New thread: live performances that impressed me over the years and songs to make you feel
1. Saw Janelle Monae via BBC in 2019: auch an exciting gig with this as grande finale.
https://youtu.be/Cu2AJScfCv4
New thread: live performances that impressed me over the years and songs to make you feel
1. Saw Janelle Monae via BBC in 2019: auch an exciting gig with this as grande finale.
https://youtu.be/Cu2AJScfCv4
Edgy guitars and vocals meet smooth #psychedelia in this #newSong I wrote and recorded this week in the spur of the moment:
🎵 Let Me Off! 🎵
Check it out on:
- My hand-crafted music site: https://sknob.fr/music/?letmeoff
- My #Faircamp site: https://sknob.fr/faircamp/let-me-off/
#music #MastoMusic #NewMusic #IndieMusic #NowPlaying #MusiciansDay
New #Faircamp Release: "Nuages I"
Recording of a live, unedited performance in D Major. Yes, that's me playing.
Gear: Arturia Keystep 37; ASM Hydrasynth Desktop.
New #Faircamp Release: "Lost in the Data Centre"
Ambient piece (very) loosely inspired by KLF's 'Chill Out'. Gear: Roland SP-404MkII; Critter & Guitari Organelle M; ASM Hydrasynth Desktop; Arturia Keystep 37; Mutable Beads; Make Noise Mimeophon, Morphagene.
No AI slop. Just 100% human slop, served up just the way you like it!
#music #experimentalmusic
#ambient #nham #notbonk #maybe #fnord
I was just reminded of this cover I did of Ohio, also with 2 plays.
Come on. Click the link. You can do it! I believe in you!
https://video.stevesworld.co/w/p/7z3yd1Tv9t2tkuBVAeGPTK?playlistPosition=9&resume=true
FRESH TRANCE BEETS
How time flies, huh? Last batch of trance beets for the year! Get them while they're hot.
https://youtu.be/j1-D5dJEQh8?si=B1ESMnoUNyT1EGQN
@music & @electronicmusic
#FreshBeets #Trance #Dance #Music #TranceMusic #DanceMusic #ElectronicMusic #EDM #DJ #Musodon #NowListening #TranceFamily
[音乐PK]周杰伦《最伟大的作品》VS 陶喆《Stupid Pop Songs》
参考视频: https://b23.tv/8HqPrip
一定要关闭弹幕食用
娱乐向,观点肤浅,语言贫瘠,全文为我的个人观点,不喜可以喷(
作为忠诚杰迷,我的名字一般都用或者有Jay,周杰伦是我高二高三特别喜欢的歌手,他的快两百首歌在两年内被我翻来覆去听了无数遍,陶喆是我最近半年才发现的r&b歌手,也是最近听得最多的歌手。
最伟大的作品✅ vs Stupid Pop Songs 作为各自专辑的同名主打歌,实例都特别强,特别是sps的采用了“三段式”前后抒情中间rap,我很喜欢中间rap部分陶喆对流浪为王的华语乐坛和流浪歌手的批判,YyaYya的声音也很有意思。但是最伟大的作品还是太权威了,同样分为了几段,可以说是JayChou的炫技之作了,相比之下SPS虽然有真情实感,但是仍然显得单薄了。MV部分SPS(Stupid Pop Songs)的mv不错但是太抽象了,伟作的mv的质量更高,很难的抉择,本来是决定平手,但是后面想了想还是伟作。
红颜如霜 vs 陪你✅,红颜如霜这首歌感觉太虚了,全篇都像是在“你说落笔太难”的反复,没有很明显的记忆点和惊艳的地方,只能说对于Jay来说是首很平庸的歌。陪你这首歌的作曲编曲就很有特色,鲜明,唱法也很有活力,都是中国风,明显陪你要比红颜如霜强。
不爱我就拉倒 vs 活该✅,都说不爱我就拉倒的词很拉,确实词只是感情的宣泄,没有多少有意义的歌,但是如果只是为了释放情绪,曲非常有活力歌词很畅快,听这首歌还是很“爽”的。活该,虽然两首歌都是描写小「爱」,但是陶喆的活该这首歌无论是曲的层次还是歌词的层次都要比不爱我就拉倒要高。
还在流浪✅ vs 路上,还在流浪,我个人认为很有韵味的一首歌(有周杰伦每张专辑💿的巨炮的客串),描写的是现在的分别&过去小镇的小情小爱,属于回忆风,我个人非常喜欢,很耐听。路上,还不错但是对我没有很明显的记忆点,只能算中规中矩。
