Perpetual Movement: Francis Picabia’s 391 Review (1917–1924).
Francis Picabia, like his close friend and collaborator Marcel Duchamp, was a man of many names. While Duchamp famously went by his feminine alter ego Rrose Sélavy and signed his 1917 Fountain with the pseudonym R. Mutt, Picabia adopted numerous aliases across his literary and artistic practice.
https://publicdomainreview.org/collection/francis-picabia-391-review/?utm_source=newsletter
https://archive.org/details/391-vol-1-19
Picabia at PG:
https://www.gutenberg.org/ebooks/search/?query=picabia&submit_search=Search
