books

1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1920.</p><p>An inaugural meeting of the Bloomsbury Group's Memoir Club is arranged by Mary MacCarthy in London.</p><p>Among the people involved in the group were Virginia Woolf, John Maynard Keynes, E. M. Forster, Vanessa Bell, and Lytton Strachey.</p><p>Virginia Woolf at PG:<br><a href="https://www.gutenberg.org/ebooks/author/89" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/89"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/89</span></a><br>John Maynard Keynes:<br><a href="https://www.gutenberg.org/ebooks/author/6280" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/6280"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/6280</span></a><br>E. M. Forster:<br><a href="https://www.gutenberg.org/ebooks/author/975" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/975"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/975</span></a><br>Lytton Strachey:<br><a href="https://www.gutenberg.org/ebooks/author/576" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/576"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/576</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/bloomsbury/" rel="tag">#bloomsbury</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Left to right: Lady Ottoline Morrell, Maria Nys (neither members of Bloomsbury), Lytton Strachey, Duncan Grant, and Vanessa Bell.

Lady Ottoline Morrell – A patron of the arts and literature, she was known for her connections with the Bloomsbury Group but was not a formal member. She is elegantly dressed, reflecting her aristocratic background.

Maria Nys – A Belgian woman who later married Aldous Huxley, she was also not a member of the Bloomsbury Group but was part of their social circle.

Lytton Strachey – A writer and critic, famous for his ironic biographies and a key member of Bloomsbury. He is typically depicted with his distinctive beard and lean, intellectual look.

Duncan Grant – A prominent painter and designer, he was deeply associated with Bloomsbury and had a long relationship with fellow member Vanessa Bell.

Vanessa Bell – A painter and interior designer, sister of Virginia Woolf, and a central figure in the Bloomsbury Group. She is likely dressed in an artistic, bohemian style.

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160d

<p>I just discovered this. The biography is a little weird but not totally inaccurate. It's always odd to read about yourself on the interwebz. And it does have all the books in the right order.</p><p><a href="https://www.bookseriesinorder.com/joyce-lionarons/" rel="nofollow" class="ellipsis" title="www.bookseriesinorder.com/joyce-lionarons/"><span class="invisible">https://</span><span class="ellipsis">www.bookseriesinorder.com/joyc</span><span class="invisible">e-lionarons/</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/mybooks/" rel="tag">#MyBooks</a></p>

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202d

<p>Today is Burns' birthday, let's celebrate! </p><p>'There's no other poem like it': Why this Robert Burns classic is a masterpiece</p><p>Tam O'Shanter is a rip-roaring tale of witches and alcohol, but it has hidden depths. On Burns Night this Sunday – and 235 years after the poem was published in 1791 – Scots everywhere may well be treated to a masterwork with a unique, universal appeal.</p><p>By Nicholas Barber</p><p><a href="https://www.bbc.co.uk/culture/article/20260122-why-this-robert-burns-poem-is-a-masterpiece" rel="nofollow" class="ellipsis" title="www.bbc.co.uk/culture/article/20260122-why-this-robert-burns-poem-is-a-masterpiece"><span class="invisible">https://</span><span class="ellipsis">www.bbc.co.uk/culture/article/</span><span class="invisible">20260122-why-this-robert-burns-poem-is-a-masterpiece</span></a></p><p>Tam O'Shanter at PG:<br><a href="https://www.gutenberg.org/ebooks/25733" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/25733</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Fronstispiece of the book Tam O' Shanter. by Robert Burns.

Decorations by Harry L. Miller.

Published by The Saalfield Publishing Company.

The artwork is done in a highly decorative, ornate, and gothic style, with intricate linework. The entire page is framed by a border made of twisting thorny branches, leaves, and vines. The illustration has a dark fairy-tale and folkloric atmosphere.

The border contains small human and supernatural figures, animals, and symbolic elements: A small seated figure near the top left; Hanging figures or effigies suspended from branches; Witch-like and goblin-like creatures placed around the frame; Small animals such as cats or owls, enhancing the eerie tone; The thorny branches curve around to form an elaborate rectangular frame.

https://www.gutenberg.org/cache/epub/25733/pg25733-images.html

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1y

<p>"Thus the wise and worthy singer<br>Sings not all his garnered wisdom;<br>Better leave unsung some sayings<br>Than to sing them out of season."<br>Epilogue, line 20</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1835.</p><p>The Finnish language epic poetry Kalevala, compiled by Elias Lönnrot from oral sources, is first published in the Grand Duchy of Finland, becoming influential in the Fennoman movement.</p><p><a href="https://en.wikipedia.org/wiki/Kalevala" rel="nofollow"><span class="invisible">https://</span>en.wikipedia.org/wiki/Kalevala</a></p><p>Kalevala at PG:<br><a href="https://gutenberg.org/ebooks/5186" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/5186</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Inside front title page of The "Old" Kalevala, Finnish national epos, collection of old Finnish poems, by Elias Lönnrot. First edition; volume 1, 1835.