说好不哭✅ vs lonely is the night,说好不哭,with五月天阿信,一首很不错的情歌,所以上限不会很高,对于周杰伦来说也只能算一首很普通的一首。lonely除了流沙,周杰伦和蔡依林那几首歌,个人不是很喜欢男女对唱,而且感觉曲和唱法不是很喜欢。个人还很喜欢在东京取景的说好不哭MV。
Mojito✅ vs Moonchild,Mojito绝对是周杰伦后期神作了,古巴风情,还有种雪茄🚬+鸡尾酒🍹+跑车🛻的感觉,作曲很丰富,编曲也不腻,一开始听觉得一般,但是是那种越听越喜欢的那种。Moonchild,励志歌曲,就如歌曲标题,鼓励追求独特另类,但是我觉得对于陶喆来说,这首歌普通了。
粉色海洋 vs 星心✅,粉色海洋和红颜如霜一个通病,是不是都是黄雨勋编曲啊,总是一种半死不活的感觉,虽然开头加入了Jay儿子的声音,而且歌词是属于可爱风,但是和红颜如霜一样,太普通了。星心,SPS里我很喜欢的一首歌,舒缓而深情,唱法曲风歌词最后的结尾我都很喜欢,MV还设立在太空,个人认为比一直在粉色沙滩🏖️上好看。
错过的烟火 vs 微尘✅,错过的烟火有非常有记忆点的曲首,结合了说唱,个人认为是首很不错的公路之歌,但是依旧叛逆出走的男主角。很陶喆的一首歌,唱法特色,快慢结合很有韵味,节奏舒缓,特别是那一段lalalalalala,有种“唱诗班”的感觉2333,我选择微尘,因为这首歌还是要比错过的烟火特别,错过的烟火后期周杰伦味太明显了,不够情绪化,丧丧的。
我是如此相信 vs 千言万语✅,周杰伦写给嫂子昆凌的歌,还被用在了昆凌参演的电影《天火》里,这部电影我当年还看了(当然那个时候我还没听Jay),现在来看是中规中矩的灾难片吧,但是对于小时候的我来说,是很好看了,整首歌有一种情绪逐渐上升的感觉,“为我守候的人是你,给了我坚定的信心”。千言万语,对我来说可能是SPS里最佳的了……无论是主体部分的旋律韵味还是副歌的“千言万语,千言万语”,都是夯爆了,我是如此相信太可惜了,遇到这么强的对手,up主你是怎么排的啊喂。
倒影 vs 半晴天✅,依旧周杰伦后期曲风,可以和红颜如霜和粉色海洋坐一桌了,但是还是要强一些的,依旧回忆风,出走的男主角。半晴天,非常优美的情歌,歌词也写的非常优雅,胜者给到半晴天。
等你下课✅ vs In the Morining,歌词、曲风、唱法非常贴合故事背景,苦情男主角和只能远远观望的女主角,也算是唱出了很多人内心吧,MV也是创新的动画+实拍,总之伤心&释怀。In the Morining,活力、节奏丰富,但是疑似有点重复了,听感上有一点吵,还是选“等你下课”。
结果:
算一下吧,周杰伦5票,陶喆6票,陶喆获胜,对我而言:
SPS确实要比最伟大的作品更出色。
不妥之处:
当然这次对比还有很多待考量的地方,虽然是华语乐坛两位巨匠的最新专辑💿,但是最伟大的作品发布在2022年7月15日,STUPID POP SONGS发布在2025年4月15日。
还有讲不同曲风的作品放在一起比较本来就不妥,所以本文就是娱乐之作。
Up主视频留言:
由于周杰伦新专辑总共11首单曲+1首Intro,所以陶喆新专辑有三首歌未参与PK,分别是一点点,让爱再继续,全世界会唱的歌。
#周杰伦 #陶喆 #华语 #音乐 #music #Jay #JayChou #DavidTao #DT #Greatest_Works_Of_Art #Stupid_Pop_Songs
finished watching Nasum: Blasting Shit to Bits - The Final Show
Show / documentário dos membros remanescentes da banda Nasum, cujo vocalista, Mieszko Talarczyk, morreu no Tsunami da Tailândia em 2004. Depois de um hiato de 8 anos, fizeram uma turnê mundial e este foi o último show da banda, em 2012. No dia 06 de outubro de 2024, o canal oficial da banda no Youtube liberou o DVD na íntegra, de forma gratuita. Tanto o show principal / documentário quanto os extras (entrevistas adicionais):
https://www.youtube.com/watch?v=WKQZVvyouHU&list=PLLvydvwSi9TfO0oaIlP3a_E0VAG57xR4k
#Nasum #Mieszko #Grindcore #documentario documentary #Sweden #BlastingShitToBits #TheFinalShow #Music #Musica
🦃 Happy 🇺🇸 Thanksgiving to those who celebrate! 🍁
This week's Nov 27-Dec 4 THU-THU🐘 #Mastodon #WatchPartyCalendar 📅 starts ⏰ Noon US ET and goes all day with special holiday events!📺
🚨Details & 🔗➡️ http://bit.ly/& MastodonWatchParties
⏰️All times US Eastern
#Westerns #Music #Mysteries #Action #Comedy #anime #Movies #FilmMastodon #CineMastodon
Thankful for the hosts! 🍁 @MatthewTitus88 @MirrorAyako @Taweret @analgesicsleep @rsmon77 @hyde
@lilymarswrites @clickhere
@GrillChill
Are you still on #Spotify?
