive 微博:
恭喜 @宇宙吃青梅 等2名用户获得【观剧票一张】。微博官方唯一抽奖工具 @微博抽奖平台 对本次抽奖进行监督,结果公正有效。公示链接: 网页链接 https://lottery.media.weibo.com/lottery/h5/result/new?id=20248464&pageid=100140E41001664 - 转发 @新现场NewLive : #转发福利 【来看《叶甫盖尼·奥涅金》从诗歌到舞台,从影像到现场】今天是世界诗歌日,一个旨在激发人们重新发现诗歌的珍贵价值、领略诗歌所赋予的独特魅力和精神力量的日子。作为珍贵的灵感源泉,优秀的诗歌也曾为舞台所开掘,导演里马斯·图米纳斯根据普希金长篇诗体小说改编的舞台剧《叶甫盖尼·奥涅金》,便是以其诗意、浪漫和唯美的舞台呈现,赢得了广大观众的极高赞誉。值此纪念之日,新现场携手丝绸之路国际艺术交流中心,为喜欢这版《叶甫盖尼·奥涅金》的观众献上从影像到现场的福利:6月27日至6月30日,该剧的现场演出将再次亮相丝绸之路国际艺术交流中心,我们将从转发微博中抽取2名幸运观众,各送上现场演出票一张。也欢迎还没有看过这部口碑之作的观众先尝试影像放映~
现场演出排期
6月27日、28日 19:30 丝绸之路国际艺术交流中心·歌剧厅
6月29日、30日 14:30 丝绸之路国际艺术交流中心·歌剧厅
近期放映排期
3月30日 13:00 北京大学百年纪念讲堂李莹厅
4月28日 19:30 北京天桥艺术中心 抽奖详情 https://lottery.media.weibo.com/lottery/h5/history/list?mid=5014272111280595