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202d

<p>"<a href="/tags/julianbravenoisecat/" rel="tag">#JulianBraveNoisecat</a>’s debut memoir, <a href="/tags/wesurvivedthenight/" rel="tag">#WeSurvivedTheNight</a> [...] begins with an act of literary resistance in the face of colonial erasure. NoiseCat’s father was born and then abandoned as an infant at St Joseph’s Mission, an Indian boarding school in Canada now known to be the site of generations of systemic state violence against <a href="/tags/indigenous/" rel="tag">#Indigenous</a> children and their families." </p><p><a href="https://lareviewofbooks.org/article/julian-brave-noisecat-memoir-sugarcane-leila-nadir-interview/" rel="nofollow" class="ellipsis" title="lareviewofbooks.org/article/julian-brave-noisecat-memoir-sugarcane-leila-nadir-interview/"><span class="invisible">https://</span><span class="ellipsis">lareviewofbooks.org/article/ju</span><span class="invisible">lian-brave-noisecat-memoir-sugarcane-leila-nadir-interview/</span></a></p><p><a href="/tags/firstnations/" rel="tag">#FirstNations</a> <a href="/tags/nativeamericans/" rel="tag">#NativeAmericans</a> <a href="/tags/oraltraditions/" rel="tag">#oralTraditions</a> <a href="/tags/coyotestories/" rel="tag">#coyoteStories</a> <a href="/tags/memoirs/" rel="tag">#memoirs</a> <a href="/tags/books/" rel="tag">#books</a> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p>

Tricksters and the Spirit World

Julian Brave NoiseCat discusses ‘We Survived the Night,’ his genre-bending revival of the ‘Coyote epic,’ with Leila Nadir.

By Leila NadirJanuary 24, 2026

[tags] CULTURAL STUDIES ENVIRONMENT

image: photo of author and cinéaste Julian Brave Noisecat

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123d

<p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/khayyam/" rel="tag">#Khayyam</a> <a href="/tags/omarkhayyám/" rel="tag">#OmarKhayyám</a> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p>

Omar Khayyam

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1924.</p><p>Seán O'Casey's drama Juno and the Paycock opens at the Abbey Theatre, Dublin. It is set in the working-class tenements of Dublin in the early 1920s, during the Irish Civil War period.</p><p>It is the second of his "Dublin Trilogy" – the other two being The Shadow of a Gunman (1923) and The Plough and the Stars (1926).</p><p><a href="https://en.wikipedia.org/wiki/Juno_and_the_Paycock" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Juno_and_the_Paycock"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Juno_and</span><span class="invisible">_the_Paycock</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/drama/" rel="tag">#drama</a> <a href="/tags/theatre/" rel="tag">#theatre</a></p>

Poster for the 1930 film “Juno and the Paycock” (alternate title “The Shame of Mary Boyle”).

Since it was directed by Alfred Hitchcock and based on Seán O’Casey’s acclaimed play, the poster have been designed in the early sound era’s style, featuring bold typography and theatrical imagery.

A strong central image, possibly depicting key characters like Juno Boyle (a struggling mother) and Captain Boyle (her irresponsible husband).

A somber or dramatic color scheme reflecting the film’s serious tone.

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1y

<p>‘He contains the whole of literature’: is Dickens better than Shakespeare?</p><p>After rereading the entire works of the great Victorian novelist during the pandemic, Peter Conrad became convinced – whisper it – that Dickens is an even greater writer than that other British literary giant, the Bard.</p><p><a href="https://www.theguardian.com/books/2025/mar/02/is-dickens-better-than-shakespeare" rel="nofollow" class="ellipsis" title="www.theguardian.com/books/2025/mar/02/is-dickens-better-than-shakespeare"><span class="invisible">https://</span><span class="ellipsis">www.theguardian.com/books/2025</span><span class="invisible">/mar/02/is-dickens-better-than-shakespeare</span></a></p><p>Shakespeare at PG:<br><a href="https://www.gutenberg.org/ebooks/author/65" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/65"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/65</span></a></p><p>Charles Dickens at PG:<br><a href="https://www.gutenberg.org/ebooks/author/37" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/37"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/37</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait of William Shakespeare by John Taylor.

The portrait shows Shakespeare with a slightly melancholic yet confident expression, dark eyes, and a mustache with a small pointed beard.

