scottish

126d

StAnza, Scotland’s International Poetry Festival, seeks event proposals from poets, publishers, workshop facilitators & performers for 2026, scheduled to be held online & in St Andrews, 13–15 March

The theme for 2026 is “You Are Not Alone”

Submit proposals by 11 August

https://stanzapoetry.org/take-part/artist-proposals/

#Scottish #literature #poetry #poets #poetrycommunity

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148d

The Battle of Waterloo was fought #OTD, 18 June, 1815. Walter Scott visited the battlefield shortly after; his 1816 book PAUL’S LETTERS TO HIS KINSFOLK contains one of the earliest accounts of the aftermath, & is an important early example of war journalism

https://theconversation.com/walter-scott-war-journalism-from-the-waterloo-battlefield-43304

#Scottish #literature #Waterloo #SirWalterScott #19thcentury

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126d

In Conversation with... Pàdraig MacAoidh (Peter Mackay)
1 August, Edinburgh. Tickets £12

Scotland’s Makar, Pàdraig MacAoidh (Peter Mackay) crafts verse that resonates with the landscapes & languages of his native Lewis. Join him for a fascinating discussion on poetry's role in today’s world, the interplay between Gaelic & Scots traditions, & what it means to be Scotland’s poetic voice today.

https://www.edfringe.com/tickets/whats-on/in-conversation-with-p-draig-macaoidh-peter-mackay

#Scottish #literature #poems #poetry #Gaelic #Gaidhlig #Scots

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148d

Today they laid him in the earth's cold colour,
a man from Lewis with his seventy-five
years struck from his head. Teacher, scholar,
he had worked a true task when all alive…

—Iain Crichton Smith, “For Angus MacLeod”
Published in New Collected Poems (Carcanet, 2011)

Iain Crichton Smith, himself a teacher, commemorates the life of a former Headmaster of Oban High School

Today, 18 June, is Thank a Teacher Day

#Scottish #literature #poem #poetry #teaching #teachers #ThankATeacherDay

Iain Crichton Smith

For Angus MacLeod
Headmaster, and Editor of Gaelic Poems

Today they laid him in the earth's cold colour,
a man from Lewis with his seventy-five
years struck from his head. Teacher, scholar,
he had worked a true task when all alive,

building a school, elucidating texts.
The Gaelic shone quite clearly in his bones.
A casket filled with ashes had been mixed
with filtered sunlight and the small stones.

A useful life with pupils and with poems:
sufficient honours (his humour asked no more)
he takes his place in many minds and rooms.
Without their knowing it, his patient care

instructs far hands to turn a new lever,
a voice to speak in a mild-mannered tone.
The deeds we do reverberate forever.
Inveterate justice weighs the flesh and bone.

His best editions are some men and women
who scrutinise each action like a word.
The truest work is learning to be human
definitive texts the poorest can afford.

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148d

Scottish Scholars & Secrets: Developments of Dark Academia in Edinburgh
24 June, free online

Natasha Anderson finds roots of Dark Academia running through Edinburgh’s gothic literary traditions, in works by Robert Louis Stevenson, Muriel Spark, & Ian Rankin.

Part of Reading Scotland from Johannes Gutenberg Universität Mainz

@litstudies

https://www.scotland.uni-mainz.de/reading-scotland/

#Scottish #literature #gothic #DarkAcademia #Edinburgh #RobertLouisStevenson #MurielSpark #IanRankin

Reading Scotland with Natasha Anderson
Scottish Scholars and Secrets: Developments of Dark Academia in Edinburgh

Tuesday 24th June 2025
6:00–7:30 pm (German time) on MS Teams

www.scotland.uni-mainz.de

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147d

After Dark: Myths, Misdeeds, & the Paranormal
Scotland’s Darkest Folklore

Currently available on BBC Sounds: exploring tales of selkies, kelpies, & the ancient figure of the Cailleach. Maddy & Anthony's guest today is Donald Smith, founding director of the Scottish Storytelling Centre, & a storyteller who has written & lectured widely on the folklore of Scotland.

https://www.bbc.co.uk/programmes/p0l2hncz

#Scottish #literature #folklore #supernatural #myth #paranormal #storytelling #Scotland

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125d

I sowed nightscented stocks with the halfgrown hope
that this was more like gardening
than impatiens in pots…

—Angela McSeveney, “Windowbox”
published in Modern Scottish Women Poets, @canongatebooks 2003

#Scottish #literature #poem #poetry

Angela McSeveney
Windowbox

I sowed nightscented stocks with the halfgrown hope
that this was more like gardening
than impatiens in pots.

