literature

1y

<p>American novelist, journalist and activist Jack London was born <a href="/tags/otd/" rel="tag">#OTD</a> in 1876.</p><p>London wrote several works dealing with animal welfare, workers' rights and socialism, such as his dystopian novel The Iron Heel, his non-fiction exposé The People of the Abyss, War of the Classes, and Before Adam. His most famous works include The Call of the Wild and White Fang.</p><p><a href="https://en.wikipedia.org/wiki/Jack_London" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Jack_London"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Jack_Lon</span><span class="invisible">don</span></a></p><p>Books By Jack London at PG:<br><a href="https://www.gutenberg.org/ebooks/author/120" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/120"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/120</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait photograph of Jack London (1876-1916) Contributor Names Genthe, Arnold, 1869-1942, photographer Created / Published between 1906 and 1942; from a negative taken between 1906 and 1916.

London, known for his rugged individualism, is portrayed with a thoughtful expression, emphasizing his literary and adventurous spirit.

His attire is simple yet sturdy, perhaps a jacket or a collared shirt, indicative of his practical, outdoorsy lifestyle.

The photograph's composition is intimate, with a soft focus on London's face, drawing attention to his determined eyes and expressive features.

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1826.</p><p>Edgar Allan Poe is forced to renounce his studies at the University of Virginia when his foster parent John Allan refuses to pay for his tuition. In 1827, having enlisted in the United States Army under the assumed name of Edgar A. Perry, he published his first collection, Tamerlane and Other Poems, which was credited only to "a Bostonian".</p><p>Books by Edgar Allan Poe at PG:<br><a href="https://www.gutenberg.org/ebooks/author/481" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/481"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/481</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Poe depicted in a modern retouched version of a daguerreotype

Mathew Benjamin Brady - U.S. National Archives and Records Administration

Scope and content: Drawing made from the “Ultima Thule” daguerreotype.

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80d

<p>George MacBeth (1932–1992) was born <a href="/tags/otd/" rel="tag">#OTD</a>, 19 Jan</p><p>“MacBeth’s language is beautifully melodic: the stanzas unfold like operatic arias, becoming more florid & complex in thought as the poem develops…”</p><p>—Carol Rumens on MacBeth’s “The God of Love”</p><p>1/2</p><p><a href="https://www.theguardian.com/books/booksblog/2010/jun/07/poem-week-god-love-macbeth" rel="nofollow" class="ellipsis" title="www.theguardian.com/books/booksblog/2010/jun/07/poem-week-god-love-macbeth"><span class="invisible">https://</span><span class="ellipsis">www.theguardian.com/books/book</span><span class="invisible">sblog/2010/jun/07/poem-week-god-love-macbeth</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/20thcentury/" rel="tag">#20thcentury</a> <a href="/tags/naturepoetry/" rel="tag">#naturepoetry</a> <a href="/tags/naturewriting/" rel="tag">#naturewriting</a></p>

The poem is too long for ALT text – it can be read online via the shared link:

https://www.theguardian.com/books/booksblog/2010/jun/07/poem-week-god-love-macbeth

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1y

<p>See Charles Dickens' Rare Manuscripts, Teenage Love Letters and a Copy of 'David Copperfield' That Traveled to Antarctica</p><p>To celebrate its 100th anniversary, the Charles Dickens Museum in London is staging an exhibition of historic objects that shed light on the writer’s life and legacy</p><p>By Julia Binswanger</p><p><a href="https://www.smithsonianmag.com/smart-news/see-charles-dickens-rare-manuscripts-teenage-love-letters-and-a-copy-of-david-copperfield-that-traveled-to-antarctica-180985811/" rel="nofollow" class="ellipsis" title="www.smithsonianmag.com/smart-news/see-charles-dickens-rare-manuscripts-teenage-love-letters-and-a-copy-of-david-copperfield-that-traveled-to-antarctica-180985811/"><span class="invisible">https://</span><span class="ellipsis">www.smithsonianmag.com/smart-n</span><span class="invisible">ews/see-charles-dickens-rare-manuscripts-teenage-love-letters-and-a-copy-of-david-copperfield-that-traveled-to-antarctica-180985811/</span></a></p><p>Books by Charles Dickens at PG:<br><a href="https://www.gutenberg.org/ebooks/author/37" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/37"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/37</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/manuscripts/" rel="tag">#manuscripts</a></p>

Dickens at his desk, 1858

By George Herbert Watkins, born 1828.

