books

1y

<p>German poet and novelist Achim von Arnim was born <a href="/tags/otd/" rel="tag">#OTD</a> in 1781.</p><p>He is best known as one of the key figures of German Romanticism. His works were collected, with an introduction by Wilhelm Grimm, in twenty volumes (1839–48). He influenced late Romantics and Realists such as Eduard Mörike, Heinrich Heine, Ludwig Uhland and Theodor Storm, particularly through the Wunderhorn.</p><p>Books by Achim von Arnim at PG:<br><a href="https://www.gutenberg.org/ebooks/author/848" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/848"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/848</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Portrait of Achim von Arnim by Peter Edward Stroehling, 1803.

Stroehling, known for his detailed and refined portrait style, presents Arnim as a young man, with a confident and intellectual demeanor befitting his literary status.

The portrait showcases Arnim in early 19th-century attire.

Stroehling's technique emphasizes realism, using soft lighting and delicate brushwork to bring out the subject's facial features and character.

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100d

<p>Ebook and paperback: <a href="https://books2read.com/TheThirdWish" rel="nofollow"><span class="invisible">https://</span>books2read.com/TheThirdWish</a></p><p>Spies, aliens, trolls, wizards and a disowned prince use a time machine, to improve their place in history, but Levi Jacobs stands in their way, despite having just lost his parents in war. Will he stop them or will the time travelers kill his father at a pivotal moment, on which the fate of the galaxy hangs?</p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span><br><a href="/tags/author/" rel="tag">#author</a> <a href="/tags/indieauthor/" rel="tag">#indieauthor</a> <a href="/tags/writing/" rel="tag">#writing</a> <a href="/tags/fantasy/" rel="tag">#fantasy</a> <a href="/tags/scifi/" rel="tag">#scifi</a> <a href="/tags/sciencefiction/" rel="tag">#sciencefiction</a> <a href="/tags/sff/" rel="tag">#sff</a> <a href="/tags/sciencefantasy/" rel="tag">#sciencefantasy</a> <a href="/tags/scifi/" rel="tag">#scifi</a> <a href="/tags/actionadventure/" rel="tag">#actionadventure</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/books/" rel="tag">#books</a></p>

(Left) The cover of The Third Wish, by Owen Tyme, illustrated by Ryan Johnson.

A wizard in a black robe that glitters with hints of gold stands on a mountain and looks down at a city of sky scrapers covered in greenery. In his shadow lurks a creature with glowing red eyes.

In the background, the sun is setting and stars are becoming visible.

(Right Background) Four images separated by black lines, with the silhouette of a woman wielding two swords laid over them. She's outlined in black and her interior is yellow clock-based imagery that spirals outward from the center.

The upper left quarter is a queen in a red, furred robe, wearing a gold and diamond crown. She has dark eyebrows and blond hair.

Upper right is a planet seen from orbit.

Lower left is a symbolic wire frame representation of the view inside a wormhole, in green and yellow.

Lower right is dandelions among grass.

The angle of the planet, one of the woman's swords, the yellow highlights of the wormhole and some of the dandelions form a line that draws the eye along a sweeping curve.

(Right Foreground) The following quote:

He admired the flawless beauty of the insane swordswoman’s fluid movements as Ida took desperate step after step, backwards!

He felt waves of mental energy pour off the panic-stricken troll, but the energy bounced right off of Nicole’s mind, as though she’d shut herself inside a solid, red-hot, steel box of rage!

(Bottom) https://books2read.com/TheThirdWish

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101d

<p>finished reading <a href="https://eggplant.place/search?r=1&q=https://reviewdb.app/book/1onVykHO8cWR9T8KXDwYXB" rel="nofollow">Tomorrow, and Tomorrow, and Tomorrow</a> 🌕🌕🌕🌕🌑 <br>by Gabrielle Zevin.</p><p>Two friends become productive creative partners in computer game design, but their emotional blocks cause regular estrangements (gets a bit frustrating - grow up already!). I enjoyed the nostalgia of old-school gaming, but would probably still be enjoyable for non-gamers. Now, off to play Oregon Trail ... <a href="https://oregontrail.run/" rel="nofollow"><span class="invisible">https://</span>oregontrail.run/</a></p><p><a href="/tags/bookreview/" rel="tag">#BookReview</a> <a href="/tags/books/" rel="tag">#Books</a> <a href="/tags/bookstodon/" rel="tag">#Bookstodon</a> </p><p><span class="h-card"><a href="https://aus.social/@wildwoila" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>WildWoila</span></a></span> @wildwoila@wyrms.de<br></p>

