So today, to my great fascination, I realise that Chinese fiction has a four part structure:
- Qi (起) – Setup: Introduces characters, setting, and emotional tone. Often includes poetic visuals or symbolic moments.
- Cheng (承) – Development: Builds relationships and stakes. This phase may feel leisurely, but it’s rich with emotional layering.
- Zhuan (转) – Twist: A sudden shift — betrayal, revelation, or a change in perspective. It’s not always a plot twist; sometimes it’s a thematic or emotional pivot.
- Jie (结) – Conclusion: Ties everything together, often with a sense of moral or emotional resolution rather than just plot closure.
So, what happens if you've been trained in the Western story structure narrative all your life and want to write Chinese fiction - not just fiction set in China, but Chinese in every way?
This is what I'm doing now, and you know, I'm avoiding the Western narrative styles in terms of dialogue and structure instinctively, literally throwing out the playbook and just going by gut feel. This is probably due to a life time consuming Chinese fiction - both modern and classical. My brain understands what needs to be done. Fascinating.
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