literature

1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1914 (dated February).</p><p>Publication of the first issue of New Numbers, a quarterly collection of work by the Dymock poets in England edited by Lascelles Abercrombie with Wilfrid Gibson. It containing poems such as Brooke's "The Soldier", published in 1915.</p><p><a href="https://en.wikipedia.org/wiki/Dymock_poets" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Dymock_poets"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Dymock_p</span><span class="invisible">oets</span></a></p><p>The Soldier at PG:<br><a href="https://www.gutenberg.org/cache/epub/48306/pg48306-images.html#v-the-soldier" rel="nofollow" class="ellipsis" title="www.gutenberg.org/cache/epub/48306/pg48306-images.html#v-the-soldier"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/cache/epub/4</span><span class="invisible">8306/pg48306-images.html#v-the-soldier</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Image of Rupert Brooke (frontispiece) from For remembrance: soldier poets who have fallen in the war

Arthur St. John Adcock - https://archive.org/details/forremembranceso00adco

Brooke is depicted as a young man with wavy hair, gazing into the distance with a contemplative and idealistic expression.

The lighting emphasizes the classical features of his face, often described as handsome and romantic.

The portrait conveys a sense of youth, intellect, and melancholy, fitting for a poet who became a symbol of lost potential during World War I.

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1y

<p>This part really stuck with me while doing an immersive read of Paradise Lost tonight. </p><p>@bookstodon @reading <a href="/tags/classiclit/" rel="tag">#classiclit</a> <a href="/tags/classicliterature/" rel="tag">#ClassicLiterature</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/johnmilton/" rel="tag">#johnmilton</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

O shame to men! Devil with devil damned firm concord holds; men only disagree of creatures rational, though under hope of heavily grace, and, God proclaiming peace, Yet live in hatred, enimity and strife among themselves, and levy cruel wars wasting the earth, each other to destroy: as if (which might induce us to accord) man had not hellish foes enow besides, that day and night for his destruction to wait!

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31d

<p>Be happy for this moment. This moment is your life.</p><p>Omar Khayyam</p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span> <br><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a></p>

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1y

<p>What Is Rousseau’s Social Contract Theory? (Definition & Criticisms)</p><p>Rousseau’s social contract theory advocates for collective sovereignty, freedom, and equality through the general will for a just society.</p><p>By Viktoriya Sus</p><p><a href="https://www.thecollector.com/rousseau-social-contract-theory-definition/" rel="nofollow" class="ellipsis" title="www.thecollector.com/rousseau-social-contract-theory-definition/"><span class="invisible">https://</span><span class="ellipsis">www.thecollector.com/rousseau-</span><span class="invisible">social-contract-theory-definition/</span></a></p><p>The Social Contract at PG:<br><a href="https://www.gutenberg.org/ebooks/46333" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/46333</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/philosophy/" rel="tag">#philosophy</a></p>

1766 portrait of Rousseau wearing an Armenian papakha and costume, Allan Ramsay

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1y

<p>In February 1929.</p><p>The first of Margery Allingham's crime novels to feature Albert Campion, The Crime at Black Dudley (U.S. title: The Black Dudley Murder), is published in the UK. It introduces Albert Campion, her misleadingly vapid detective, who would go on to appear in another 18 novels and many short stories over the next 30 years.</p><p><a href="https://en.wikipedia.org/wiki/The_Crime_at_Black_Dudley" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Crime_at_Black_Dudley"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Crim</span><span class="invisible">e_at_Black_Dudley</span></a></p><p>Books by Margery Allingham at PG:<br><a href="https://www.gutenberg.org/ebooks/search/?query=Margery+Allingham&submit_search=Search" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/search/?query=Margery+Allingham&submit_search=Search"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/searc</span><span class="invisible">h/?query=Margery+Allingham&submit_search=Search</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

First edition of The Crime at Black Dudley by Margery Allingham.