Dickens is seated at a polished wooden desk, which is adorned with neatly arranged papers, a quill pen, and an inkwell, symbolizing his literary craft.

Dickens is dressed in mid-19th-century attire, including a dark frock coat and waistcoat, reflecting the fashion of his time.
His face bears a contemplative expression, with his gaze slightly diverted from the camera, suggesting introspection or creative thought.

His distinctive facial features, such as the sharp nose, expressive eyes, and thick beard, are rendered with remarkable clarity.

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81d

<p>The shape of time</p><p>In the 19th century, the linear idea of time became dominant – with profound implications for how we experience the world</p><p>By Emily Thomas</p><p><a href="https://aeon.co/essays/when-we-turned-time-into-a-line-we-reimagined-past-and-future?utm_source=Aeon+Newsletter&utm_campaign=6edcc3967b-EMAIL_CAMPAIGN_2026_01_10_COPY_01&utm_medium=email&utm_term=0_-4ef8a26106-72664972" rel="nofollow" class="ellipsis" title="aeon.co/essays/when-we-turned-time-into-a-line-we-reimagined-past-and-future?utm_source=Aeon+Newsletter&utm_campaign=6edcc3967b-EMAIL_CAMPAIGN_2026_01_10_COPY_01&utm_medium=email&utm_term=0_-4ef8a26106-72664972"><span class="invisible">https://</span><span class="ellipsis">aeon.co/essays/when-we-turned-</span><span class="invisible">time-into-a-line-we-reimagined-past-and-future?utm_source=Aeon+Newsletter&utm_campaign=6edcc3967b-EMAIL_CAMPAIGN_2026_01_10_COPY_01&utm_medium=email&utm_term=0_-4ef8a26106-72664972</span></a></p><p>Space and Time at PG:<br><a href="https://www.gutenberg.org/ebooks/subject/7601" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/subject/7601"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/subje</span><span class="invisible">ct/7601</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/historyofscience/" rel="tag">#historyofscience</a></p>

(Page 1) Adams' Synchronological Chart of Universal History. Through the Eye to the Mind. A Chronological chart of Ancient, Modern and Biblical History, Synchronized by Sebastian C. Adams. Third Edition and Twelfth-Thousand carefully and critically revised and brought down to 1878. Colby & Co.

The work depicted is part of "Adams' Synchronological Chart of Universal History" by Sebastian C. Adams, published in 1881 by Colby & Co. The chart is a massive timeline measuring 57 cm in width and 70 cm in height, featuring a sophisticated layout that visually represents 5,885 years of history, from 4004 B.C. to 1881 A.D. It's known for its complexity and effectiveness in synthesizing historical data into a cohesive visual narrative.

The chart is a lithograph, characterized by its detailed and colorful design. It integrates text, illustrations, and graphical lines to convey chronological information. The timeline is divided into segments that represent different eras, with intricate pathways tracing historical events and genealogies.

https://archive.org/details/dr_page-1-adams-synchronological-chart-of-universal-history-through-the-ey-6000002

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81d

<p>We went each Sunday for the mass<br>recited in my parent’s language<br>that wasn’t mine. The Gaelic gospel</p><p>that was just sound, pure sound, to me.<br>I rose and kneeled, and listened as<br>my people traded vowel for vowel…</p><p>—Niall Campbell, “Tongues of Water”<br>published in THE ISLAND IN THE SOUND (Bloodaxe Books, 2024)</p><p><a href="https://www.bloodaxebooks.com/ecs/product/the-island-in-the-sound-1361" rel="nofollow" class="ellipsis" title="www.bloodaxebooks.com/ecs/product/the-island-in-the-sound-1361"><span class="invisible">https://</span><span class="ellipsis">www.bloodaxebooks.com/ecs/prod</span><span class="invisible">uct/the-island-in-the-sound-1361</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/gaidhlig/" rel="tag">#Gaidhlig</a> <a href="/tags/gaelic/" rel="tag">#Gaelic</a> <a href="/tags/minoritylanguages/" rel="tag">#minoritylanguages</a></p>

Tongues of Water
by Niall Campbell

We went each Sunday for the mass
recited in my parent’s language
that wasn’t mine. The Gaelic gospel

that was just sound, pure sound, to me.
I rose and kneeled, and listened as
my people traded vowel for vowel;

my whole small world, this flowing water.
Back then, I sat and heard the ocean
in their unknowable call,

that same unknowable response.
My parents stood in the psalm’s current
like waders gone out, as I settled

knee-deep on a second bank,
hearing only the sound of a stream,
believing only the sound the stream makes.