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1y

<p>"Poet, never chase the dream.<br>Laugh yourself and turn away.<br>Mask your hunger, let it seem<br>Small matter if he come or stay;..."</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1918.</p><p>The English poet Robert Graves marries the painter Nancy Nicholson in London. The wedding guests include Wilfred Owen, whose first nationally published poem appears three days later ("Miners" in The Nation). He will die by the end of the year.</p><p><a href="https://en.wikipedia.org/wiki/Robert_Graves" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Robert_Graves"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Robert_G</span><span class="invisible">raves</span></a></p><p>Robert Graves at PG:<br><a href="https://www.gutenberg.org/ebooks/author/628" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/628"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/628</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/poetry/" rel="tag">#poetry</a></p>

Portrait of Robert Graves in 1919.

Edited 1y ago

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1y

<p><a href="/tags/otd/" rel="tag">#OTD</a> in 1902.</p><p>The first example of a Sherlockian game – a study of inconsistencies of dates in Arthur Conan Doyle's The Hound of the Baskervilles (the serialisation of which in The Strand Magazine concludes in April) by publisher Frank Sidgwick – appears in The Cambridge Review.</p><p><a href="https://en.wikipedia.org/wiki/Canon_of_Sherlock_Holmes" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Canon_of_Sherlock_Holmes"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Canon_of</span><span class="invisible">_Sherlock_Holmes</span></a></p><p>Arthur Conan Doyle at PG:<br><a href="https://www.gutenberg.org/ebooks/author/69" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/69"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/69</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Arthur Conan Doyle, "The Adventure of the Empty House" (1903), Illustration by Sidney Paget, in The Strand Magazine.

Orginal caption: "Sherlock Holmes was standing and smiling at me across my study table."

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1y

<p>Three women translators who bridged cultures</p><p>Stories of Birgitte Thott, Sarah Austin, and Émilie du Châtelet</p><p>by Małgorzata Szynkielewska via <span class="h-card"><a href="https://glammr.us/@europeana" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>europeana</span></a></span> (from the archives)</p><p><a href="https://www.europeana.eu/en/stories/three-women-translators-who-bridged-cultures" rel="nofollow" class="ellipsis" title="www.europeana.eu/en/stories/three-women-translators-who-bridged-cultures"><span class="invisible">https://</span><span class="ellipsis">www.europeana.eu/en/stories/th</span><span class="invisible">ree-women-translators-who-bridged-cultures</span></a></p><p>Books by or translated by Émilie du Châtelet at PG:<br><a href="https://www.gutenberg.org/ebooks/search/?query=%C3%89milie+du+Ch%C3%A2telet&submit_search=Search" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/search/?query=%C3%89milie+du+Ch%C3%A2telet&submit_search=Search"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/searc</span><span class="invisible">h/?query=%C3%89milie+du+Ch%C3%A2telet&submit_search=Search</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/translators/" rel="tag">#translators</a> <a href="/tags/womeninart/" rel="tag">#womeninart</a></p>

Birgitte Thott (1610–1662) used her remarkable linguistic abilities to bring foreign knowledge to her native Denmark.

Sarah Austin (1793–1867) was an English translator and editor who played a pivotal role in introducing British audiences to German authors. Sarah’s translations were linguistic accomplishments and also acts of cultural mediation, helping to bridge intellectual divides between Britain and continental Europe.

Émilie du Châtelet (1706–1749) was a French natural philosopher and mathematician.

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1y

<p>American journalist Nellie Bly died <a href="/tags/otd/" rel="tag">#OTD</a> in 1922.</p><p>She was widely known for her record-breaking trip around the world in 72 days in emulation of Jules Verne's fictional character Phileas Fogg, & for an exposé in which she worked undercover to report on a mental institution from within. Bly was also an inventor, receiving U.S. patent 697,553 for a novel milk can & U.S. patent 703,711 for a stacking garbage can.</p><p><a href="https://en.wikipedia.org/wiki/Nellie_Bly" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Nellie_Bly"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Nellie_B</span><span class="invisible">ly</span></a></p><p>Nellie Bly at PG<br><a href="https://www.gutenberg.org/ebooks/author/9648" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/author/9648"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/autho</span><span class="invisible">r/9648</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

A woodcut image of Nellie Bly's homecoming reception in Jersey City printed in Frank Leslie's Illustrated News on February 8, 1890.