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69d

<p>A History of Existential Anxiety</p><p>From medieval theology to modern philosophy, dread has long been a guide for living ethically.</p><p>By: Livia Gershon </p><p><a href="https://daily.jstor.org/a-history-of-existential-anxiety/" rel="nofollow" class="ellipsis" title="daily.jstor.org/a-history-of-existential-anxiety/"><span class="invisible">https://</span><span class="ellipsis">daily.jstor.org/a-history-of-e</span><span class="invisible">xistential-anxiety/</span></a></p><p>Original article:<br><a href="https://www.jstor.org/stable/44017151?mag=a-history-of-existential-anxiety&seq=1" rel="nofollow" class="ellipsis" title="www.jstor.org/stable/44017151?mag=a-history-of-existential-anxiety&seq=1"><span class="invisible">https://</span><span class="ellipsis">www.jstor.org/stable/44017151?</span><span class="invisible">mag=a-history-of-existential-anxiety&seq=1</span></a></p><p>Kierkegaard, Julian of Norwich, Margery Kempe at PG: <br><a href="https://www.gutenberg.org/ebooks/author/46682" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/46682"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/46682</span></a><br><a href="https://www.gutenberg.org/ebooks/author/47157" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/47157"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/47157</span></a><br><a href="https://www.gutenberg.org/ebooks/search/?query=Margery+Kempe" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/search/?query=Margery+Kempe"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/searc</span><span class="invisible">h/?query=Margery+Kempe</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/philosophy/" rel="tag">#philosophy</a> <a href="/tags/religion/" rel="tag">#religion</a></p>

The Sacrifice of Isaac, Tobias and the Angel, The Angels Appearing to Abraham, Abraham Welcoming the Three Angels (painting series).

This series of paintings predominantly tells the Old Testament story of Abraham and Isaac, and each of the canvases treats the interaction of humans and angels. In three works, angels appear to Abraham and, in one particularly dramatic canvas, an angel intercepts Abraham before he sacrifices his own son. Like another work in this series, Tobias and the Angels, the Sacrifice of Isaac is a narrative about fathers and sons as well as obedience inspired by faith.

https://commons.wikimedia.org/wiki/File:Francesco_Guardi_-_The_Sacrifice_of_Isaac,_Tobias_and_the_Angel,_The_Angels_Appearing_to_Abraham,_Abraham_Welcoming_the_Three_Angels_(painting_series)_-_1952.235_-_Cleveland_Museum_of_Art.tiff

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66d

<p>The Wigtown Poetry Prizes offer awards for poetry in all three of Scotland’s languages. The 2026 competitions are open for submission from today (2 Feb) until 6 May</p><p><a href="https://www.wigtownpoetryprize.com/poetry-competition" rel="nofollow" class="ellipsis" title="www.wigtownpoetryprize.com/poetry-competition"><span class="invisible">https://</span><span class="ellipsis">www.wigtownpoetryprize.com/poe</span><span class="invisible">try-competition</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/competition/" rel="tag">#competition</a> <a href="/tags/writing/" rel="tag">#writing</a> <a href="/tags/gaidhlig/" rel="tag">#Gaidhlig</a> <a href="/tags/gaelic/" rel="tag">#Gaelic</a> <a href="/tags/scots/" rel="tag">#Scots</a> <a href="/tags/scotslanguage/" rel="tag">#Scotslanguage</a></p>

Wigtown Poetry Prizes

Founded in 2005, the Wigtown Poetry Prizes are some of the UK's best established writing competitions, offering awards in all three of Scotland’s languages with a prize pot of over £3000. The 2026 prizes mark 21 years of Wigtown Poetry Prizes and over £50,000 awarded to emerging and established poets.

The competition opens on 2 February and closes on 6 May 2026, with a prize-giving at Wigtown Book Festival in the autumn. We hope to see you there.

