Eggplant.place

86d

Centuries pass, but human vices remain stubbornly the same. Dante placed the greedy in his Inferno for good reason long ago.
Unchecked avarice has always been, and remains, a destructive force.

#Dante #Literature #Greed

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1y

"Zum Hassen oder Lieben
Ist alle Welt getrieben,
Es bleibet keine Wahl,
der Teufel ist neutral."

"To hate or to love
All the world is driven,
There is no choice,
the devil is neutral."

~Clemens Brentano (9 September 1778 – 28 July 1842)

#books #literature #poetry

Portrait by Emilie Linder, painted in 1835; printed in from Meyer's Encyclopedia, 1906
Emilie Linder - Zeitschrift: Damals, Jg. 45, Ausgabe 5/2013, Artikel: "Volkspoesie" aus Grimm’scher Feder

In the portrait, Clemens Brentano is depicted with a reflective expression, gazing slightly to the side. His face is characterized by thoughtful eyes and a contemplative demeanor, suggesting a deep engagement with his inner thoughts or creative processes.

Brentano is dressed in formal 19th-century attire, which includes a dark coat, a high-collared shirt, and a cravat. His clothing reflects the fashion of the period and his status as a respected literary figure.

Emilie Linder’s painting style is meticulous and realistic, capturing both the physical features of Brentano and a sense of his personality. The detailed rendering of his facial features, including his hair and the slight furrow of his brow, conveys a sense of his introspective nature.

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1y

Introducing Beatrix Potter.

Beatrix Potter remains one of the world's best-selling and best-loved children's authors. She wrote and illustrated 28 books, including her 23 Tales which have sold more than 250 million copies worldwide. In her later years, she became a farmer and sheep breeder and helped protect thousands of acres of land in the Lake District.

https://www.vam.ac.uk/articles/introducing-beatrix-potter

Beatrix Potter (28 July 1866 – 22 December 1943)

#books #literature

Beatrix Potter with a border terrier at Lingholm, Keswick, by Rupert Potter, 3 October 1897, albumen photograph, given by Joan Duke. Museum no. E.765-2005. © Victoria and Albert Museum, London.

In the photograph, Beatrix Potter is seen seated, accompanied by a border terrier. The dog is sitting attentively beside her, adding a touch of warmth and companionship to the scene.

Beatrix is dressed in typical late 19th-century attire, wearing a long dress with a high collar and possibly a shawl or jacket. Her clothing is modest and practical, reflecting her love for the countryside and outdoor activities.

The photograph is taken outdoors at Lingholm, a country estate near Keswick in the Lake District.

Rupert Potter, Beatrix's father, was an amateur photographer who often captured images of his family and their life in the Lake District.

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1y

English-born Australian novelist, journalist, and poet Marcus Clarke died #OTD in 1881.

He is best known for his 1874 novel For the Term of His Natural Life, about the convict system in Australia, and widely regarded as a classic of Australian literature. The novel is based on historical facts and it was originally serialized in the Australian Journal before being published as a book.

https://en.wikipedia.org/wiki/Marcus_Clarke

Books by Marcus Clarke at PG:
https://www.gutenberg.org/ebooks/author/1193

#books #literature

Australian author Marcus Clarke, albumen silver photograph.
Unknown author - State Library of Victoria.

Clarke is posed in a formal, seated position, which was customary for portraits of notable figures during this era.

He is dressed in formal Victorian attire, likely a dark suit with a waistcoat and a tie, reflecting his status as a respected literary figure.

Clarke's face is captured in clear detail, showing his full beard and mustache, which were typical of his appearance. His expression is serious and contemplative, perhaps indicating his deep engagement with his work and the serious themes he explored in his writing.

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1y

In August 1922.

T. E. Lawrence is recruited into the British Royal Air Force as Ordinary Aircraftman 352087 John Hume Ross by Flying Officer W. E. Johns in London. Lawrence later writes The Mint about his experiences.

The book is notable, despite flaws noted by critics, for its sharp observation, for the insight it gives into Lawrence himself, and for the censorship issues around its publication. It was published posthumously in 1955.

https://en.wikipedia.org/wiki/The_Mint_(book)

#books #literature

The Mint by 352087 Ac ROSS (TE Lawrence) Dust-Jacket

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1y

In August 1869.

Ambrose Bierce, writing a satirical column for the San Francisco News Letter, begins to produce the cynical definitions which will eventually become The Devil's Dictionary.