He is dressed in Elizabethan attire, wearing a black doublet or jacket with a wide, white collar. A gold hoop earring is visible in his left ear, a fashionable accessory among poets and playwrights of the time.

The background is dark, which emphasizes his face and adds a sense of depth and drama to the portrait.

Portrait of Charles Dickens by Jeremiah Gurney, c. 1867–1868.

In the portrait, Dickens is dressed in formal Victorian attire, typically a dark suit with a vest and a neatly tied cravat.

His hair is slightly disheveled, and his full beard and mustache frame his face, giving him a distinguished yet somewhat weary appearance.

His eyes, often described as piercing and thoughtful, add to the emotional depth of the image.

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201d

<p>Entwinings</p><p>Literature and History, Fathers and Sons, Writers and Readers</p><p>by Adam Garfinkle</p><p><a href="https://hedgehogreview.com/issues/place-and-revolution/articles/entwinings" rel="nofollow" class="ellipsis" title="hedgehogreview.com/issues/place-and-revolution/articles/entwinings"><span class="invisible">https://</span><span class="ellipsis">hedgehogreview.com/issues/plac</span><span class="invisible">e-and-revolution/articles/entwinings</span></a></p><p>Wharton & Fitzgerald & Stoddard at PG:<br><a href="https://www.gutenberg.org/ebooks/author/104" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/104"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/104</span></a><br><a href="https://www.gutenberg.org/ebooks/author/420" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/420"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/420</span></a><br><a href="https://www.gutenberg.org/ebooks/author/3837" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/3837"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/3837</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Wharton, c. 1895

Photograph of writer Edith Wharton, taken by E. F. Cooper, at Newport, Rhode Island. Cabinet photograph. Courtesy of the Beinecke Rare Book & Manuscript Library, Yale University.

Whartons is dressed with:
Elaborate hat with feathers and ornamental details
Leg-of-mutton sleeves (gigot sleeves)
High-necked white blouse with lace or embroidered details
Two small dogs on her lap, likely Pekingese or similar toy breeds (Wharton was known to be fond of dogs throughout her life)

https://en.wikipedia.org/wiki/Edith_Wharton#/media/File:Edith_Newbold_Jones_Wharton_(cropped_02).jpg

Fitzgerald in 1921

Photographer unknown. The publicity photo was distributed by Fitzgerald's publisher, Scribner's (source: Curtis, William (April 15, 1922). "Some Recent Books". Town & Country, Vol. LXXIX, pp. 62, 76; see photo caption).

The photograph shows Fitzgerald as the embodiment of the young Jazz Age celebrity:

Handsome, polished appearance
Slicked-back hair in the fashionable style of the early 1920s
Well-tailored tweed jacket and tie
Direct, confident gaze

https://en.wikipedia.org/wiki/F._Scott_Fitzgerald#/media/File:F._Scott_Fitzgerald_(1921_portrait_-_crop)_Retouched.jpg

This is a scan of the frontis of his most attributed book, "John L. Stoddard's Lectures". Copyright is 1897; printed in 1905.

This formal portrait shows Stoddard:

In his prime, with a distinguished appearance
Wearing a formal dark suit typical of the Victorian/Edwardian era
With his characteristic well-groomed mustache
Seated with what appears to be a rolled document or paper in his hand

https://en.wikipedia.org/wiki/John_Lawson_Stoddard#/media/File:John_L._Stoddard.jpg

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197d

<p>Over 32,000 medieval manuscripts transcribed in four months using AI</p><p>Medievalists can now access automated transcriptions of 32,763 digitised medieval manuscripts, produced in just four months as part of a project called CoMMA—a large-scale corpus designed to make manuscript texts searchable and analysable at a scale that would be impossible to tackle by hand.</p><p><a href="https://www.medievalists.net/2026/01/32000-medieval-manuscripts-transcribed-using-ai/" rel="nofollow" class="ellipsis" title="www.medievalists.net/2026/01/32000-medieval-manuscripts-transcribed-using-ai/"><span class="invisible">https://</span><span class="ellipsis">www.medievalists.net/2026/01/3</span><span class="invisible">2000-medieval-manuscripts-transcribed-using-ai/</span></a></p><p>Original paper:<br><a href="https://inria.hal.science/hal-05299220" rel="nofollow"><span class="invisible">https://</span>inria.hal.science/hal-05299220</a></p><p>The CoMMA website:<br><a href="https://comma.inria.fr/homepage" rel="nofollow"><span class="invisible">https://</span>comma.inria.fr/homepage</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/old_manuscripts/" rel="tag">#old_manuscripts</a></p>

First page of Chronicon Pictum, the "Illuminated Chronicle" from the court of King Louis the Great of Hungary from 1358.