Wigtown International Prize: £1500
Runner-up: £200

Wigtown Scots Prize: £500
Runner-up: £200
Supported by Saltire Society

Wigtown Scottish Gaelic Prize: £500
Runner-up: £200
Supported by The Gaelic Books Council

Dumfries & Galloway Fresh Voice Award
Professional support including mentoring by Wigtown Festival Company and a retreat at Moniack Mhor Creative Writing Centre

Alastair Reid Pamphlet Prize
30 copies of a pamphlet of your work set by Gerry Cambridge
Supported by The Dark Horse Magazine

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67d

<p>THAT PROMETHEAN SPARK<br>The Bottle Imp – Muriel Spark special issue</p><p>Muriel Spark was born <a href="/tags/otd/" rel="tag">#OTD</a>, 1 Feb, 1918</p><p>“With a writing career that included biography, criticism, drama and short fiction as well as novels, Muriel Spark was never one to do things by halves…” </p><p>A 🎂 🧵</p><p>1/18</p><p><a href="https://www.thebottleimp.org.uk/2017/11/that-promethian-spark/" rel="nofollow" class="ellipsis" title="www.thebottleimp.org.uk/2017/11/that-promethian-spark/"><span class="invisible">https://</span><span class="ellipsis">www.thebottleimp.org.uk/2017/1</span><span class="invisible">1/that-promethian-spark/</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/murielspark/" rel="tag">#MurielSpark</a> <a href="/tags/20thcentury/" rel="tag">#20thCentury</a> <a href="/tags/womenwriters/" rel="tag">#WomenWriters</a></p>

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1776.</p><p>Scottish political economist Adam Smith's book The Wealth of Nations, the first modern work in economics, was published.</p><p>It has become a fundamental work in classical economics, and has been described as "the first formulation of a comprehensive system of political economy".</p><p><a href="https://en.wikipedia.org/wiki/The_Wealth_of_Nations" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Wealth_of_Nations"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Weal</span><span class="invisible">th_of_Nations</span></a></p><p>Wealth of Nations at PG:<br><a href="https://www.gutenberg.org/ebooks/3300" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/3300</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/economy/" rel="tag">#economy</a></p>

The full title reads:

"An Inquiry into the Nature and Causes of the Wealth of Nations",
by Adam Smith, LL.D. and F.R.S.,
Formerly Professor of Moral Philosophy in the University of Glasgow.

The title is arranged in a centered layout, using a combination of capital and small capital letters, reflecting the typographic conventions of the time. Below the author’s name and credentials, the volume number (as the work was published in two volumes) is indicated.

At the bottom of the page is the publication information, which reads:

"London: Printed for W. Strahan; and T. Cadell in the Strand. MDCCLXXVI."

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1896.</p><p>While Oscar Wilde is in prison, his play Salome (written in 1891) is premièred in its original French by Lugné-Poe's Théâtre de l'Œuvre company in Paris, perhaps at the Comédie-Parisienne. Because the play depicted biblical characters it was banned in Britain and was not performed publicly there until 1931.</p><p><a href="https://en.wikipedia.org/wiki/Salome_(play)" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Salome_(play)"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Salome_(</span><span class="invisible">play)</span></a></p><p>Salomé at PG:<br><a href="https://www.gutenberg.org/ebooks/1339" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/1339</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/theatre/" rel="tag">#theatre</a></p>

Illustration by Aubrey Beardsley for the first English edition of the play (1894).

The image depicts Salomé holding the severed head of John the Baptist (also known as Jokanaan) on a platter.

She gazes at it with a mixture of fascination and satisfaction, while dark liquid (presumably blood) drips from the head onto the pedestal below.

Her elaborate gown, accessories, and stylized hair reflect the Art Nouveau aesthetic, infused with Beardsley’s signature decadence and eroticism.