Bierce's witty definitions were imitated & plagiarized for years before he gathered them into books, first as The Cynic's Word Book in 1906 & then in a more complete version as The Devil's Dictionary in 1911.

https://en.wikipedia.org/wiki/The_Devil%27s_Dictionary

The Devil's Dictionary at PG:
https://gutenberg.org/ebooks/972

#books #literature

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1y

"Aristocracy has three successive ages, — the age of superiorities, the age of privileges, and the age of vanities; having passed out of the first, it degenerates in the second, and dies away in the third."
Book I, Ch. 1 : The Vallé-aux-loups

In August 1830.

François-René de Chateaubriand sacrifices his political career by refusing to swear an oath of allegiance to Louis-Philippe, and retires to write his memoirs.

Books by Chateaubriand at PG:
https://www.gutenberg.org/ebooks/author/7255

#books #literature

Title page of Mémoires d'outre-tombe, Tome 1
by Chateaubriand, François-René, vicomte de, 1768-1848; Biré, Edmond, 1829-1907

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1y

"Heaven did not seem to be my home; and I broke my heart with weeping to come back to earth; and the angels were so angry that they flung me out into the middle of the heath on the top of Wuthering Heights; where I woke sobbing for joy."

Wuthering Heights (ed. 1858)

~Emily Brontë (30 July 1818 – 19 December 1848)

Books by Emily Brontë at PG:
https://www.gutenberg.org/ebooks/author/405

#books #literature

The only undisputed portrait of Brontë, from a group portrait by her brother Branwell, c. 1834.

The portrait is part of a larger group painting that includes her siblings, Emily, Anne, and Branwell Brontë himself. The setting is likely indoors, possibly in a domestic or studio environment reflective of their home at the Parsonage in Haworth.

Emily's expression is serene and introspective, suggesting her thoughtful nature.

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86d

Well how do you do, Private William McBride?
Do you mind if I sit here down by your graveside?
And I’ll rest for a while in the warm summer sun,
I’ve been walking all day long, and I’m nearly done…

—Eric Bogle, “No Man’s Land”

https://www.youtube.com/watch?v=PxwBg3X3gBI

#RemembranceSunday #Scottish #literature #song #WW1

No Man’s Land (The Green Fields of France)
Eric Bogle

Well how do you do, Private William McBride?
Do you mind if I sit here down by your graveside?
And I’ll rest for a while in the warm summer sun,
I’ve been walking all day long, and I’m nearly done.
I see by your gravestone you were only nineteen
When you joined the glorious fallen in 1916,
Well, I hope you died quick, and I hope you died clean,
Or, Willie McBride, was it slow and obscene?

Did they beat the drums slowly,
Did they sound the fife lowly,
Did the rifles fire o’er ye as they lowered you down?
Did the bugles sing The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

And did you leave a wife or a sweetheart behind
In some faithful heart is your memory enshrined?
And though you died back in 1916,
To that loyal heart are you always nineteen?
Or are you a stranger without even a name,
Forever enshrined behind some glass pane
In an old photograph, torn and tattered and stained,
And fading to yellow in a brown leather frame.

Did they beat the drums slowly,
Did they sound the fife lowly,
Did the rifles fire o’er ye as they lowered you down?
Did the bugles sing The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

ALT

Well the sun’s shining now on these green fields of France;
The warm wind blows gently and the red poppies dance.
The trenches have vanished long under the plough
No gas and no barbed wire, no guns firing now.
But here in this graveyard it’s still No Man’s Land
The countless white crosses in mute witness stand
To man’s blind indifference to his fellow man,
And a whole generation who were butchered and damned.

Did they beat the drums slowly,
Did they sound the fife lowly,
Did the rifles fire o’er ye as they lowered you down?
Did the bugles sing The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

And I can’t help but wonder, now Willie McBride,
Do all those who lie here, know why they died?
Did you really believe them when they told you the “The Cause?”
You really believed that this war would end wars?
The suffering, the sorrow, the glory, the shame,
The killing, the dying, it was all done in vain,
For Willie McBride, it all happened again,
And again, and again, and again, and again.

Did they beat the drums slowly,
Did they sound the fife lowly,
Did the rifles fire o’er ye as they lowered you down?
Did the bugles sing The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

Did the bugles sing The Last Post in chorus?
Did the pipes play the Flowers of the Forest?

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85d

A Fierce Devotion to the “Empress of Hell”

Medieval dramatizations of the confrontation between the Virgin Mary and King Herod offered a symbolic resistance to tyranny.