They grew anaemic and spindly
coated by dust from the street.
From the ground they looked like weeds.

Nothing flashy or flowery
like a trumpetting hippaestrum
or a petal drenched Black-eyed Susan

and even I who planted them
rarely thought to look out
except maybe in the evenings

when the cool damp of Summer rain
sweated in the air
like an extra sense

and the night scent swam in
clear as spearmint
and soothed away the city noise.

Then there grew a garden:
rosebeds and herbs,
tangles of scarlet runners.

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147d

On seeing Iran in the news, I want to say

my grandmother was called Nasreen,
that she died two years ago in Tabriz
and I couldn’t go to say goodbye,
that she knew nothing of power,
nuclear or otherwise…

—Marjorie Lotfi, “On seeing Iran in the news, I want to say”
published in THE WRONG PERSON TO ASK (Bloodaxe, 2024). D.A. Prince reviews THE WRONG PERSON TO ASK on The Friday Poem:

https://thefridaypoem.substack.com/p/the-friday-poem-on-16th-may-2025

#Scottish #literature #poem #poetry #Iran

Marjorie Lotfi
On seeing Iran in the news, I want to say

my grandmother was called Nasreen,
that she died two years ago in Tabriz
and I couldn’t go to say goodbye,
that she knew nothing of power,
nuclear or otherwise. I want to say
that the bonfires for Chahar Shanbeh Suri
were built by our neighbour’s hands;
as children we were taught to jump over
and not be caught by the flames. I want to say
my cousin Elnaz, the one born after I left,
has a son and two degrees in Chemistry,
and had trouble getting a job. I want to say
that the night we swam towards
the moon hanging over the horizon
of the Caspian Sea, we found ourselves
kneeling on a sandbar we couldn’t see
like a last gift. I want to say
I’m the wrong person to ask.

Edited 147d ago

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125d

There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window…

—Edwin Morgan, “Strawberries”
published in CENTENARY SELECTED POEMS (Carcanet, 2020)

Hot poetry for a hot day 🍓🍓🍓

https://www.carcanet.co.uk/cgi-bin/indexer?product=9781784109967

#Scottish #literature #poem #poetry #summer #love #lovepoem #LGBTQ

Strawberries
Edwin Morgan

There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window
facing each other
your knees held in mine
the blue plates in our laps
the strawberries glistening
in the hot sunlight
we dipped them in sugar
looking at each other
not hurrying the feast
for one to come
the empty plates

laid on the stone together
with the two forks crossed
and I bent towards you
sweet in that air
in my arms
abandoned like a child
from your eager mouth
the taste of strawberries
in my memory
lean back again
let me love you

let the sun beat
on our forgetfulness
one hour of all
the heat intense
and summer lightning
on the Kilpatrick hills

let the storm wash the plates

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122d

Heard ye o’ the tree o’ France,
I watna what’s the name o’t;
Around it a’ the patriots dance,
Weel Europe kens the fame o’t…

—“The Tree of Liberty”, attributed to Robert Burns (though this is disputed). First published in Chambers’ THE POETICAL WORKS OF ROBERT BURNS (1838), “from a MS. in the possession of Mr James Duncan, Mosesfield, near Glasgow.”

🇫🇷 A poem for Bastille Day

Text available here:
https://www.rbwf.org.uk/poems/the-tree-of-liberty

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#Scottish #literature #18thcentury #poem #RobertBurns #BastilleDay

Text too long for ALT text – however the full poem text is available via the link in the post

Text too long for ALT text – however the full poem text is available via the link in the post

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146d

I have fled through land and sea, blank land and sea,
because my house is besieged by murderers
And I was wrecked in the ocean, crushed and swept,
Spilling salt angry tears on the salt waves…

—Edwin Muir, “The refugees born for a land unknown”
published in Collected Poems, 1921–1958 (Faber, 1960)

20 June is World Refugee Day

#Scottish #literature #poem #poetry #refugees #WorldRefugeeDay #asylum #humanrights

Edwin Muir
‘The refugees born for a land unknown’

The refugees born for a land unknown
We have dismissed their wrongs, now dull and old,
And little judgment days lost in the dark.