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1y

<p>French mathematician and philosopher René Descartes died <a href="/tags/otd/" rel="tag">#OTD</a> in 1650.</p><p>He is known for his influential arguments for substance dualism, where mind and body are considered to have distinct essences, one being characterized by thought, the other by spatial extension. He has been dubbed the "Father of Modern Philosophy" and the "Father of Modern Mathematics."</p><p><a href="https://en.wikipedia.org/wiki/Ren%C3%A9_Descartes" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Ren%C3%A9_Descartes"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Ren%C3%A</span><span class="invisible">9_Descartes</span></a></p><p>Books by René Descartes at PG:<br><a href="https://www.gutenberg.org/ebooks/author/44" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/44"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/44</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/philosophy/" rel="tag">#philosophy</a> <a href="/tags/mathematics/" rel="tag">#mathematics</a></p>

Frans Hals - Portret van René Descartes

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65d

<p>Life, Work & Adoration</p><p>Becoming George: The Invention of George Sand</p><p>review by Lucasta Miller</p><p><a href="https://literaryreview.co.uk/life-work-adoration" rel="nofollow" class="ellipsis" title="literaryreview.co.uk/life-work-adoration"><span class="invisible">https://</span><span class="ellipsis">literaryreview.co.uk/life-work</span><span class="invisible">-adoration</span></a></p><p>George Sand at PG:<br><a href="https://www.gutenberg.org/ebooks/author/851" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/851"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/851</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait of George Sand (cropped)
Part of: Portrait of Frédéric Chopin and George Sand
By Eugène Delacroix

George Sand depicted:

In masculine attire (white collar visible)
With dark hair and intense gaze
Holding what appears to be a small bird or flower
Against a rich, dark background with reddish-brown tones
Delacroix's characteristic loose, colorful brushwork
Contemplative, serious expression

https://fr.wikipedia.org/wiki/George_Sand#/media/Fichier:Eug%C3%A8ne_Ferdinand_Victor_Delacroix_041.jpg

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1y

<p>British actress Lena Ashwell died <a href="/tags/otd/" rel="tag">#OTD</a> in 1957.</p><p>She is known as the first to organise large-scale entertainment for troops at the front, which she did during World War I. After the war she created the Lena Ashwell Players.</p><p>Ashwell herself travelled to the front and became involved in fundraising and logistics of the concerts, as she believed in 'uplifting & therapeutic' power of music.</p><p><a href="https://en.wikipedia.org/wiki/Lena_Ashwell" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Lena_Ashwell"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Lena_Ash</span><span class="invisible">well</span></a></p><p>A preface written by Lena Ashwell at PG<br><a href="https://www.gutenberg.org/ebooks/18530" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/18530</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Rotary postcard featuring a photograph of actress Lena Ashwell.

Lena Ashwell is captured in a half-length pose, looking directly at the camera with a composed and serene expression.

She is wearing a delicate gown adorned with floral embellishments and a long beaded necklace.

Her hair is styled in soft waves, framing her face gracefully.

Edited 1y ago

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71d

<p>Edinburgh Makar Michael Pedersen has written a poem to mark the 300th anniversary of the University of Edinburgh’s medical school. A short film of the poem, animated by students from Edinburgh’s College of Arts, is available to watch via The Scotsman<br> <br><a href="https://www.scotsman.com/arts-and-culture/books/watch-michael-pedersens-poem-to-mark-300th-anniversary-of-edinburgh-university-medical-school-5492523" rel="nofollow" class="ellipsis" title="www.scotsman.com/arts-and-culture/books/watch-michael-pedersens-poem-to-mark-300th-anniversary-of-edinburgh-university-medical-school-5492523"><span class="invisible">https://</span><span class="ellipsis">www.scotsman.com/arts-and-cult</span><span class="invisible">ure/books/watch-michael-pedersens-poem-to-mark-300th-anniversary-of-edinburgh-university-medical-school-5492523</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/edinburgh/" rel="tag">#Edinburgh</a> <a href="/tags/edinburghuniversity/" rel="tag">#EdinburghUniversity</a> <a href="/tags/medicalschool/" rel="tag">#MedicalSchool</a> <a href="/tags/historyofmedicine/" rel="tag">#HistoryofMedicine</a></p>