Caption reads: "Around the world in seventy-two days and six hours - reception of Nellie Bly at Jersey City on the completion of her journey." Includes two vignettes (inset) titled: "Presenting the Globe-Girdler a Golden Globe" and "The Arrival in Philadelphia."

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54d

<p>Wit, courage and guile: ten literary heroines to inspire you on International Women’s Day</p><p>Whether courageous and confident or quietly subversive, literary heroines can inspire us in our everyday lives.</p><p>by Amy Wilcockson</p><p><a href="https://theconversation.com/wit-courage-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day" rel="nofollow" class="ellipsis" title="theconversation.com/wit-courage-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day"><span class="invisible">https://</span><span class="ellipsis">theconversation.com/wit-courag</span><span class="invisible">e-and-guile-ten-literary-heroines-to-inspire-you-on-international-womens-day-277607?utm_medium=email&utm_campaign=International%20Womens%20Day%202026&utm_content=International%20Womens%20Day%202026+CID_03740b2982c8e57598d1dcb20bdec6c2&utm_source=campaign_monitor_uk&utm_term=Wit%20courage%20and%20guile%20ten%20literary%20heroines%20to%20inspire%20you%20on%20International%20Womens%20Day</span></a></p><p>Women fiction at PG:<br><a href="https://www.gutenberg.org/ebooks/subjects/search/?query=women+fiction" rel="nofollow" class="ellipsis" title="www.gutenberg.org/ebooks/subjects/search/?query=women+fiction"><span class="invisible">https://</span><span class="ellipsis">www.gutenberg.org/ebooks/subje</span><span class="invisible">cts/search/?query=women+fiction</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/womenhistorymonth/" rel="tag">#womenhistoryMonth</a></p>

The Wife of Bath's Tale in the Ellesmere manuscript of The Canterbury Tales, c. 1405–1410.

A illuminated manuscript page with dense Gothic cursive text in two sections, separated by a decorative rubric line in red. The left and bottom margins are bordered by an elaborate acanthus and ivy-leaf vine decoration in blue, gold, and red, with small coloured flowers and curling tendrils. A small miniature illustration in the right margin depicts a figure in a wide-brimmed hat riding a horse, rendered in warm reds, blues, and browns. A large decorative initial capital begins the lower text block. The rubric midpage reads "Heere endeth the Wyf of Bathe hir prologe and biginneth hir tale." The page is cream-coloured with age, and a folio number is visible in the upper right corner.

https://en.wikipedia.org/wiki/The_Wife_of_Bath%27s_Tale#/media/File:Wife-of-Bath-ms.jpg

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100d

<p>📚 Cibola Burn by: James S. A. Corey</p><p>An empty apartment, a missing family, that's creepy. But this is like finding a military base with no one on it. Fighters and tanks idling on the runway with no drivers. This is bad juju. Something wrong happened here. What you should do is tell everyone to leave.<br> <br>The gates have opened the way to a thousand new worlds and the rush to colonize has beg...</p><p><a href="https://bookblabla.com/book/cibola-burn" rel="nofollow" class="ellipsis" title="bookblabla.com/book/cibola-burn"><span class="invisible">https://</span><span class="ellipsis">bookblabla.com/book/cibola-bur</span><span class="invisible">n</span></a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a></p>

An empty apartment, a missing family, that's creepy. But this is like finding a military base with no one on it. Fighters and tanks idling on the runway with no drivers. This is bad juju. Something wrong happened here. What you should do is tell everyone to leave.

The gates have opened the way to a thousand new worlds and the rush to colonize has begun. Settlers looking for a new life stream out from humanity's home planets. Ilus, the first human colony on this vast new frontier, is being born in blood and fire.

Independent settlers stand against the overwhelming power of a corporate colony ship with only their determination, courage, and the skills learned in the long wars of home. Innocent scientists are slaughtered as they try to survey a new and alien world.