Main illumination shows:

A multi-paneled scene within an elaborate architectural frame
Central figure: A crowned king (likely representing Hungarian royalty) seated on a throne
Left panel: Armed warriors or knights
Right panel: Groups of courtiers or nobles
Rich colors: deep blues, reds, golds, and ochres
Gothic architectural elements including towers and arches

Latin text in two columns
Red lettering (rubrics) for important headings and initial words
Black text for the main chronicle
Beautiful calligraphy in Gothic script

https://en.wikipedia.org/wiki/Illuminated_manuscript#/media/File:K%C3%A9pes_kr%C3%B3nika_els%C5%91_lapja.jpg

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201d

<p>📚 The Friend of the Family by: Dean Koontz</p><p>The human "oddities" in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely l...</p><p><a href="https://bookblabla.com/book/the-friend-of-the-family" rel="nofollow" class="ellipsis" title="bookblabla.com/book/the-friend-of-the-family"><span class="invisible">https://</span><span class="ellipsis">bookblabla.com/book/the-friend</span><span class="invisible">-of-the-family</span></a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/historical/" rel="tag">#historical</a> <a href="/tags/20thcentury/" rel="tag">#20thcentury</a> <a href="/tags/thrillers/" rel="tag">#thrillers</a> <a href="/tags/suspensefiction/" rel="tag">#suspensefiction</a></p>

The human "oddities" in the Museum of the Strange are less wondrous than the gawking rubes had been promised. But Alida is something else. The real thing. Traveling Depression-era America from carnival midways to speakeasies, Alida is resigned to an exploited and lonely life on the road as the museum's golden ticket. Until she's rescued by two compassionate strangers.

Franklin and Loretta Fairchild see in Alida a gifted and uncannily well-read girl in need of a loving touch and a family. With the openhearted couple and their three precociously imaginative children, Alida finds it. Yet despite everyone's overwhelming generosity and acceptance, Alida knows she is still a very different kind of girl. Her dreams bear that out. They're vivid, unsettling, and threatening. Alida fears that they're also warnings. And that it's the Fairchilds who may need rescue from a bad, bad world.

Alida will do anything to help those she now holds nearest and dearest. Empowered with a purpose to vanquish evil, she will not fail her family.

A girl liberated from a carnival sideshow discovers her mysterious purpose in a moving novel about family, sacrifice, and transcendent love by #1 New York Times bestselling author Dean Koontz.

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138d

<p>This is how I feel when I look at my TBR pile 😜😂 </p><p><span class="h-card"><a href="https://fedigroups.social/@reading" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>reading</span></a></span> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span> <a href="https://lemmy.world/u/books" rel="nofollow">@books</a> <span class="h-card"><a href="https://fedigroups.social/@humor" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>humor</span></a></span> <span class="h-card"><a href="https://lemmy.world/c/humor" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>humor@lemmy.world</span></a></span> <span class="h-card"><a href="https://lemmy.world/c/aiop" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>aiop</span></a></span> <span class="h-card"><a href="https://fedigroups.social/@joinin" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>joinin</span></a></span></p><p><a href="/tags/readingmemes/" rel="tag">#ReadingMemes</a> <a href="/tags/meme/" rel="tag">#Meme</a> <a href="/tags/memes/" rel="tag">#Memes</a> <a href="/tags/readallthebooks/" rel="tag">#ReadAllTheBooks</a> <a href="/tags/humor/" rel="tag">#Humor</a> <a href="/tags/humour/" rel="tag">#Humour</a> <a href="/tags/funny/" rel="tag">#Funny</a><br><a href="/tags/reading/" rel="tag">#Reading</a> <a href="/tags/readers/" rel="tag">#Readers</a> <a href="/tags/readersofmastodon/" rel="tag">#ReadersOfMastodon</a> <a href="/tags/readingcommunity/" rel="tag">#ReadingCommunity</a><br><a href="/tags/book/" rel="tag">#Book</a> <a href="/tags/books/" rel="tag">#Books</a> <a href="/tags/novel/" rel="tag">#Novel</a> <a href="/tags/novels/" rel="tag">#Novels</a> <a href="/tags/fiction/" rel="tag">#Fiction</a> <br><a href="/tags/bookwyrm/" rel="tag">#Bookwyrm</a> <a href="/tags/bookworm/" rel="tag">#Bookworm</a> <a href="/tags/bookstodon/" rel="tag">#Bookstodon</a></p>

Drawing of a sorcerer sitting behind a talbe filled with crystalballs, on each ball has been editing in the text "unread book".