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73d

<p>Liebes <a href="/tags/fediverse/" rel="tag">#fediverse</a> ,</p><p>unser neues Kulturprogramm für 2026 ist draußen! 🎉 <br>Mehr Infos findet ihr hier: <a href="https://buchhandlung-am-bruehl.de/aktuelle-veranstaltungen/" rel="nofollow" class="ellipsis" title="buchhandlung-am-bruehl.de/aktuelle-veranstaltungen/"><span class="invisible">https://</span><span class="ellipsis">buchhandlung-am-bruehl.de/aktu</span><span class="invisible">elle-veranstaltungen/</span></a></p><p>Wir hoffen, dass für jede*n was dabei ist. :)</p><p>Gedruckt liegt das neue Programm Ende der Woche bei uns aus.</p><p>Liebe Grüße<br>Tina und Max<br>von der Buchhandlung am Brühl in <a href="/tags/chemnitz/" rel="tag">#Chemnitz</a> </p><p><a href="/tags/veranstaltungen/" rel="tag">#Veranstaltungen</a> <a href="/tags/kultur/" rel="tag">#Kultur</a> <a href="/tags/lesung/" rel="tag">#Lesung</a> <a href="/tags/konzert/" rel="tag">#Konzert</a> <a href="/tags/tacheles/" rel="tag">#tacheles</a> <a href="/tags/buch/" rel="tag">#buch</a> <a href="/tags/krimi/" rel="tag">#krimi</a> <a href="/tags/literatur/" rel="tag">#Literatur</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/books/" rel="tag">#books</a> <a href="/tags/bucher/" rel="tag">#bucher</a> <a href="/tags/livres/" rel="tag">#livres</a> <a href="/tags/dielinke/" rel="tag">#dielinke</a> <a href="/tags/leipzig/" rel="tag">#leipzig</a> <a href="/tags/dresden/" rel="tag">#dresden</a> <a href="/tags/erzgebirge/" rel="tag">#erzgebirge</a> <a href="/tags/mittelsachsen/" rel="tag">#mittelsachsen</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/lesen/" rel="tag">#lesen</a> <a href="/tags/reading/" rel="tag">#reading</a></p>

Flyer Seite 1 mit diesen Veranstaltungen:
20.03.2026 (Fr), 19 Uhr:

Abendgruß: Die Chemnitz Premiere

Kerstin Hensel liest aus Ihrem am 18. März 2026 erschienen Roman. Sie erzählt eine etwas andere Familien- und Lebensgeschichten aus Ost und West, die von falscher Moral, Spießertum und Anpassung handeln - und von zerplatzten Lebensträumen.

Eintritt: Vorverkauf 10 EUR, Abendkasse 12 EUR

Reservierungen über info.BaB@posteo.de oder 0371-27868944

24.04.2026 (Fr), 19 Uhr: Die Lage

Mesut Bayraktar liest aus seinem Erzählband "Die Lage" und erzählt dabei die Geschichten von Menschen, die in der Literatur nur selten vorkommen. Moderiert von Marten Henning.

Eintritt: Vorverkauf 8 EUR, Abendkasse 10 EUR

Reservierungen über info.BaB@posteo.de oder 0371-27868944

29.05.2026 (Fr), 19 Uhr: Gesellschaft mit Beschränkter Hoffnung

Die unglaubliche Geschichte einer gelebten Utopie mitten in der DDR: die »Krüppelkommune« von Hartroda. Ausgezeichnet mit dem Matthias-Vernaldi-Preis für selbstbestimmtes Leben 2025. Lesung mit Karsten Krampitz. In Kooperation mit dem Evangelisch Lutherischen Kirchenbezirk Chemnitz. Moderiert von Marten Henning.

Eintritt frei, Voranmeldung erbeten über info.BaB@posteo.de oder 0371-27868944

Ausführlichere Infos hier: https://buchhandlung-am-bruehl.de/aktuelle-veranstaltungen/

Seite 2 des Flyers mit diesen Veranstaltungen:

25.09.2026 (Fr), 19 Uhr: 30 Jahre QUIJOTE – Lieder und Artverwandtes

Das Chemnitzer Künstlerkollektiv QUIJOTE (Sabine Kühnrich, Ludwig Streng & Wolfram Hennig-Ruitz) spielt Lieder aus 30 Jahren, von denen manche ein paar hundert Jahre älter sind.

