“I was baptised by the explosion of Scottish writing that burst forth in the nineties. I remember the glory of seeing your own people on the page, how it made me feel worthy, and really, really powerful.”
Five years after winning the Booker for Shuggie Bain, Douglas Stuart reflects on the pressures of being a prize winner, the queer canon, the politics of dialect, & how the arts have become less accessible for working-class people