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1812.</p><p>Lord Byron takes his seat in the Parliament of the United Kingdom.</p><p>These parlamentary experiences inspired Byron to write political poems such as Song for the Luddites (1816) and The Landlords' Interest, Canto XIV of The Age of Bronze. Examples of poems in which he attacked his political opponents include Wellington: The Best of the Cut-Throats (1819) and The Intellectual Eunuch Castlereagh (1818).</p><p>Books by Lord Byron at PG:<br><a href="https://www.gutenberg.org/ebooks/author/1708" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/1708"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/1708</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait of Byron by Richard Westall, completed in 1813.

Byron is shown in a slightly turned pose, gazing to the side with a thoughtful and introspective expression.

He wears an open-collared white shirt with a rich, red cloak or drape, which enhances his aristocratic elegance.

His hair is styled in soft, dark curls, framing his face, which was considered emblematic of beauty during the period.

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80d

<p>Lord, when I’m speechless<br>when something – not just sorrow<br>but under that – a dull, numb, nameless dreich<br>about the heart I hardly seem to have…</p><p>—Diana Hendry, “Psalm 88 Blues”<br>Published in TWELVE LILTS (Mariscat Press, 2003)</p><p>A poem for Blue Monday – officially the most depressing day of the year…</p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/bluemonday/" rel="tag">#BlueMonday</a></p>

Psalm Eighty-Eight Blues
by Diana Hendry

Lord, when I’m speechless
when something – not just sorrow
but under that – a dull, numb, nameless dreich
about the heart I hardly seem to have,
when this afflicts me,
when hope’s been cancelled,
when the pilot light of me’s put out,
when every reflex and response
has been extinguished,

send word, snowdrop, child, light.

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80d

<p>Some good things have come from Davos …</p><p>“It was here that Robert Louis Stevenson overcame his writer’s block and finished Treasure Island; Sir Arthur Conan Doyle started skiing in the Alps; and Thomas Mann thought of the idea for The Magic Mountain”</p><p>1/5</p><p><a href="https://lithub.com/a-brief-literary-history-of-davos/" rel="nofollow" class="ellipsis" title="lithub.com/a-brief-literary-history-of-davos/"><span class="invisible">https://</span><span class="ellipsis">lithub.com/a-brief-literary-hi</span><span class="invisible">story-of-davos/</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/19thcentury/" rel="tag">#19thcentury</a> <a href="/tags/victorian/" rel="tag">#Victorian</a> <a href="/tags/robertlouisstevenson/" rel="tag">#RobertLouisStevenson</a> <a href="/tags/sirarthurconandoyle/" rel="tag">#SirArthurConanDoyle</a> <a href="/tags/davos/" rel="tag">#Davos</a> <a href="/tags/writersblock/" rel="tag">#writersblock</a> <a href="/tags/skiing/" rel="tag">#skiing</a> <a href="/tags/thomasmann/" rel="tag">#ThomasMann</a></p>

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1904.</p><p>J. M. Barrie's play Peter Pan, or The Boy Who Wouldn't Grow Up premières at the Duke of York's Theatre in London with Nina Boucicault in the title rôle and Gerald du Maurier as Captain Hook and Mr Darling; du Maurier is the uncle of the Llewellyn Davies boys, who inspired the story.</p><p><a href="https://en.wikipedia.org/wiki/Peter_Pan" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Peter_Pan"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Peter_Pa</span><span class="invisible">n</span></a></p><p>Peter Pan at PG:<br><a href="https://gutenberg.org/ebooks/16" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/16</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Playbill for opening run in London

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1y

<p>"Didn't I tell you, Don Quixote, sir, to turn back, for they were not armies you were going to attack, but flocks of sheep?"</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1605.</p><p>The first edition of El ingenioso hidalgo Don Quijote de la Mancha (Book One) by Miguel de Cervantes is published in Madrid, Spain. It was originally published in two parts, in 1605 and 1615.</p><p><a href="https://en.wikipedia.org/wiki/Don_Quixote" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Don_Quixote"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Don_Quix</span><span class="invisible">ote</span></a></p><p>Don Quixote at PG:<br><a href="https://gutenberg.org/ebooks/996" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/996</a><br><a href="https://gutenberg.org/ebooks/2000" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/2000</a><br><a href="https://gutenberg.org/ebooks/42524" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/42524</a><br><a href="https://gutenberg.org/ebooks/35181" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/35181</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Cover image of Don Quixote de la Mancha (first edition, 1605).