Eintritt: Vorverkauf 12 EUR, Abendkasse 14 EUR

Reservierungen über info.BaB@posteo.de oder 0371-27868944
30.10.2026 (Fr), 19 Uhr: Moorgold

Anett Steiner liest aus ihrem neuesten Erzgebirgskrimi, März 2026 erschienen im Chemnitzer Paperento-Verlag.

Eintritt: Vorverkauf 8 EUR, Abendkasse 10 EUR

Reservierungen über info.BaB@posteo.de oder 0371-27868944
14.11.2026 (Sa), 16:30 Uhr: Die Shoah und die DDR – Akteure und Aushandlungen im Antifaschismus

Buchvorstellung mit Alexander Walther vom Staatlichen Museum für Archäologie Chemnitz (SMAC). Unser Beitrag zu »Tacheles 2026. Jahr der jüdischen Kultur in Sachsen«.

Eintritt frei, Voranmeldung erbeten über info.BaB@posteo.de oder 0371-27868944

Ausführlichere Infos hier: https://buchhandlung-am-bruehl.de/aktuelle-veranstaltungen/

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1889.</p><p>Henrik Ibsen's symbolic drama The Lady from the Sea (1888) receives simultaneous first performances in Oslo (in Norwegian) and Weimar (in German). The drama introduces the character of Hilde Wangel who is again portrayed in Ibsen's later play The Master Builder.</p><p><a href="https://en.wikipedia.org/wiki/The_Lady_from_the_Sea" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Lady_from_the_Sea"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Lady</span><span class="invisible">_from_the_Sea</span></a></p><p>The Lady from the Sea at PG:<br><a href="https://gutenberg.org/ebooks/2765" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/2765</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/theatre/" rel="tag">#theatre</a></p>

Dining room in the house of Dr. Vangel. 1905 Sketch of the scenery for Ibsen's drama “Daughter of the Sea” State Central Theater Museum named after A.A.Bakhrushin. A.A.Bakhrushin State Central Theater Museum.

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1y

<p>"Conscience is but a word that cowards use,<br>Devis'd at first to keep the strong in awe;<br>Our strong arms be our conscience, swords our law."<br>King Richard, scene iii</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1817.</p><p>Junius Brutus Booth makes his stage debut in the title role of Shakespeare's Richard III at the Theatre Royal, Covent Garden in London.</p><p><a href="https://en.wikipedia.org/wiki/Richard_III_(play)" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Richard_III_(play)"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Richard_</span><span class="invisible">III_(play)</span></a></p><p>Richard III at PG:<br><a href="https://gutenberg.org/ebooks/1503" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/1503</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/theatre/" rel="tag">#theatre</a></p>

Junius Booth, half-length portrait, three-quarters to the left, in theatrical costume, ca. 1850

Daguerrotype by Mathew Brady. Library of Congress, Daguerrotype Collection, reproduction number LC-USZ62-110129.)

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1851.</p><p>The first performance of Rigoletto by Giuseppe Verdi takes place in Venice. The Italian libretto was written by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo.</p><p><a href="https://en.wikipedia.org/wiki/Rigoletto" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Rigoletto"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Rigolett</span><span class="invisible">o</span></a></p><p>Le Roi s'amuse at PG:<br><a href="https://www.gutenberg.org/ebooks/29549" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/29549</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/theatre/" rel="tag">#theatre</a></p>

Set design for act "IV" (III as normally counted) of Giuseppe Verdi's Rigoletto. (For the production of the Théâtre national de l'Opéra at the Palais Garnier that opened 27-02-1885).

A rustic, slightly decrepit inn or house by a lakeside or riverbank, surrounded by dense trees. The building is shown in a cross-section, revealing two levels.

A warmly lit bedroom where a woman stands holding a torch or candle near a reclining figure on a bed—suggestive of the characters Maddalena and the Duke in Rigoletto.