By: H.M.A. Leow

https://daily.jstor.org/a-fierce-devotion-to-the-empress-of-hell/

Theater history at PG:
https://www.gutenberg.org/ebooks/subjects/search/?query=theater+history

#books #literature

In an attempt to thwart the prophecy about Christ's rise to power, King Herod orders his soldiers to kill all the male infants under the age of two living in Bethlehem. They do this with ruthless efficiency.

Bartolo's color scheme uses naturalistic details to enhance the drama of the scene. Note the contrast between the rosy coloring of the infants who are still alive and the green pallor of those already dead.

This painting, which is beautifully preserved, was part of a monumental altarpiece commissioned for the Church of San Agostino in San Gimignano and was placed atop a large painting of the Presentation in the Temple now in the Louvre Museum, Paris.

The Massacre of the Innocents might have been executed by both Bartolo and Andrea di Bartolo (active 1389-1428), working collaboratively as a father and son team.

https://commons.wikimedia.org/wiki/File:Massacre_of_the_Innocents.jpg

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86d

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you’ll remember. For you need not so…

—Charles Hamilton Sorley (1895–1915)

https://www.poetryfoundation.org/poems/47427/when-you-see-millions-of-the-mouthless-dead

#RemembranceSunday #Scottish #literature #poem #poetry #warpoetry #WW1

“When You See Millions of the Mouthless Dead”
by Charles Hamilton Sorley

When you see millions of the mouthless dead
Across your dreams in pale battalions go,
Say not soft things as other men have said,
That you’ll remember. For you need not so.
Give them not praise. For, deaf, how should they know
It is not curses heaped on each gashed head?
Nor tears. Their blind eyes see not your tears flow.
Nor honour. It is easy to be dead.
Say only this, “They are dead.” Then add thereto,
“Yet many a better one has died before.”
Then, scanning all the o’ercrowded mass, should you
Perceive one face that you loved heretofore,
It is a spook. None wears the face you knew.
Great death has made all his for evermore.

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86d

Past life, past tears, far past the grave,
The tryst is set for me,
Since, for our all, your all you gave
On the slopes of Picardy…

—Violet Jacob, “To A.H.J.”

Violet Jacob’s only son, Harry, was killed at the Battle of the Somme on 16 July 1916, aged 20

https://www.cwgc.org/find-records/find-war-dead/casualty-details/502598/arthur-henry-augustus-jacob/

#RemembranceSunday #Scottish #literature #poem #poetry #warpoetry #WW1

Violet Jacob
“To A.H.J.”

Past life, past tears, far past the grave,‍‍
‍‍‍‍The tryst is set for me,
Since, for our all, your all you gave‍‍
‍‍‍‍On the slopes of Picardy.

On Angus, in the autumn nights,‍‍
‍‍‍‍The ice-green light shall lie.
Beyond the trees the Northern Lights‍‍
‍‍‍‍Slant on the belts of sky.

But miles on miles from Scottish soil‍‍
‍‍‍‍You sleep, past war and scaith,
Your country’s freedman, loosed from toil.‍‍
‍‍‍‍In honour and in faith.

For Angus held you in her spell,
‍‍‍‍Her Grampians, faint and blue,
Her ways, the speech you knew so well,
‍‍‍‍Were half the world to you.

Yet rest, my son; our souls are those‍‍
‍‍‍‍Nor time nor death can part,
And lie you proudly, folded close‍‍
‍‍‍‍To France’s deathless heart.

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1y

"It Shouldn't Be Printed At All. It Should Be Burnt" — 23 Books Writers Regret Writing
The author of 'Little Women' wrote in her journal that she "never liked girls or knew many."

by Amy Glover via ⁦@buzzfeed

https://www.buzzfeed.com/aglover/books-writers-regret-writing

#books #literature

Louisa May Alcott wrote that she "Never liked girls or knew many except my sisters" in her diary when asked to write Little Women.

Bettmann / Bettmann Archive / Penguin Clothbound Classics

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86d

Chan fhaca mi Lannes aig Ratasbon
no MacGillFhinnein aig Allt Èire
no Gill-Ìosa aig Cùil Lodair,
ach chunnaic mi Sasannach san Èipheit.

(I did not see Lannes at Ratisbon
nor MacLennan at Auldearn
nor Gillies MacBain at Culloden,
but I saw an Englishman in Egypt.)