Don Quixote de la Mancha and Sancho Panza, 1863, by Gustave Doré.

Don Quixote, the idealistic and gaunt knight, is depicted riding his thin, weary horse, Rocinante. He appears tall, with a determined yet distant expression, embodying his chivalric delusions.

Sancho Panza, his loyal and pragmatic squire, follows beside him on his stout donkey, Dapple. His figure contrasts Quixote’s—shorter, rounder, and more grounded in reality.

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79d

<p>I saw the dead upon St Laurence Wake<br>Sailing in beautiful Brimvald. They were young,<br>Younger than death and life, with a sweet tongue<br>I have heard in my blood before…</p><p>—“The Vikings”, by Olive Fraser (1909–1977) – born <a href="/tags/otd/" rel="tag">#OTD</a>, 20 Jan, & a poet whose work was sadly neglected in her lifetime. A 🎂 🧵</p><p>1/6</p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/20thcentury/" rel="tag">#20thcentury</a> <a href="/tags/womenwriters/" rel="tag">#womenwriters</a> <a href="/tags/olivefraser/" rel="tag">#OliveFraser</a> <a href="/tags/vikings/" rel="tag">#Vikings</a></p>

Olive Fraser
1909-77

THE VIKINGS

King Haro's navy met on St Laurence Wake in 1263 at Ronaldsvo under the leadership of his great ship Brimvald

I saw the dead upon St Laurence Wake
Sailing in beautiful Brimvald. They were young,
Younger than death and life, with a sweet tongue
I have heard in my blood before,
Dreaming it was the wild gannets that make
Their comment upon Sulna-stapa shore.
I creid upon the dead, 'Why is your face
So beautiful in the regretless place?

'Surely among the dead there is no will
For dragon-necks of gold and for straight sails,
And Brimvald with the silver bitterns' tails
Is quiet under dark skerries now.'
'O we are loved among the living still,
We are forgiven among the dead. We plough
In the old narrows of the spirit. We
Have woven our wealth into your mystery.'

And I remembered words that I had heard
And never heard. And vessels that I knew
And thought were visions. The mute swans that flew
Over grey islands were like these
And yet were nothing. Once at Herlesferd
I saw a ship whose path on the green seas
Made joy to brindled sea-birds, and my breath
Was dangerous and scant, bitter like death.

'O if you died upon St Laurence Wake
Why are you beautiful and young,' I cried
'Like dreams of you I saw on a great tide
Lovelier and more young than I?
Even when I heard the wild white eagles take
Over the earth with their cruel minstrelsy
You were more light than I have ever been.'
They said, 'We are your Soul that you have seen.'

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79d

<p>The Life and Legacy of Natsume Sōseki, Modern Japan’s Greatest Novelist</p><p>"A celebrated literary figure, Natsume Sōseki was widely credited for pioneering modern Japanese literature in the late 19th and early 20th century."</p><p><a href="https://www.thecollector.com/natsume-soseki/" rel="nofollow" class="ellipsis" title="www.thecollector.com/natsume-soseki/"><span class="invisible">https://</span><span class="ellipsis">www.thecollector.com/natsume-s</span><span class="invisible">oseki/</span></a></p><p>Books by Sōseki at PG:</p><p><a href="https://www.gutenberg.org/ebooks/author/2905" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/2905"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/2905</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Photograph of Natsume Sōseki