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201d

<p>I love that The Expert of Subtle Revisions is on a list with Octavia Butler, Emily St. John Mandel, Emma Straus, Audrey Niffenegger and so many other great writers.</p><p>Let's Time Travel with 60 Reality-Bending Novels: </p><p> "a collection of interesting time-travel stories and temporal mischief. This specially curated list deliberately draws from all genres, and it’s actually pretty fascinating to see the range of styles and themes in circulation."</p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/writing/" rel="tag">#writing</a> <a href="/tags/writersofmastodon/" rel="tag">#writersofmastodon</a> <a href="/tags/writingcommunity/" rel="tag">#WritingCommunity</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span> </p><p><a href="https://www.goodreads.com/blog/show/3028-let-s-time-travel-with-60-reality-bending-novels" rel="nofollow" class="ellipsis" title="www.goodreads.com/blog/show/3028-let-s-time-travel-with-60-reality-bending-novels"><span class="invisible">https://</span><span class="ellipsis">www.goodreads.com/blog/show/30</span><span class="invisible">28-let-s-time-travel-with-60-reality-bending-novels</span></a></p>

Edited 201d ago

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1y

<p>Finnish priest, lyric and epic poet Johan Ludvig Runeberg was born <a href="/tags/otd/" rel="tag">#OTD</a> in 1804 (Runeberg Day).</p><p>He is the author of the lyrics to Vårt land (Our Land, Maamme in Finnish) which became the Finnish national anthem. Runeberg was also involved in the modernization of the Finnish Lutheran hymnal and produced many texts for the new edition.</p><p><a href="https://en.wikipedia.org/wiki/Johan_Ludvig_Runeberg" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Johan_Ludvig_Runeberg"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Johan_Lu</span><span class="invisible">dvig_Runeberg</span></a></p><p>Books by Johan Ludvig Runeberg at PG:<br><a href="https://www.gutenberg.org/ebooks/author/2842" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/2842"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/2842</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Finnish poet Johan Ludvig Runeberg, 1804-1877. Portrait by Albert Edelfelt (1893).

This portrait of Runeberg depicts him as a dignified and intellectual figure, reflecting his literary influence and patriotic spirit. A well-known painting typically present him in formal 19th-century attire, with a contemplative expression, emphasizing his role as a writer and thinker.

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203d

<p>📚 Pachinko by: Min Jin Lee</p><p>Yeongdo, Korea, 1911. Teenaged Sunja, the adored daughter of a fisherman, falls for a wealthy yakuza. He promises her the world, but when she discovers she is pregnant, and that her lover is married, she refuses to be bought.</p><p>Facing ruin, she accepts an offer of marriage from a gentle minister passing thro...</p><p><a href="https://bookblabla.com/book/pachinko" rel="nofollow"><span class="invisible">https://</span>bookblabla.com/book/pachinko</a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/familylife/" rel="tag">#familylife</a> <a href="/tags/generalfiction/" rel="tag">#generalfiction</a> <a href="/tags/romance/" rel="tag">#romance</a> <a href="/tags/historical/" rel="tag">#historical</a></p>

Yeongdo, Korea, 1911. Teenaged Sunja, the adored daughter of a fisherman, falls for a wealthy yakuza. He promises her the world, but when she discovers she is pregnant, and that her lover is married, she refuses to be bought.

Facing ruin, she accepts an offer of marriage from a gentle minister passing through on his way to Japan. Following a man she barely knows to a hostile country where she has no friends, Sunja will be forced to make some difficult choices. Her decisions will echo through the decades.

Spanning nearly 100 years of history, Pachinko is an unforgettable story of love, sacrifice, ambition and loyalty told through four generations of one family.

ONE OF THE NEW YORK TIMES' BEST BOOKS OF THE 21ST CENTURY

- The million-copy bestseller
- National Book Award finalist
- A New York Times Bestseller
- Selected for Emma Watson's Our Shared Shelf book club
- Selected for The Queen's Reading Room

This is a captivating book. Min Jin Lee's novel takes us through four generations and each character's search for identity and success. It's a powerful story about resilience and compassion' BARACK OBAMA.