The struggle on Ilus threatens to spread all the way back to Earth. James Holden and the crew of his one small ship are sent to make peace in the midst of war and sense in the midst of chaos. But the more he looks at it, the more Holden thinks the mission was meant to fail. And the whispers of a dead man remind him that the great galactic civilization that once stood on this land is gone. And that something killed it.

The ExpanseLeviathan WakesCaliban's WarAbaddon's GateCibola BurnNemesis GamesBabylon's AshesThe Expanse Short Fiction The Butcher of Anderson StationGods of RiskThe ChurnThe Vital Abyss.

The explosive fourth novel in James S.A. Corey's New York Times bestselling Expanse series. Now a m

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1y

<p>Swedish writer Astrid Lindgren died <a href="/tags/otd/" rel="tag">#OTD</a> in 2002.</p><p>She is best known for several children's book series, featuring Pippi Longstocking, Emil of Lönneberga, Karlsson-on-the-Roof, and the Six Bullerby Children (Children of Noisy Village in the US), and for the children's fantasy novels Mio, My Son; Ronia the Robber's Daughter; and The Brothers Lionheart.</p><p><a href="https://en.wikipedia.org/wiki/Astrid_Lindgren" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/Astrid_Lindgren"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/Astrid_L</span><span class="invisible">indgren</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

Astrid Lindgren around 1960.

She is typically seen with short, slightly wavy hair, characteristic of her later years, and a kind yet intelligent expression that reflects her deep connection with storytelling and children’s literature.

Lindgren is dressed in modest yet elegant attire, wearing a collared blouse or a cardigan.

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12d

<p>I've read that the fourth <a href="/tags/dune/" rel="tag">#Dune</a> novel is quite good and perhaps I will read it one day.</p><p>[End of transmission] </p><p><a href="/tags/books/" rel="tag">#Books</a> <a href="/tags/reading/" rel="tag">#Reading</a></p>

Edited 12d ago

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101d

How Lord of the Flies was crerated and published. <small class="notice" x-post-type-data="None"> Takahe has limited support for this type: <a href="https://sh.itjust.works/post/53762245">See Original Page</a> </small>

20240913-how-lord-of-the-flies-was-rescued-from-the-reject-pile

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1y

<p>"Ameisen" steht in der <a href="/tags/bücherwabe/" rel="tag">#Bücherwabe</a> für die These von Bayo Akomolafe, dass wir hinsichtlich der Denkwege, die unsere Lebens- und Wirtschaftsform bestimmen, in einer tödlichen Logik gefangen sind, wie Ameisen in einer <a href="/tags/ameisenmühle/" rel="tag">#Ameisenmühle</a>: Ameisen folgen den Duftspuren ihrer Vorgänger und laufen im Kreis bis sie sterben. <br><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/bücher/" rel="tag">#bücher</a> <a href="/tags/lesen/" rel="tag">#lesen</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/literatur/" rel="tag">#literatur</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/chemnitz/" rel="tag">#chemnitz</a></p>

$Ein Bild der Bücherwabe im Schaufenster der Buchhandlung am Brühl. Es sind neun Bücher zu sehen: Ursula K. LeGuin: The Word for World is Forest, Stefan Heym: Schwarzenberg, Leaf\Lawson: Ferdinand, Norbert Bobbio: Rechts und Links, Arne Semsrott: Machtübernahme, Magdalena Sorger: Ameisen, Hannah Arendt: Menschen in finsteren Zeiten, Cory Doctorow: Little Brother (Aufstand), Mely Kiyak: Werden sie uns mit FlixBus deportieren?$

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98d

<p>"<a href="/tags/doge/" rel="tag">#DOGE</a> did NOT reduce spending – at all. But it did reduce federal employment; 271,000 people lost their jobs in the federal government" </p><p><a href="/tags/startmakingsense/" rel="tag">#StartMakingSense</a> talks w/ <a href="/tags/sashaabramsky/" rel="tag">#SashaAbramsky</a>, author of <a href="/tags/americancarnage/" rel="tag">#AmericanCarnage</a>: How <a href="/tags/trump/" rel="tag">#Trump</a>, <a href="/tags/musk/" rel="tag">#Musk</a> and DOGE butchered the US Government </p><p><a href="https://www.thenation.com/podcast/archive/sms-012026/" rel="nofollow" class="ellipsis" title="www.thenation.com/podcast/archive/sms-012026/"><span class="invisible">https://</span><span class="ellipsis">www.thenation.com/podcast/arch</span><span class="invisible">ive/sms-012026/</span></a></p><p><a href="/tags/uspol/" rel="tag">#USpol</a> <a href="/tags/uspolitics/" rel="tag">#USpolitics</a> <a href="/tags/dogebags/" rel="tag">#DOGEbags</a> <a href="/tags/siliconvalleyright/" rel="tag">#SiliconValleyRight</a> <a href="/tags/austerity/" rel="tag">#austerity</a> <a href="/tags/tech/" rel="tag">#tech</a> <a href="/tags/bigtech/" rel="tag">#BigTech</a> <a href="/tags/techbros/" rel="tag">#TechBros</a> <a href="/tags/books/" rel="tag">#books</a> <span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p>