Edited 79d ago

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79d

<p>How Edgar Allan Poe Became Our Era’s Premier Storyteller</p><p>Fans of the mystery writer have no shortage of ways to pay homage to the scribe behind “The Raven” and so much more</p><p>by Michael Capuzzo (from the archives)</p><p><a href="https://www.smithsonianmag.com/arts-culture/edgar-allan-poe-became-era-premier-storyteller-180971001/?utm_source=smithsoniandaily&utm_medium=email&utm_campaign=editorial&lctg=93133550" rel="nofollow" class="ellipsis" title="www.smithsonianmag.com/arts-culture/edgar-allan-poe-became-era-premier-storyteller-180971001/?utm_source=smithsoniandaily&utm_medium=email&utm_campaign=editorial&lctg=93133550"><span class="invisible">https://</span><span class="ellipsis">www.smithsonianmag.com/arts-cu</span><span class="invisible">lture/edgar-allan-poe-became-era-premier-storyteller-180971001/?utm_source=smithsoniandaily&utm_medium=email&utm_campaign=editorial&lctg=93133550</span></a></p><p>Edgar Allan Poe at PG:<br><a href="https://www.gutenberg.org/ebooks/author/481" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/481"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/481</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

An 1875 illustration of Poe by French impressionist Édouard Manet for the Stéphane Mallarmé translation of "The Raven"

The image captures the haunting, psychological atmosphere of Poe's famous poem through Manet's bold, sketchy style:

Upper portion: A bust or statue (likely representing Pallas Athena, mentioned in the poem: "perched upon a bust of Pallas")
The raven: Suggested by the dark, dramatic shading and atmospheric mood
Lower portion: A figure (the narrator) slumped or reading, overwhelmed by grief and the supernatural visitor
The door: Geometric lines suggesting the chamber door at which someone came "rapping"

https://www.gutenberg.org/cache/epub/14082/pg14082-images.html

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1y

<p>What Role Did Women Play in the Scientific Revolution?</p><p>The Scientific Revolution was characterized by a major shift in the way of thinking. Historically, women’s contributions, however, were largely overlooked.</p><p>By Mike Cohen</p><p><a href="https://www.thecollector.com/role-of-women-in-scientific-revolution/" rel="nofollow" class="ellipsis" title="www.thecollector.com/role-of-women-in-scientific-revolution/"><span class="invisible">https://</span><span class="ellipsis">www.thecollector.com/role-of-w</span><span class="invisible">omen-in-scientific-revolution/</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/history/" rel="tag">#history</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/womeninstem/" rel="tag">#womeninStem</a></p>

Gabrielle Émilie du Châtelet at Her Work Table, by Maurice Quentin de La Tour, 18th century.

Émilie du Châtelet is depicted seated at a richly adorned table, engaged in her work, likely involving mathematical or scientific writings.

She wears an opulent yet tasteful gown with delicate lace and fine fabrics, reflecting both her aristocratic status and the refined elegance of the Rococo period.

She is holding a compass, a tool for drawing, measuring, and copying accurate circles.

Edited 1y ago

2 0 1 View Post & Replies See Original

1y

<p>"Prose is a museum, where all the old weapons of poetry are kept."</p><p>In January 1909.</p><p>T. E. Hulme's poems "Autumn" and "A City Sunset" are included in the Poets' Club anthology For Christmas MDCCCCVIII, as the first examples of Imagism.</p><p><a href="https://en.wikipedia.org/wiki/T._E._Hulme" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/T._E._Hulme"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/T._E._Hu</span><span class="invisible">lme</span></a></p><p>Canzoni & Ripostes at PG:<br><a href="https://www.gutenberg.org/ebooks/39783" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/39783</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

T.E. Hulme in 1912.

Hulme is shown in formal attire, such as a suit, with neatly combed hair.

His expression is typically stern or contemplative, aligning with his reputation as a rigorous thinker and a key figure in early modernist movements, particularly Imagism.

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1y

<p>German poet and novelist Achim von Arnim was born <a href="/tags/otd/" rel="tag">#OTD</a> in 1781.</p><p>He is best known as one of the key figures of German Romanticism. His works were collected, with an introduction by Wilhelm Grimm, in twenty volumes (1839–48). He influenced late Romantics and Realists such as Eduard Mörike, Heinrich Heine, Ludwig Uhland and Theodor Storm, particularly through the Wunderhorn.</p><p>Books by Achim von Arnim at PG:<br><a href="https://www.gutenberg.org/ebooks/author/848" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/848"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/848</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait of Achim von Arnim by Peter Edward Stroehling, 1803.

Stroehling, known for his detailed and refined portrait style, presents Arnim as a young man, with a confident and intellectual demeanor befitting his literary status.

The portrait showcases Arnim in early 19th-century attire.

Stroehling's technique emphasizes realism, using soft lighting and delicate brushwork to bring out the subject's facial features and character.