Spotify’s CEO Daniel Ek has raised €600M for his new startup, which is developing AI TECH FOR WAR. Ek still owns 9% of Spotify, but has 37% voting control. His net worth went from $2.5B to $10B in the last two years alone, on the back of paying musicians a pittance in royalties.
And don’t forget:
• Spotify spent $250M of your subscription dollars to invite Joe Rogan to spew his disinformation on their platform.
• They’re still trying to embrace and extinguish Podcasts.
• They’re developing in-house, AI-generated “music” so users will play them (royalty-free) instead of music created by humans (who demand royalty).
And now, he’s using his wealth, created by your subscriptions, to fund tech that will use AI to literally murder humans in war.
Stop funding him. Quit Spotify now.
#QuitSpotify #music #ai #militaryTech #techbro
“Spotify’s CEO invests $1 billion into an AI military start-up — and musicians are fuming”
Shells found in Spain could be among oldest known musical instruments
Conch-shell trumpets discovered in Neolithic settlements and mines in Catalonia make tone similar to french horn, says lead researcher
By Sam Jones
Eu não preciso esperar algum serviço como substituto de software (SaaSS) de Big Tech me oferecer estatísticas sobre o que ouvi durante o ano. @ListenBrainz, que posso usar a partir do servidor da própria Fundação @metabrainz ou auto-hospedar, disponibiliza-me (ou a quem quiser) essas informações quando eu quiser. Não apenas o software é livre (GPLv2+) como reúne dados abertos.
:thinkSmart:WOMEN OF COLOUR IN METAL MUSIC: A VERY NECESSARY THREAD 🧵
Greetings, metalheads! Despite rock's distinctive black roots, metal is sadly mostly remembered for white guys. But they ain't the only ones in the scene so I shall show you some WOC kicking ass! Hop on this ride with me 🤘
stopped listening Dag With Shawn
Em 2010, foi lançado o álbum "Dag with Shawn", com gravações de 1985, contendo o vocalista original, Shawn Brown nos vocais.
Quando o descobri, achei bem legal ouvir a parte instrumental um pouco mais cruas com um vocal diferente daquele que já estava acostumado a ouvir no álbum "Can I Say".
Não tenho vocalista preferido. Gosto dos diferentes aspectos de cada um, acho Dave um pouco mais melódico e Shawn um pouco mais direto e "old school".
A melhor parte é que, além do lançamento do álbum de estúdio, Shawn voltou a assumir os vocais da banda em várias apresentações ao vivo, que podem ser conferidas no Youtube. Tanto ele quanto Dave ainda mandam muito bem.
finished listening Can I Say
Álbum clássico que sempre revisito. Mescla bem a velocidade e agressividade com momentos mais melódicos.
Em sua formação original, contou com Brian Baker (que já tocou no Minor Threat e, depois, no Bad Religion).
Os vocalista original, Shawn Brown chegou a gravar o álbum na íntegra, mas ele não foi lançado na época. Pois a banda o demitiu, supostamente por conta de atrasos nos ensaios e por decidirem seguir um caminho diferente. Aqui, quem canta é Dave Smalley.
wants to listen Dag With Shawn
Em 2010, foi lançado o álbum "Dag with Shawn", com gravações de 1985, contendo o vocalista original, Shawn Brown nos vocais.