‘I have fled through land and sea, blank land and sea,
Because my house is besieged by murderers
And I was wrecked in the ocean, crushed and swept,
Spilling salt angry tears on the salt waves,
My life waste water drawn down through a hole,
Yet lived. And now with alien eyes I see
The flowering trees on the unreal hills,
And in an English garden all afternoon
I watch the bees among the lavender.
Bees are at home, and think they have their place,
And I outside.
Footsteps on the stairs, two heavy, two light,
The door opens. Since then I remember nothing,
But this room in a place where no doors open.
I think the world died many years ago.’

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146d

Use no names. Roads
have been whited out,
redacted. Hone your oldest sense…

—Pippa Little, “For Refuge”
published in AIBLINS: New Scottish Political Poetry (Luath Press, 2016)

20 June is World Refugee Day

https://www.scottishpoetrylibrary.org.uk/poem/refuge/

#Scottish #literature #poem #poetry #WorldRefugeeDay #refugees #humanrights

For Refuge
Pippa Little

Use no names. Roads
have been whited out,
redacted. Hone your oldest sense.
Learn the wind,
memorise where it goes
bearing your odours. The truck-stops
are roofless churches.
Comma-birds on power lines
swollen by rain
fall away.
Comfort yourself,
there will be stars in the dark
travelling towards you,
smaller and smaller.
Trust the earth
with your bandaged feet,
the pockets sewn shut by your mother.
Carry only such things
as snowflakes, eyelashes,
for the future may not make you out.

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146d

I would like to tell her not to wear such flimsy shoes,
that rubble contains the whole spectrum of knowable
and unknowable dangers…

—Marjorie Lotfi, “Picture of Girl and Small Boy (Burij, Gaza, 2014)”
published in THE WRONG PERSON TO ASK (Bloodaxe Books, 2023)

20 June is World Refugee Day

Photo: REUTERS/Finbarr O’Reilly

https://www.reuters.com/news/picture/idUSRTR40EE6/undefined

#Scottish #literature #poem #poetry #refugees #WorldRefugeeDay #humanrights #Gaza

Picture of Girl and Small Boy (Burij, Gaza, 2014)
Marjorie Lotfi

I would like to tell her not to wear such flimsy shoes,
that rubble contains the whole spectrum of knowable
and unknowable dangers: sheets of metal ripped
to knife edge, live wires, bloated arms reaching

for light. Her hair, scraped back into a ponytail,
is open to sky; remnants of buildings filter down
one concrete chunk at a time, and the midday bells
of rockets ring out above her. She carries a boy

on her still narrow hips, his legs entwined around
her yellow dungarees. Like a rodeo rider, his left arm
grips her shoulder to steady himself, or her,
while his torso reels back and away; his body

is asking to slow down, to turn back. Instead,
her eyes comb the ground for a next step, fingers
of her free hand curled into a claw, as if
to frighten off what she somehow sees ahead.

A Palestinian girl carries a child across rubble from a building that police said was destroyed by an Israeli air strike, in the Burij refugee camp in the central Gaza Strip, August 1, 2014. REUTERS/Finbarr O'Reilly.

Marjorie Lotfi's poem describes the picture in detail:

Picture of Girl and Small Boy (Burij, Gaza, 2014)
Marjorie Lotfi

I would like to tell her not to wear such flimsy shoes,
that rubble contains the whole spectrum of knowable
and unknowable dangers: sheets of metal ripped
to knife edge, live wires, bloated arms reaching

for light. Her hair, scraped back into a ponytail,
is open to sky; remnants of buildings filter down
one concrete chunk at a time, and the midday bells
of rockets ring out above her. She carries a boy

on her still narrow hips, his legs entwined around
her yellow dungarees. Like a rodeo rider, his left arm
grips her shoulder to steady himself, or her,
while his torso reels back and away; his body

is asking to slow down, to turn back. Instead,
her eyes comb the ground for a next step, fingers
of her free hand curled into a claw, as if
to frighten off what she somehow sees ahead.