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1y

<p>"Poet, never chase the dream.<br>Laugh yourself and turn away.<br>Mask your hunger, let it seem<br>Small matter if he come or stay;..."</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1918.</p><p>The English poet Robert Graves marries the painter Nancy Nicholson in London. The wedding guests include Wilfred Owen, whose first nationally published poem appears three days later ("Miners" in The Nation). He will die by the end of the year.</p><p><a href="https://en.wikipedia.org/wiki/Robert_Graves" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Robert_Graves"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Robert_G</span><span class="invisible">raves</span></a></p><p>Robert Graves at PG:<br><a href="https://www.gutenberg.org/ebooks/author/628" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/628"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/628</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Portrait of Robert Graves in 1919.

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1902.</p><p>The first example of a Sherlockian game – a study of inconsistencies of dates in Arthur Conan Doyle's The Hound of the Baskervilles (the serialisation of which in The Strand Magazine concludes in April) by publisher Frank Sidgwick – appears in The Cambridge Review.</p><p><a href="https://en.wikipedia.org/wiki/Canon_of_Sherlock_Holmes" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Canon_of_Sherlock_Holmes"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Canon_of</span><span class="invisible">_Sherlock_Holmes</span></a></p><p>Arthur Conan Doyle at PG:<br><a href="https://www.gutenberg.org/ebooks/author/69" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/69"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/69</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Arthur Conan Doyle, "The Adventure of the Empty House" (1903), Illustration by Sidney Paget, in The Strand Magazine.

Orginal caption: "Sherlock Holmes was standing and smiling at me across my study table."

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1y

<p>American journalist Nellie Bly died <a href="/tags/otd/" rel="tag">#OTD</a> in 1922.</p><p>She was widely known for her record-breaking trip around the world in 72 days in emulation of Jules Verne's fictional character Phileas Fogg, & for an exposé in which she worked undercover to report on a mental institution from within. Bly was also an inventor, receiving U.S. patent 697,553 for a novel milk can & U.S. patent 703,711 for a stacking garbage can.</p><p><a href="https://en.wikipedia.org/wiki/Nellie_Bly" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Nellie_Bly"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Nellie_B</span><span class="invisible">ly</span></a></p><p>Nellie Bly at PG<br><a href="https://www.gutenberg.org/ebooks/author/9648" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/9648"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/9648</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

A woodcut image of Nellie Bly's homecoming reception in Jersey City printed in Frank Leslie's Illustrated News on February 8, 1890.

Caption reads: "Around the world in seventy-two days and six hours - reception of Nellie Bly at Jersey City on the completion of her journey." Includes two vignettes (inset) titled: "Presenting the Globe-Girdler a Golden Globe" and "The Arrival in Philadelphia."

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32d

<p>Wit, courage and guile: ten literary heroines to inspire you on International Women’s Day</p><p>Whether courageous and confident or quietly subversive, literary heroines can inspire us in our everyday lives.</p><p>by Amy Wilcockson</p><p><a href="https://theconversation.com/wit-courage-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day" rel="nofollow" class="ellipsis" title="theconversation.com/wit-courage-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day"><span class="invisible">https://</span><span class="ellipsis">theconversation.com/wit-courag</span><span class="invisible">e-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day</span></a></p><p>Women fiction at PG:<br><a href="https://www.gutenberg.org/ebooks/subjects/search/?query=women+fiction" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/subjects/search/?query=women+fiction"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/subje</span><span class="invisible">cts/search/?query=women+fiction</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/womenhistorymonth/" rel="tag">#womenhistoryMonth</a></p>

The Wife of Bath's Tale in the Ellesmere manuscript of The Canterbury Tales, c. 1405–1410.