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205d

<p>"Years of not fitting in and being afraid of being busted takes it's toll. I have had a lifetime of being unsure of how to conduct myself and being baffled by others' behaviour. For many years I thought my only choice was to be constantly on the move. I have lost track of the times I have given all my belongings away and melted into the night."</p><p><a href="/tags/anissaljanta/" rel="tag">#AnissaLjanta</a>, Wild of Brain, 2024</p><p><a href="https://www.wildofbrain.com/" rel="nofollow"><span class="invisible">https://</span>www.wildofbrain.com/</a></p><p>OMG this is so me!</p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/neurodivergence/" rel="tag">#neurodivergence</a></p>

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1y

<p>"The only thing that we know is that we know nothing — and that is the highest flight of human wisdom."<br>Book V, Ch. I</p><p>In February 1865.</p><p>Publication of Leo Tolstoy's "1805", an early version of War and Peace, begins in the magazine Russkiy Vestnik. The version that was published in Russkiy Vestnik had a very different ending from the version eventually published under the title War and Peace in 1869.</p><p><a href="https://en.wikipedia.org/wiki/War_and_Peace" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/War_and_Peace"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/War_and_</span><span class="invisible">Peace</span></a></p><p>War and Peace at PG:<br><a href="https://gutenberg.org/ebooks/2600" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/2600</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Title page of Volume Six (том шестой) of a later (1909) reprinting of War and Peace.

The text is in Russian Cyrillic script, with a mix of bold, serifed fonts that convey a sense of authority and importance. The title "Война и мир" (War and Peace) is likely prominently displayed in a larger font size.

The words "Том шестой" (Volume Six) are clearly printed, usually below the title, indicating its place in a multi-volume set.

"Л. Н. Толстой" (L. N. Tolstoy) is included, typically in a smaller or similarly bolded font.

At the bottom of the page, the publisher's name, city, and year of publication (1909) are printed. Possible location include Moscow, as this was one of the key publishing hubs in Russia.

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196d

<p>📚 The Mountain in the Sea by: Ray Nayler</p><p>The transnational tech corporation DIANIMA has sealed off the remote Con Dao Archipelago, where a species of octopus has been discovered that may have developed its own language and culture. The marine biologist Dr. Ha Nguyen, who has spent her life researching c...</p><p><a href="https://bookblabla.com/book/the-mountain-in-the-sea" rel="nofollow" class="ellipsis" title="bookblabla.com/book/the-mountain-in-the-sea"><span class="invisible">https://</span><span class="ellipsis">bookblabla.com/book/the-mounta</span><span class="invisible">in-in-the-sea</span></a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/sciencefiction/" rel="tag">#sciencefiction</a> <a href="/tags/generalfiction/" rel="tag">#generalfiction</a> <a href="/tags/thrillers/" rel="tag">#thrillers</a> <a href="/tags/technologicalfiction/" rel="tag">#technologicalfiction</a></p>

The transnational tech corporation DIANIMA has sealed off the remote Con Dao Archipelago, where a species of octopus has been discovered that may have developed its own language and culture. The marine biologist Dr. Ha Nguyen, who has spent her life researching cephalopod intelligence, will do anything for the chance to study them. She travels to the islands to join DIANIMA's team: a battle-scarred securityagent and the world’s first (and possibly last) android.

The octopuses hold the key to unprecedented breakthroughs in extrahuman intelligence. As Dr. Nguyen struggles to communicate with the newly discovered species, forces larger than DIANIMA close in to seize the octopuses for themselves.

But no one has yet asked the octopuses what they think. Or what they might do about it.

A near-future thriller, a meditation on the nature of consciousness, and an eco-logical call to arms, Ray Nayler's dazzling literary debut The Mountain in the Sea is a mind-blowing dive into the treasure and wreckage of humankind’s legacy.

*WINNER OF 2023 LOCUS AWARD FOR BEST FIRST NOVEL . FINALIST FOR THE NEBULA AWARD, and THE LOS ANGELES TIMES RAY BRADBURY PRIZE

The Mountain in the Sea is a wildly original, gorgeously written, unputdownable gem of a novel. Ray Nayler is one of the most exciting new voices I’ve read in years.
-Blake Crouch, author of Upgrade and Dark Matter

Humankind discovers intelligent life in an octopus species with its own language and culture, and sets

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1y

<p>Limited restock of all signed copies of my poetry books are now available at <a href="https://www.nihtgengapress.com" rel="nofollow"><span class="invisible">https://</span>www.nihtgengapress.com</a><br><a href="/tags/poetry/" rel="tag">#poetry</a> <a href="/tags/books/" rel="tag">#books</a> <a href="/tags/indie/" rel="tag">#indie</a> </p><p>Thank you for supporting an independent indigenous poet directly!</p>

3 books in a line on a pine table top. Disremembering, threnody, and library on fire by Michelle Joy Gallagher soffe.