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146d

Frae the broo o’ a brae I saw them gang,
I saw them hirple to a lanesome shore.
I saw them pass abune the ferly seals
Withouten keel and sail and oar…

—William Jeffrey, “The Refugees”
Published in A KIST O SKINKLAN THINGS (ASL, 2017)

20 June is World Refugee Day

https://asls.org.uk/publications/books/volumes/a-kist-o-skinlan-things/

#Scottish #literature #poem #poetry #Scots #Scotslanguage #WorldRefugeeDay #refugees #humanrights

William Jeffrey
The Refugees

‘Arise and flee into Egypt’

‘There’s a carline walkin’ the road ootby,
A body wi’ hair o’ the streekit snaw,
And an auld man daunders at her side,
A chiel that’s laggie and bent in twa.’

‘They maun be folk frae a fremit toun.
Bid them come in and bide a wee.’
Sae the carline and the auld man came
And supp’d guid brose anent the swee.

I speer’d the taen, and I speer’d the tither,
And scant the answer did I get—
But O, the licht in their eldren e’en
Shone frae some gouden unkenned yett.

Quo’ the carline frail, ‘There’s hame nae mair
In kintras raxt on the crookit sword’;
But the bodach murmured, ‘Nay, there’s hame
Where folks are free wi’ the kindly word.

‘Natheless,’ quo’ she, ‘gang west, my son,
Westlins to isles o’ Bride and the sea.’
Syne they rose and quaitlike went frae the door
And steppit west by the flowery lea.

Frae the broo o’ a brae I saw them gang,
I saw them hirple to a lanesome shore.
I saw them pass abune the ferly seals
Withouten keel and sail and oar.

I saw them gang in a siller glore,
Walkin’ the sea in’ a calm sae still—
The braid eard faulded like a rose
And Bethlehem gloss’d an island hill.

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121d

I can see da rüfs aa taekit, an da hens aroond da door;
Fok kerryin twartree paets hame, an rigs delled every voar.
Aa da lums ir reekin, an I hear da happy soonds
O peerie bairns skirlin, as dey play dem ower da toons…

—“Da Clearance”, by Rhoda Bulter (1929–94), born #OTD, 15 July

A 🎂🧵 – 1/3

Listen to Rhoda Bulter reading “Da Clearance” here

https://www.shetlanddialect.org.uk/da-clearance

#Scottish #literature #poem #poetry #Scots #Scotslanguage #Shetland #Shetlandic

Da Clearance
Rhoda Bulter

I can see da rüfs aa taekit, an da hens aroond da door;
Fok kerryin twartree paets hame, an rigs delled every voar.
Aa da lums ir reekin, an I hear da happy soonds
O peerie bairns skirlin, as dey play dem ower da toons.

I see eens sittin roond da fire, an twartree mair oot by;
Sookin infants at da breest, an weemen gjaan ta cry.
Da tochtfil, tried faces o dem at’s lived ower lang;
Fractious bairns feytin sleep, an sensin somethin wrang.

I hear a lood, lood knockin, an da crump o monny feet;
Men's voices raised in anger, an da bairns start to greet.
I see da fok aa girded oot afore da laandloard’s men;
An aa da bits a things dey hed, fired ower da briggy-stane.

I see da bare waas staandin, an aa da laand lie green;
Lang syne da fire wis slokkit, an monny a year is geen.
Noo dey aa hae equal portions o aert ta tak dir sleep.
Tell me, wis it wirt it aa for twartree extry sheep?

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145d

Fade then, light; but longing never will.
Midsummer makes the west spectacular
and even gives its last glow a show
of reluctance, as if it had postponed
midnight…

—Edwin Morgan, “21 June”
Published in CATHURES (Carcanet, 2002)

https://www.carcanet.co.uk/9781857546170/cathures/

#Scottish #literature #poem #poetry #midsummer #EdwinMorgan

Edwin Morgan
21 June

Fade then, light; but longing never will.
Midsummer makes the west spectacular
and even gives its last glow a show
of reluctance, as if it had postponed
midnight. But midnight is too faithful.
You're back among the black, the black,
you're down and fit to drown, to drown,
you're padding into nightmare town.
You haven't got a house, a bed-light,
there are no clocks or telephones out there,
you are on your own, you have a large panic
waiting to break through your chest, you are panting,
you count, as it arrives, each brimming pang.
What a clutch of sheets! What a parody of pain!