—Somhairle MacGill-Eain (Sorley MacLean), “Curaidhean” (“Heroes”)

Sorley MacLean was severely wounded at El Alamein, 1942

#RemembranceSunday #Scottish #literature #Gaelic #Gaidhlig #poem #poetry #warpoetry #WW2

Curaidhean
Somhairle MacGill-Eain

Chan fhaca mi Lannes aig Ratasbon
no MacGillFhinnein aig Allt Èire
no Gill-Ìosa aig Cùil Lodair,
ach chunnaic mi Sasannach san Èipheit.

Fear beag truagh le gruaidhean pluiceach
is glùinean a’ bleith a chèile,
aodann guireanach gun tlachd ann –
còmhdach an spioraid bu trèine.

Cha robh buaidh air ‘san taigh-òsta
’n àm nan dòrn a bhith gan dùnadh’,
ach leòmhann e ri uchd a’ chatha,
anns na frasan guineach mùgach.

Thàinig uair-san leis na sligean,
leis na spealgan-iarainn beàrnach,
anns an toit is anns an lasair,
ann an crith is maoim na h-àraich.

Thàinig fios dha san fhrois pheilear
e bhith gu spreigearra ’na dhiùlnach:
is b’ e sin e fhad ’s a mhair e,
ach cha b’ fhada fhuair e dh’ùine.

Chùm e ghunnachan ris na tancan,
a ’ bocail le sgreuch shracaidh stàirnich
gus an d’ fhuair e fhèin mun stamaig
an deannal ud a chuir ri làr e,
beul sìos an gainmhich ’s an greabhal,
gun diog o ghuth caol grànda.

Cha do chuireadh crois no meadal
ri uchd no ainm no g’ a chàirdean:
cha robh a bheag dhe fhòirne maireann,
’s nan robh cha bhiodh am facal làidir;
’s co-dhiù, ma sheasas ursann-chatha,
leagar mòran air a shàillibh
gun dùil ri cliù, nach iarr am meadal
no cop sam bith à beul na h-àraich.

Chunnaic mi gaisgeach mòr à Sasainn,
fearachan bochd nach laigheadh sùil air;
cha b’ Alasdair à Gleanna Garadh –
is thug e gal beag air mo shùilean.

ALT

Heroes
Translator: Sorley MacLean

I did not see Lannes at Ratisbon
nor MacLennan at Auldearn
nor Gillies MacBain at Culloden,
but I saw an Englishman in Egypt.

A poor little chap with chubby cheeks
and knees grinding each other,
pimply unattractive face –
garment of the bravest spirit.

He was not a hit ‘in the pub
in the time of the fists being closed,’
but a lion against the breast of battle,
in the morose wounding showers.

His hour came with the shells,
with the notched iron splinters,
in the smoke and flame,
in the shaking and terror of the battlefield.

Word came to him in the bullet shower
that he should be a hero briskly,
and he was that while he lasted,
but it wasn’t much time he got.

He kept his guns to the tanks,
bucking with tearing crashing screech,
until he himself got, about the stomach,
that biff that put him to the ground,
mouth down in sand and gravel,
without a chirp from his ugly high-pitched voice.

No cross or medal was put to his
chest or to his name or to his family;
there were not many of his troop alive,
and if there were their word would not be strong.
And at any rate, if a battle post stands,
many are knocked down because of him,
not expecting fame, not wanting a medal
or any froth from the mouth of the field of slaughter.

I saw a great warrior of England,
a poor manikin on whom no eye would rest;
no Alasdair of Glen Garry;
and he took a little weeping to my eyes.

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85d

Call for Papers
Regional Perspectives, Planetary Reach: Themes, Genres, Forms of Narration in Contemporary Irish & Scottish Fiction
28–29 May 2026, Università di Naploli L’Orientale, Italy

The European Anglophone literary scene has seen a growing prominence of Scottish & Irish fiction. This conference will look at the latest trends in fiction, poetry, drama, film, TV, digital media, & critical theory

@litstudies

https://sites.google.com/view/irsconference/home-page

#Scottish #Irish #literature #CallForPapers

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1y

German poet Sibylla Schwarz died #OTD in 1638.

Her verse reflects the difficult times in the middle of the Thirty Years' War, of which she saw neither the beginning nor the end. Her verse was published posthumously in 1650 by her teacher Samuel Gerlach under the title Deutsche Poëtische Gedichte in two parts containing over 100 poems. She was famous as the "Pomeranian Sappho", but her work fell into oblivion in the 18th century.

https://en.wikipedia.org/wiki/Sibylla_Schwarz

#books #literature #poetry

Sibylla Schwarz (1621–1638), image from Deutsche Poëtische Gedichte. 1650

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Sibÿllen Schwarzin German Poëtic Poems (title page, 1650).