Quando o descobri, achei bem legal ouvir a parte instrumental um pouco mais cruas com um vocal diferente daquele que já estava acostumado a ouvir no álbum "Can I Say".
Não tenho vocalista preferido. Gosto dos diferentes aspectos de cada um, acho Dave um pouco mais melódico e Shawn um pouco mais direto e "old school".
A melhor parte é que, além do lançamento do álbum de estúdio, Shawn voltou a assumir os vocais da banda em várias apresentações ao vivo, que podem ser conferidas no Youtube. Tanto ele quanto Dave ainda mandam muito bem.
#art #history: jazz juggernaut, arthur blakey (born #otd in 1919 to a single mum who died soon after art arrived), was raised by a family friend. he first gravitated toward the piano, but soon found his true groove with the drums & rose up through the ranks playing alongside bebop monsters charlie parker, dizzy gillespie & thelonious monk.
[thread!]
#illustration #artBlakey #jazz #music #drummer #drums
finished listening Dag With Shawn
Em 2010, foi lançado o álbum "Dag with Shawn", com gravações de 1985, contendo o vocalista original, Shawn Brown nos vocais.
Quando o descobri, achei bem legal ouvir a parte instrumental um pouco mais cruas com um vocal diferente daquele que já estava acostumado a ouvir no álbum "Can I Say".
Não tenho vocalista preferido. Gosto dos diferentes aspectos de cada um, acho Dave um pouco mais melódico e Shawn um pouco mais direto e "old school".
A melhor parte é que, além do lançamento do álbum de estúdio, Shawn voltou a assumir os vocais da banda em várias apresentações ao vivo, que podem ser conferidas no Youtube. Tanto ele quanto Dave ainda mandam muito bem.
A nice list of online places where you can find human-curated music.
THEATRE REVIEW: "WICKED" - NATIONAL TOUR
"Wicked" continues to cast a spell on audiences.
https://hotchka.com/wicked-tour-review-baltimore-hippodrome
#Wicked #WickedTheMusical #HippodromeTheatre #Entertainment #PerformingArts #Stage #Musical #Music #Baltimore
#OTD in 1771.
Premiere in Milan of the opera Ascanio in Alba, composed by Mozart at age 15.
This is a pastoral opera in two parts by Wolfgang Amadeus Mozart to an Italian libretto by Giuseppe Parini. It was commissioned by the Empress Maria Theresa for the wedding of her son, Archduke Ferdinand Karl, to Maria Beatrice d'Este on 15 October 1771.
https://en.wikipedia.org/wiki/Ascanio_in_Alba
https://imslp.org/wiki/Ascanio_in_Alba,_K.111_(Mozart,_Wolfgang_Amadeus)
Books about Mozart at PG:
https://www.gutenberg.org/ebooks/search/?query=mozart&submit_search=Go%21&start_index=26
Polish composer and virtuoso pianist Frédéric Chopin died #OTD in 1849.
To this day, Chopin's music remains one of the most widely performed, and an indispensable part of the universal piano repertoire. Along with Franz Liszt, he is the father of modern piano technique and influenced a whole line of modern composers, including Claude Debussy, Alexandre Scriabine, Maurice Ravel and Sergei Rachmaninov.
Books by or about Frédéric Chopin at PG:
https://www.gutenberg.org/ebooks/search/?query=Fr%C3%A9d%C3%A9ric+Chopin&submit_search=Go%21
Put on your dancin' shoes, and behold as #ThePlaylist sashays over to you and throws you about in the most extraordinary rumba, for the theme this week is:
We’re in the mood for dancing
Many folks are heading out to christmas parties, where they’ll be cutting the rug with reckless abandon, so we’re taking the opportunity to celebrate all things dance. So two hours of dance floor fillers, and well, dancefloor emptiers, if we’re honest. But two hours of stone-cold bangers nonetheless.
#TheArchive - https://djdarren.site/archive/podcast/theplaylist-085-were-in-the-mood-for-dancing/
Mixcloud - https://www.mixcloud.com/DJDarren/theplaylist-15122025-were-in-the-mood-for-dancing/
Listen! Dance! Enjoy! Tell all your friends!
// https://stream.djdarren.site // Monday 19:00-21:00 UK //