A dimly lit interior room with a few figures around a table—possibly representing Sparafucile (the assassin) and other characters in the plot’s unfolding.

The scene is bathed in moonlight with dark clouds, creating a dramatic chiaroscuro between the natural night and the warm indoor light.

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1y

<p>10 Myths About the Greek Goddess Artemis</p><p>Fascinating stories about the goddess Artemis from Greek myth. The twin sister of Apollo, the chaste goddess, represents the wild wilderness and the hunt.</p><p> by Daniel Soulard</p><p><a href="https://www.thecollector.com/myths-about-artemis-greek-goddess/" rel="nofollow" class="ellipsis" title="www.thecollector.com/myths-about-artemis-greek-goddess/"><span class="invisible">https://</span><span class="ellipsis">www.thecollector.com/myths-abo</span><span class="invisible">ut-artemis-greek-goddess/</span></a></p><p>There are two interesting books about Artemis at PG:<br><a href="https://www.gutenberg.org/ebooks/14576" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/14576</a><br><a href="https://www.gutenberg.org/ebooks/9283" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/9283</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/mythology/" rel="tag">#mythology</a></p>

Scene from sacrifice in honour of Artemis-Diana who is accompanied by a deer. Fresco from the triclinium of the house of Vettii in Pompeii, Italy, between 62 CE and 79 CE (Destruction of Pompeii).

An ancient Fourth-Pompeian-Style Roman wall painting depicting a scene of sacrifice in honor of the goddess Diana; she is seen here accompanied by a deer. The fresco was discovered in the triclinium of House of the Vettii in Pompeii, Italy.

As with the other frescoes in this house, the painting dates between the time of the earthquake of Pompeii in 62 AD and the eruption of Mount Vesuvius in 79 AD that destroyed Pompeii, killing its inhabitants, but preserved many ancient works of art.

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329d

<p>"I look upon literature as an art, and I believe that if you misuse it or abuse it, it will leave you. It is not a thing that you can nail down and use as you want. You have to let it use you, too."<br>Conversations</p><p>Happy birthday Katherine Anne Porter!</p><p>More information:<br><a href="https://en.wikipedia.org/wiki/Katherine_Anne_Porter" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Katherine_Anne_Porter"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Katherin</span><span class="invisible">e_Anne_Porter</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

This black-and-white portrait of Katherine Anne Porter presents the American author with a composed and introspective demeanor.

Her face is framed by neatly styled hair, parted in the center and swept back, lending a classical elegance to her appearance.

Porter wears a simple, dark garment accented by a double-strand metallic necklace, adding a subtle touch of sophistication.

Her gaze is directed slightly off-camera, creating a reflective, distant expression that conveys both poise and intellectual depth.

https://en.wikipedia.org/wiki/Katherine_Anne_Porter#/media/File:Katherine_Anne_Porter.jpg

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<p>"Yet each man kills the thing he loves<br> By each let this be heard.<br>Some do it with a bitter look,<br> Some with a flattering word.<br>The coward does it with a kiss,<br> The brave man with a sword!"</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1898.</p><p>The Ballad of Reading Gaol by Oscar Wilde was published by Leonard Smithers, under the name "C.3.3.", which stood for cell block C, landing 3, cell 3.</p><p><a href="https://en.wikipedia.org/wiki/The_Ballad_of_Reading_Gaol" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Ballad_of_Reading_Gaol"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Ball</span><span class="invisible">ad_of_Reading_Gaol</span></a></p><p>Ballad of Reading Gaol at PG:<br><a href="https://www.gutenberg.org/ebooks/301" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/301</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Cover of The Ballad of Reading Gaol (1904).