Sibyllen Schwarzin/ Vohn Greiffswald aus Pommern/ Deutsche Poëtische Gedichte/ Nuhn Zum ersten mahl/ auß ihren eignen Handschrifften/ herauß gegeben und verleget Durch M. Samuel Gerlach/ auß dem Herzogtuhm Würtemberg. und in Dantzig Gedrukt/ bey seel. Georg Rheten Witwen/ im M.DC.L. Jahr.

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86d

He lacks the ordnance of words.
A self-portrait shows
stitches where his mouth should be;
eyes like empty casings.
He left a part of himself in the desert,
this ultra-Marine…

—Sandra Ireland, “Ultramarine”
published in New Writing Scotland 36 (2018)

#RemembranceSunday #Scottish #literature #poem #poetry #trauma

Sandra Ireland
Ultramarine

Trauma can affect the non-verbal
part of the brain. Art can free feelings of loss
and grief and pain from the subconscious,
aiding vocalisation.

He lacks the ordnance of words.
A self-portrait shows
stitches where his mouth should be;
eyes like empty casings.
He left a part of himself
in the desert,
this ultra-Marine,
the part which glows
Tyrian Purple.

Now he is bone black inside;
loaded with dark pigment;
aggregates
to be ground down and
made smooth with linseed words.
Time heals.
Give yourself time.

Time is just a jumbled mix
on his palette;
there was a lot of ochre out there,
and green earth and
sometimes, now he’s home,
he feels the trickle
of warm vermilion
seeping into
his boots.

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1y

"I am no bird, and no net ensnares me,..."

Between 7-24 August 1847.

Charlotte Brontë completes Jane Eyre at Haworth and sends the manuscript to her publisher, who has rejected The Professor.

It was published under her pen name "Currer Bell" on 19 October 1847 by Smith, Elder & Co. of London. The first American edition was published the following year by Harper & Brothers of New York.

https://en.wikipedia.org/wiki/Jane_Eyre

Jane Eyre at PG:
https://gutenberg.org/ebooks/1260

#books #literature

"I am no bird, and no net ensnares me," declares Jane in this manuscript copy of Jane Eyre in Brontë's handwriting. The British Library Board

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85d

Ravens are kekklin’ prophecies o’ woe,
Pyots in black an’ white spiel superstitions,
The rooks mak’ bedlam i’ the elms below,
An’ saft-winged hoolets plan their midnicht missions…

—Helen Cruickshank, “Corstorphine Woods”
pulished in A KIST O SKINKLAN THINGS (ASL, 2017)

https://asls.org.uk/publications/books/volumes/a-kist-o-skinlan-things/

#Scottish #literature #poem #poetry #Scots #Scotslanguage #naturewriting

Helen Cruickshank
Corstorphine Woods

Ravens are kekklin’ prophecies o’ woe,
Pyots in black an’ white spiel superstitions,
The rooks mak’ bedlam i’ the elms below,
An’ saft-winged hoolets plan their midnicht missions.

Amang the haws an’ brambles whinchats clink,
The blue-tits flit amang their ferny covers,
The greedy gulls ahint the ploo-tail sink,
An’ hidden cushats croodle low like lovers.

Heich i’ the frosty air, uneirdly cries
Tell that a gaggle o’ wild geese are flightin’—
Luik! there they are against the parchment skies,
Like movin’ brush o’ ancient Chinese writin’.

Near hame, the ruif-heid raws o’ stirlins haud
Their evenin’ guild o’ scandal and o’ chatter,
And sparrows, randy gossips, rogue or jaud,
Scavenge their hindmost crumb wi’ fuss an’ clatter.

And, as I roond the corner, best of a’,
The mavis, singing on my gavel wa’—
Happy am I, altho’ I bide my lane,
To ha’e a singin’ hert that’s a’ my ain.

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85d

Did Odysseus Really Travel All Around the Mediterranean?

"The traditional view of the Odyssey is that Odysseus traveled all over the Mediterranean. Is that really what Homer described?"

https://www.thecollector.com/odysseus-travels-mediterranean/

The Odyssey at PG:

https://www.gutenberg.org/ebooks/1727

#books #literature #poetry

" ODYSSEUS LOOKED DOWN AT THE WOODS AND THE SEA." - picryl.com

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1y

British writer George Griffith was born #OTD in 1857.