The longest day, the night is not so long.
You fling back the curtains, the morning sky
is like a meadow. What is it you want?
I don't know. You cannot walk there. No.
So what do you want? The morning, perhaps,
and then I want the day, another day.

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145d

In winter I get up at night
And dress by yellow candle-light.
In summer, quite the other way,
I have to go to bed by day…

—Robert Louis Stevenson, “Bed in Summer”
published in A CHILD’S GARDEN OF VERSES (1885)

#Scottish #literature #poem 3poetry #summer #kidlit #19thcentury #Victorian #Edinburgh #RobertLouisStevenson

Bed in Summer
by Robert Louis Stevenson

In winter I get up at night
And dress by yellow candle-light.
In summer, quite the other way,
I have to go to bed by day.

I have to go to bed and see
The birds still hopping on the tree,
Or hear the grown-up people's feet
Still going past me in the street.

And does it not seem hard to you,
When all the sky is clear and blue,
And I should like so much to play,
To have to go to bed by day?

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144d

My seventy-seven-year-old father
put his reading glasses on
to help my mother do the buttons
on the back of her dress…

—“George Square”, by Jackie Kay
LIFE MASK (Bloodaxe, 2005)

Hear Jackie Kay read this poem on the Poetry Archive:

https://poetryarchive.org/poem/george-square/

#Scottish #literature #poem #poetry #Glasgow #peace

George Square
by Jackie Kay

My seventy-seven-year-old father
put his reading glasses on
to help my mother do the buttons
on the back of her dress.
‘What a pair the two of us are!’
my mother said, ‘Me with my sore wrist,
you with your bad eyes, your soft thumbs!’

And off they went, my two parents
to march against the war in Iraq,
him with his plastic hips, her with her arthritis
to congregate at George Square where the banners
waved at each other like old friends, flapping,
where they’d met for so many marches over their years,
for peace on earth, for pity’s sake, for peace, for peace.

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144d

It is a land of wee
hard men and all I
am wanted for is to
stand and cheer…

Prof Alan Riach considers the life & work of the poet & playwright Joan Ure (1918–1978) – born #OTD, 22 June

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https://www.thenational.scot/news/17455955.joan-ure-the-scots-poet-and-playwright-who-set-a-precedent/

#Scottish #literature #poetry #poet #drama #playwright #20thcentury #womenwriters

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123d

He picked up a pebble
and threw it into the sea.

And another, and another.
He couldn’t stop…

—Norman MacCaig, “Small Boy”
Published in The Poems of Norman MacCaig, Birlinn 2011

https://birlinn.co.uk/product/the-poems-of-norman-maccaig/

#Scottish #literature #poem #poetry #NormanMacCaig

Text of a poem, dated July 1985

Small boy
by Norman MacCaig

He picked up a pebble
and threw it into the sea.

And another, and another.
He couldn’t stop.

He wasn’t trying to fill the sea.
He wasn’t trying to empty the beach.

He was just throwing away,
nothing else but.

Like a kitten playing
he was practising for the future

when there’ll be so many things
he’ll want to throw away

if only his fingers will unclench
and let them go.

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124d

Cosmic ceilidh

Hundreds of scientists are set to perform a new Scottish country dance inspired by the ripples in spacetime whose existence was first theorised by Albert Einstein.

Researchers from the University of Glasgow teamed up with the culture and research organisation Science Ceilidh to develop a dance to mark the 10th anniversary of the historic first detection of gravitational waves.

https://www.gla.ac.uk/news/headline_1195038_en.html

#Scottish #culture #dance #physics #spacetime #GravitationalWave

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143d

Schyr Hanry myssit the noble king…

Robert I, King of Scots, killed Sir Henry de Bohun in single combat on the first day of the Battle of Bannockburn #OTD, 23 June 1314. The epic vernacular poem “The Brus” by John Barbour (c.1320–1395) describes the event

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https://www.gla.ac.uk/schools/critical/aboutus/resources/stella/projects/starn/poetry/the-brus/book-12/

#Scottish #literature #poetry #medieval #14thcentury #history #MiddleAges #Bannockburn #epic #vernacular #poem #Scots #Scotslanguage

Text is too long for ALT-text – however full text can be found via the link, lines 25 to 85.