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66d

<p>Today, 2 February, is Candlemas. As well as being a Christian holy day, it is one of the four Scottish Quarter Days, when rents were due.</p><p>The Scots poem “At Candlemas” by Marion Angus (1865–1946) is a typically unsentimental look at how swiftly youth turns to old age:</p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poem/" rel="tag">#poem</a> <a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/candlemas/" rel="tag">#Candlemas</a> <a href="/tags/scots/" rel="tag">#Scots</a> <a href="/tags/scotslanguage/" rel="tag">#Scotslanguage</a> <a href="/tags/womenwriters/" rel="tag">#womenwriters</a> <a href="/tags/20thcentury/" rel="tag">#20thcentury</a> <a href="/tags/aging/" rel="tag">#aging</a></p>

At Candlemas
Marion Angus

Lang syne at Candlemas
At first cam o’ the mune,
I, a bit lassie,
Hame-gaun fae the toon,
Fell in wi’ a stranger
Frail as ony reed,
Wi’ a green mantle
Hapt aboot her heid.

Haste, I wad haste me,
The whinny road along,
Whinny, crookit road
Faur the grey ghaists gang.
Wi her een fu’ o’ spells,
Her broo runkled sair,
She micht weel be the witch
O’ the Braid Hill o’ Fare.

Here cams Candlemas,
A wan deein’ mune,
Eh! bit I’m weary.
Cauldrife wis the toon!

Yon’s a blythe bairnie
Soople as a reed,
Rinnin’ wi’ a hankey
Tied aboot her heid,
Hastin’, hastin’,
Limber-licht fit,
Doon the crookit road
Faur the grey moths flit.

Quo’ she, ‘Ye’r sma’-bookit,
Yer broo’s runkled sair,
Er’ ye the auld witch
O’ the Braid Hill o’ Fare?’

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66d

<p>The haill clanjamfrie: What’s so braw aboot Scots<br>13 March, Royal Society of Edinburgh & online – free, ticketed</p><p>Through live readings of poetry & prose, alongside open conversation, this RSE Investigates event explores Scots as a powerful tool for creative expression & social commentary – with writers Len Pennie, Chris McQueer, & Michael Pedersen</p><p><a href="https://rse.org.uk/event/the-haill-clanjamfrie-whats-so-braw-aboot-scots/" rel="nofollow" class="ellipsis" title="rse.org.uk/event/the-haill-clanjamfrie-whats-so-braw-aboot-scots/"><span class="invisible">https://</span><span class="ellipsis">rse.org.uk/event/the-haill-cla</span><span class="invisible">njamfrie-whats-so-braw-aboot-scots/</span></a></p><p><a href="/tags/scottish/" rel="tag">#Scottish</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/scots/" rel="tag">#Scots</a> <a href="/tags/scotslanguage/" rel="tag">#Scotslanguage</a> <a href="/tags/writing/" rel="tag">#writing</a> <a href="/tags/creativewriting/" rel="tag">#creativewriting</a></p>

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<p>"Secrets, silent, stony sit in the dark palaces of both our hearts: secrets weary of their tyranny: tyrants, willing to be dethroned."<br>ch. 2: Nestor page 28</p><p>Ulysses by James Joyce was partially serialised in the American journal The Little Review from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach <a href="/tags/otd/" rel="tag">#OTD</a> in 1922.</p><p>Ulysses at PG:<br><a href="https://www.gutenberg.org/ebooks/4300" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/4300</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Picture of first edition of Joyce's Ulysses.

Cover design:
Simple, elegant design in blue-green/teal color
Greek-inspired lettering for "ULYSSES"
Minimal decoration, emphasizing the classical connection
The color was chosen to match the Greek flag (blue and white)

https://en.wikipedia.org/wiki/Ulysses_(novel)#/media/File:JoyceUlysses2.jpg

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<p>"They cannot scare me with their empty spaces<br>Between stars—on stars where no human race is.<br>I have it in me so much nearer home<br>To scare myself with my own desert places."</p><p>'Desert Places'</p><p>~Robert Frost (March 26, 1874 – January 29, 1963) </p><p>Robert Frost at PG:<br><a href="https://www.gutenberg.org/ebooks/author/1091" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/1091"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/1091</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

"Robert Frost, head-and-shoulders portrait, facing front", c. 1910.

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