He was active mainly in the science fiction genre—or as it was known at the time, scientific romance—in particular writing many future-war stories and playing a significant role in shaping that emerging subgenre. He was a contemporary of H.G. Wells and Jules Verne, and his works contributed to the development of the science fiction genre.

https://en.wikipedia.org/wiki/George_Griffith

Books by George Griffith at PG:
https://www.gutenberg.org/ebooks/author/8557

#books #literature

Griffith pictured on the frontispiece of his book In an Unknown Prison Land (1901)

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85d

Ethnomusicologist, photographer, folklorist, & scholar Margaret Fay Shaw (1903–2004) was born #OTD, 9 Nov. She gave up a privileged upbringing & classical music training in 1920s New York to help build the first proper archive of traditional Hebridean song & folklore

https://www.bbc.co.uk/programmes/m000rmks

#Scottish #literature #music #song #folklore #Hebrides #Gaelic #Gaidhlig #ethnology #photography

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1y

British writer and soldier Sapper died #OTD in 1937.

"Sapper" was the pen name of Herman Cyril McNeile, known primarily for his popular series of adventure novels featuring the character Bulldog Drummond. He began his writing career by contributing stories to magazines and newspapers while still in the army. After the war, he adopted the pseudonym "Sapper," derived from his service in the Royal Engineers.

https://en.wikipedia.org/wiki/H._C._McNeile

H.C. McNeile at PG:
https://www.gutenberg.org/ebooks/author/26827

#books #literature

McNeile, 1930s Portrait by Howard Coster.

The 1930s portrait of Herman Cyril McNeile, better known by his pen name "Sapper," was taken by renowned photographer Howard Coster. In the portrait, McNeile is presented in a formal and composed manner, reflecting the dignified style of the era. He is typically depicted wearing a suit, possibly with a tie, indicative of his professional stature as a popular British writer. The lighting and composition are characteristic of Coster's style, focusing on the subject's facial features and expression to convey depth and character. The backdrop is minimalistic, drawing attention to McNeile's presence and his thoughtful gaze, embodying the persona of a respected and influential literary figure of his time.

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First US edition cover of No Man's Land, published in the US in 1917.

The first U.S. edition cover of "No Man's Land," published in 1917, features a design typical of early 20th-century wartime literature. The cover likely displays the book's title prominently at the top, with the author's name, Sapper (H.C. McNeile), positioned below or above the title. The artwork might include a somber or dramatic depiction of a battlefield or soldiers, resonating with the themes of the Great War. The colors used are generally muted, reflecting the grim and serious nature of the content, with emphasis on earthy tones like browns, grays, or dark greens. The overall design conveys the gravity and intensity of the wartime experience depicted within the book.

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1y

#OTD in 1857

Performances of Wilkie Collins' drama The Frozen Deep at the Free Trade Hall for the benefit of the widow of writer Douglas W. Jerrold, during which Charles Dickens, becomes infatuated with the professional actress Ellen Ternan.

Dickens's hand was so prominent—beside acting in the play for several performances, he added a preface, altered lines, & attended to most of the props and sets.

https://en.wikipedia.org/wiki/The_Frozen_Deep

The Frozen Deep at PG:
https://www.gutenberg.org/ebooks/1625

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Cover of play "The Frozen Deep" by Wilkie Collins & Charles Dickens.

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#OTD in 1939.

The Wizard of Oz premieres at Grauman's Chinese Theater in Los Angeles, California.

It stars Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley, Billie Burke and Margaret Hamilton. Noel Langley, Florence Ryerson and Edgar Allan Woolf received credit for the screenplay, while others made uncredited contributions.

https://en.wikipedia.org/wiki/The_Wizard_of_Oz

The Wonderful Wizard of Oz by L. Frank Baum at PG:
https://www.gutenberg.org/ebooks/55

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Wizard of OZ movie poster.

The movie poster for "The Wizard of Oz" (1939) is a vibrant and iconic piece of film memorabilia. The poster typically features the main characters—Dorothy, the Scarecrow, the Tin Man, and the Cowardly Lion—walking down the Yellow Brick Road towards the distant, glowing Emerald City. Dorothy, often depicted in her blue gingham dress and red ruby slippers, is at the forefront, holding Toto, her small black dog. The background showcases a fantastical landscape with bright, lush colors, underscoring the movie's transition from black and white to Technicolor. The title, "The Wizard of Oz," is prominently displayed, often in bold, stylized lettering. Additionally, the poster may include the names of the film's stars, such as Judy Garland, and the tagline emphasizing the wonder and adventure of the movie. The overall design captures the magical and timeless essence of this beloved classic.

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