Image description: “Bruce and de Bohun”, by John Duncan (1866–1945), Stirling Smith Art Gallery and Museum. King Robert I, wearing chain mail, with a gold circlet around his helmet, and a flowing red-gold cloak and a surcoat bearing the Scottish lion rampant (red, on a yellow background) , stands up in the stirrups of the grey horse he is riding. He holds the reins tightly in his left hand and wields a battle-axe in his right. Sir Henry de Bohun, with golden plate armour and a flowing red cloth tied to his helm, rides past, his long lance missing the king. He is crouched low, almost seeming to bow, his head lined up for the blow from the king's axe.

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117d

She’s goat her legs oot –
her foldin plastic chair
oan the gress at Glesga Green –
an her airms an enough
creamy dimpled bosom
tae please Renoir…

—Sheila Templeton, “Glesga Fair”
published in Songs of Other Places: New Writing Scotland 32 (ASL, 2014)

Happy Fair Weekend to all the Glasgow Fairies!

#Scottish #literature #poem #poetry #Scots #Scotslanguage #Glasgow #GlasgowFair

Glesga Fair
Sheila Templeton

She’s goat her legs oot –
her foldin plastic chair
oan the gress at Glesga Green –
an her airms an enough
creamy dimpled bosom
tae please Renoir;
bra straps oan show,
frock lirkit richt up
ower her knees
sittin lik a mannie
legs weel splayed as if
tae accommodate
magnificent baws –
but it’s no that.
It’s tae mak room
mak a space
for her belly,
lovely big roon
wumman’s belly
growthie in the sun.

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142d

#OTD, 24 June, in 1314, the Scottish army under King Robert I destroyed a much larger English invasion force at Bannockburn, in one of the most decisive battles in medieval history. In 1793 Robert Burns composed “Scots Wha Hae”, originally entitled “Robert Bruce’s March To Bannockburn”

⚔️🧵

1/5

#Scottish #literature #Bannockburn #BattleofBannockburn #14thcentury #medieval #history #18thcentury #RobertBurns

Poem: "Scots Wha Hae", by Robert Burns

(tune: Hey, Tutti Tatie)

Scots, wha hae wi’ Wallace bled,
Scots, wham Bruce has aften led,
Welcome to your gory bed‍‍
‍‍Or to victorie!

Now’s the day, and now’s the hour:
See the front o’ battle lour,
See approach proud Edward’s power— ‍‍
‍‍Chains and slaverie!

Wha will be a traitor knave?
Wha can fill a coward’s grave?
Wha sae base as be a slave?—‍‍
‍‍Let him turn, and flee!

Wha for Scotland’s king and law
Freedom’s sword will strongly draw,
Freeman stand or freeman fa’, ‍‍
‍‍Let him follow me!

By Oppression’s woes and pains,
By your sons in servile chains,
We will drain our dearest veins ‍‍
‍‍But they shall be free!

Lay the proud usurpers low!
Tyrants fall in every foe!
Liberty’s in every blow!—
‍‍Let us do or die!

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142d

I hate midsummer in the north.
There’s no night to speak of,
just day in and day in
with maybe a slight hesitancy
about two o’clock in the morning…

—Alasdair Maclean, “I Hate Midsummer in the North”
published in From the Wilderness (Gollancz, 1973)

#Scottish #literature #poem #poetry #midsummer

I Hate Midsummer in the North
by Alasdair Maclean

I hate midsummer in the north.
There’s no night to speak of,
just day in and day in
with maybe a slight hesitancy
about two o’clock in the morning.

The sun’s at work continually,
zooming in from some part of the sky,
at some angle or another. In time
it penetrates the thickest skull. In time
it levels up the most forbidding brow.

Light pours down. It makes thing clear.
I see there’s only one world
after all, and it’s a hot one
and a bright one. My hayfield
curls up at the corners. My lips, too.

While the days swagger, elbow one another,
I wait, with what sadness I can muster.
This white weather doesn’t suit me,
I think. I get fatter all the time.
For weeks I live off my stored darkness.

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