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1y

<p>Das erste Buch aus der <a href="/tags/bücherwabe/" rel="tag">#Bücherwabe</a> ist „Ferdinand der Stier“. Es erschien 1936 und war radikal bzgl. seines Verständnisses von Männlichkeit und dem hohen Wert von Individualität. Auffällig ist, dass Ferdinand nie Teil einer Gesellschaft ist. Er ist der glückliche Außenseiter, der nicht kämpfen will, sondern viel lieber (allein) an Blumen riecht.<br>Ferdinands Pazifismus bleibt für ihn folgenlos, ganz im Gegenteil zu dem Buch, das wir als nächstes vorstellen. <a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literatur/" rel="tag">#literatur</a> <a href="/tags/politik/" rel="tag">#politik</a> <a href="/tags/chemnitz/" rel="tag">#chemnitz</a></p>

$Ein Bild der Bücherwabe im Schaufenster der Buchhandlung am Brühl. Es sind neun Bücher zu sehen: Ursula K. LeGuin: The Word for World is Forest, Stefan Heym: Schwarzenberg, Leaf\Lawson: Ferdinand, Norbert Bobbio: Rechts und Links, Arne Semsrott: Machtübernahme, Magdalena Sorger: Ameisen, Hannah Arendt: Menschen in finsteren Zeiten, Cory Doctorow: Little Brother (Aufstand), Mely Kiyak: Werden sie uns mit FlixBus deportieren?"$

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1y

<p>Anactoria is a woman mentioned in the work of the ancient Greek poet Sappho, who wrote in the late 7th and early 6th centuries BCE. Sappho names Anactoria as the object of her desire in a poem numbered as fragment 16. Another of her poems, fragment 31, is traditionally called the "Ode to Anactoria", although no name appears in it.</p><p>Algernon Charles Swinburne wrote a long poem, "Anactoria", published in his 1866 collection Poems and Ballads.</p><p><a href="https://en.wikipedia.org/wiki/Anactoria" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Anactoria"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Anactori</span><span class="invisible">a</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Sappho and Alcaeus (1881), painted by Lawrence Alma-Tadema. Anactoria's name is visible near the middle of the painting.

The scene is set in a marble amphitheater overlooking the sea, with lush pine trees framing the background.

Alcaeus, seated to the right, is playing a kithara (a type of lyre) and singing, clad in a pinkish tunic with golden sandals. He appears engaged in performance, his fingers on the strings, as he sings to an enraptured audience.

Sappho, seated on a stone bench to the left, leans forward with her chin resting on her hand, listening intently. She wears a flowing pale green gown and a dark headband. A small altar-like table in front of her holds a laurel wreath, possibly a prize for poetic excellence.

Behind Sappho, a group of women, possibly her companions or disciples, are dressed in elegant, classical garments and adorned with floral crowns.

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202d

<p>Robert Burns and Mary, Queen of Scots: how the poet shaped the enduring cultural legacy of the executed monarch</p><p>The queen was the source of much debate among 18th-century thinkers.</p><p>by Kate Kane</p><p><a href="https://theconversation.com/robert-burns-and-mary-queen-of-scots-how-the-poet-shaped-the-enduring-cultural-legacy-of-the-executed-monarch-273950?utm_medium=email&utm_campaign=The%20Weekender%20-%203653437321&utm_content=The%20Weekender%20-%203653437321+CID_43c6452557555cbd4df21443bb065cc9&utm_source=campaign_monitor_uk" rel="nofollow" class="ellipsis" title="theconversation.com/robert-burns-and-mary-queen-of-scots-how-the-poet-shaped-the-enduring-cultural-legacy-of-the-executed-monarch-273950?utm_medium=email&utm_campaign=The%20Weekender%20-%203653437321&utm_content=The%20Weekender%20-%203653437321+CID_43c6452557555cbd4df21443bb065cc9&utm_source=campaign_monitor_uk"><span class="invisible">https://</span><span class="ellipsis">theconversation.com/robert-bur</span><span class="invisible">ns-and-mary-queen-of-scots-how-the-poet-shaped-the-enduring-cultural-legacy-of-the-executed-monarch-273950?utm_medium=email&utm_campaign=The%20Weekender%20-%203653437321&utm_content=The%20Weekender%20-%203653437321+CID_43c6452557555cbd4df21443bb065cc9&utm_source=campaign_monitor_uk</span></a></p><p>Robert Burns at PG:<br><a href="https://www.gutenberg.org/ebooks/author/583" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/583"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/583</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Portrait of Burns by Alexander Nasmyth, 1787, Scottish National Portrait Gallery.