A illuminated manuscript page with dense Gothic cursive text in two sections, separated by a decorative rubric line in red. The left and bottom margins are bordered by an elaborate acanthus and ivy-leaf vine decoration in blue, gold, and red, with small coloured flowers and curling tendrils. A small miniature illustration in the right margin depicts a figure in a wide-brimmed hat riding a horse, rendered in warm reds, blues, and browns. A large decorative initial capital begins the lower text block. The rubric midpage reads "Heere endeth the Wyf of Bathe hir prologe and biginneth hir tale." The page is cream-coloured with age, and a folio number is visible in the upper right corner.

https://en.wikipedia.org/wiki/The_Wife_of_Bath%27s_Tale#/media/File:Wife-of-Bath-ms.jpg

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1y

<p>Swedish writer Astrid Lindgren died <a href="/tags/otd/" rel="tag">#OTD</a> in 2002.</p><p>She is best known for several children's book series, featuring Pippi Longstocking, Emil of Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children (Children of Noisy Village in the US), and for the children's fantasy novels Mio, My Son; Ronia the Robber's Daughter; and The Brothers Lionheart.</p><p><a href="https://en.wikipedia.org/wiki/Astrid_Lindgren" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Astrid_Lindgren"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Astrid_L</span><span class="invisible">indgren</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Astrid Lindgren around 1960.

She is typically seen with short, slightly wavy hair, characteristic of her later years, and a kind yet intelligent expression that reflects her deep connection with storytelling and children’s literature.

Lindgren is dressed in modest yet elegant attire, wearing a collared blouse or a cardigan.

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1y

<p>Man Finds Rare Trove of Winnie-the-Pooh Drawings and Manuscripts in His Father's Attic</p><p>By Sarah Kuta</p><p><a href="https://www.smithsonianmag.com/smart-news/man-finds-rare-trove-of-winnie-the-pooh-drawings-and-manuscripts-in-his-fathers-attic-180985907/" rel="nofollow" class="ellipsis" title="www.smithsonianmag.com/smart-news/man-finds-rare-trove-of-winnie-the-pooh-drawings-and-manuscripts-in-his-fathers-attic-180985907/"><span class="invisible">https://</span><span class="ellipsis">www.smithsonianmag.com/smart-n</span><span class="invisible">ews/man-finds-rare-trove-of-winnie-the-pooh-drawings-and-manuscripts-in-his-fathers-attic-180985907/</span></a></p><p>Books by A. A. Milne at PG:<br><a href="https://www.gutenberg.org/ebooks/author/730" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/730"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/730</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/lost_manuscripts/" rel="tag">#lost_manuscripts</a></p>

Photograph of A. A. Milne.

Emil Otto Hoppé - Shadowland, September 1922 (page 62)

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1y

<p>"And my soul from out that shadow that lies floating on the floor<br>Shall be lifted — nevermore!"</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1845.</p><p>Edgar Allan Poe first publishes the narrative poem "The Raven", under his own name in The Evening Mirror of New York, of which he is a staff critic until February. It is rapidly reprinted across the United States and appears in book form by the end of the year.</p><p><a href="https://en.wikipedia.org/wiki/The_Raven" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Raven"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Rave</span><span class="invisible">n</span></a></p><p>The Raven at PG:<br><a href="https://gutenberg.org/ebooks/14082" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/14082</a><br><a href="https://gutenberg.org/ebooks/17192" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/17192</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

The raven perches on a bust of Pallas Athena, a symbol of wisdom meant to imply the narrator is a scholar.

Illustration by Édouard Manet for Stéphane Mallarmé's translation, Le Corbeau (1875).

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1y

<p>"Ameisen" steht in der <a href="/tags/bücherwabe/" rel="tag">#Bücherwabe</a> für die These von Bayo Akomolafe, dass wir hinsichtlich der Denkwege, die unsere Lebens- und Wirtschaftsform bestimmen, in einer tödlichen Logik gefangen sind, wie Ameisen in einer <a href="/tags/ameisenmühle/" rel="tag">#Ameisenmühle</a>: Ameisen folgen den Duftspuren ihrer Vorgänger und laufen im Kreis bis sie sterben. <br><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/bücher/" rel="tag">#bücher</a> <a href="/tags/lesen/" rel="tag">#lesen</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/literatur/" rel="tag">#literatur</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/chemnitz/" rel="tag">#chemnitz</a></p>

$Ein Bild der Bücherwabe im Schaufenster der Buchhandlung am Brühl. Es sind neun Bücher zu sehen: Ursula K. LeGuin: The Word for World is Forest, Stefan Heym: Schwarzenberg, Leaf\Lawson: Ferdinand, Norbert Bobbio: Rechts und Links, Arne Semsrott: Machtübernahme, Magdalena Sorger: Ameisen, Hannah Arendt: Menschen in finsteren Zeiten, Cory Doctorow: Little Brother (Aufstand), Mely Kiyak: Werden sie uns mit FlixBus deportieren?$

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