This half-length portrait of Burns, framed within an oval, has become the most well-known and widely reproduced image of the famous Scottish poet. Nasmyth's painting, commissioned by the publisher William Creech, was to be engraved for a new edition of Burn's poems. He is shown fashionably dressed against a landscape, evoking his rural background in Alloway, Ayrshire. Burns and Nasmyth had become good friends, having been introduced to one another in Edinburgh by a mutual patron, Patrick Miller of Dalswinton. Nasmyth, pleased to have recorded Burns' likeness convincingly, decided to leave the painting in a slightly unfinished state.

https://en.wikipedia.org/wiki/Robert_Burns#/media/File:PG_1063Burns_Naysmith.jpg

François Clouet - Mary, Queen of Scots (1542-87)

Mary wears a pink gown decorated with vertical gold striping and small jeweled embellishments. The bodice is tightly fitted and fastened down the center with a line of pearls or gemstone buttons. A crisp white ruff collar frames her neck. Her sleeves are full and carefully tailored.

Her hair is light brown and drawn back smoothly, partially covered by a jeweled headband adorned with pearls. She wears modest jewelry, including a pearl necklace, small earrings, and a ring. Her hands are delicately posed at her waist, fingers gently touching.

https://en.wikipedia.org/wiki/Mary,_Queen_of_Scots#/media/File:Fran%C3%A7ois_Clouet_-_Mary,_Queen_of_Scots_(1542-87)_-_Google_Art_Project.jpg

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118d

<p>Why does fiction matter? </p><p>Because stories can sharpen the way we understand other people. </p><p>A meta-analysis found that reading fiction has a small but positive effect on social cognition. Including our ability to interpret emotions, motives, and inner lives. </p><p>In other words: novels may help us practice empathy.</p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/mentalhealth/" rel="tag">#mentalhealth</a> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/fiction/" rel="tag">#fiction</a></p>

Reading matters

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201d

<p>Did Edison accidentally make graphene in 1879?</p><p>Rice University chemists replicated Thomas Edison’s seminal experiment and found a surprising byproduct.</p><p>by Jennifer Ouellette</p><p><a href="https://arstechnica.com/science/2026/01/did-edison-accidentally-make-graphene-in-1879/" rel="nofollow" class="ellipsis" title="arstechnica.com/science/2026/01/did-edison-accidentally-make-graphene-in-1879/"><span class="invisible">https://</span><span class="ellipsis">arstechnica.com/science/2026/0</span><span class="invisible">1/did-edison-accidentally-make-graphene-in-1879/</span></a></p><p>Thomas Edison at PG:<br><a href="https://www.gutenberg.org/ebooks/author/3325" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/3325"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/3325</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/science/" rel="tag">#science</a> <a href="/tags/technology/" rel="tag">#technology</a></p>

Edison carbon filament lamps, early 1880s.

There are four glass bulbs mounted upright on a base, each with slightly different shapes and proportions.The bulbs have:

Rounded, bulbous glass envelopes, some more spherical than others

Visible carbon filaments inside (thin, looped or arched)

Darkened glass near the tops, likely from carbon deposits caused by early filament evaporation

Primitive bases and sockets

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202d

<p>📚 Departure by: A. G. Riddle</p><p>En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind.</p><p>Struggling to stay alive, the survivors soon realize that the worl...</p><p><a href="https://bookblabla.com/book/departure" rel="nofollow"><span class="invisible">https://</span>bookblabla.com/book/departure</a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/dystopianfiction/" rel="tag">#dystopianfiction</a> <a href="/tags/thrillers/" rel="tag">#thrillers</a> <a href="/tags/technologicalfiction/" rel="tag">#technologicalfiction</a> <a href="/tags/suspensefiction/" rel="tag">#suspensefiction</a></p>

En route to London from New York, Flight 305 suddenly loses power and crash-lands in the English countryside, plunging a group of strangers into a mysterious adventure that will have repercussions for all of humankind.

Struggling to stay alive, the survivors soon realize that the world they’ve crashed in is very different from the one they left. But where are they? Why are they here? And how will they get back home?

Five passengers seem to hold clues about what's really going on: writer Harper Lane, venture capitalist Nick Stone, German genetic researcher Sabrina Schröder, computer scientist Yul Tan, and Grayson Shaw, the son of a billionaire philanthropist.

As more facts about the crash emerge, it becomes clear that some in this group know more than they’re letting on answers that will lead Harper and Nick to uncover a far reaching conspiracy involving their own lives. As they begin to piece together the truth, they discover they have the power to change the future and the past to save our world... or end it.

A wildly inventive and propulsive adventure full of hairpin twists, Departure is a thrilling tale that weaves together power, ambition, fate, memory, and love, from a bold and visionary talent.

From the author of the #1 bestselling The Atlantis Gene comes a new novel in which the world’s past and future rests in the hands of five unwitting strangers in this definitive edition of A. G. Riddle's time-traveling, mind-bending speculative thriller.

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