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98d

<p>📚 The Vanishing Half by: Brit Bennett</p><p>The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years ...</p><p><a href="https://bookblabla.com/book/the-vanishing-half" rel="nofollow" class="ellipsis" title="bookblabla.com/book/the-vanishing-half"><span class="invisible">https://</span><span class="ellipsis">bookblabla.com/book/the-vanish</span><span class="invisible">ing-half</span></a></p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/reading/" rel="tag">#reading</a> <a href="/tags/libraries/" rel="tag">#libraries</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/womenfiction/" rel="tag">#womenfiction</a> <a href="/tags/literary/" rel="tag">#literary</a></p>

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?

Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.

As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.

#1 NEW YORK TIMES BESTSELLER

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1y

<p>"We have really everything in common with America nowadays, except, of course, language."</p><p>In February 1887.</p><p>Oscar Wilde publishes "The Canterville Ghost", his first short story, in The Court and Society Review. It was the first of Wilde's stories to be published.</p><p><a href="https://en.wikipedia.org/wiki/The_Canterville_Ghost" rel="nofollow" class="ellipsis" title="en.wikipedia.org/wiki/The_Canterville_Ghost"><span class="invisible">https://</span><span class="ellipsis">en.wikipedia.org/wiki/The_Cant</span><span class="invisible">erville_Ghost</span></a></p><p>The Canterville Ghost at PG:<br><a href="https://gutenberg.org/ebooks/14522" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/14522</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

The image contains two black-and-white illustrations from The Canterville Ghost, drawn by F. H. Townsend. These illustrations were published in The Court and Society Review on February 23 and March 2, 1887.

Left Illustration: Depicts a ghostly figure, likely Sir Simon, rattling chains and attempting to frighten a man in a robe, presumably Mr. Otis. The man appears unafraid and is calmly offering the ghost some lubricant for his chains. A small dog is at the ghost’s feet, adding to the scene’s humor.

Right Illustration: Shows a sorrowful and defeated ghost being comforted by a young woman, likely Virginia Otis. The scene takes place in a room with a stained-glass window in the background, enhancing the Gothic setting.

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100d

<p>"The intense interest aroused in the public by what was known at the time as “The Styles Case” has now somewhat subsided."<br>Opening lines</p><p><a href="/tags/otd/" rel="tag">#OTD</a> in 1920.</p><p>Agatha Christie’s first novel is published in the U.K. The Mysterious Affair at Styles is the first detective novel by Dame Agatha Christie, introducing her fictional detective Hercule Poirot. It was written in the middle of the First World War, in 1916.</p><p>The Mysterious Affair at Syles at PG:<br><a href="https://gutenberg.org/ebooks/863" rel="nofollow"><span class="invisible">https://</span>gutenberg.org/ebooks/863</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

The publication “The Mysterious Affairt at Styles,” published by John Lane in 1920.

Dustjacket illustration of the first edition in both the UK and the US.

The atmospheric painting shows figures in a dimly lit interior. The figures appear to be examining something, setting the tone for a mystery investigation.

https://en.wikipedia.org/wiki/The_Mysterious_Affair_at_Styles#/media/File:American_cover_of_%C2%ABThe_Mysterious_Affair_at_Styles%C2%BB.png

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1y

<p>Seit November ist unser Buchladen ganz schön gewachsen. Deswegen müssen wir heute ein paar Schränke neu arrangieren. Gar nicht so einfach für uns Quereinsteiger. 😅 Seht ihr Bücher die Euch besonders gefallen haben, oder die ihr unbedingt noch lesen wollt. Gibt es Bücher die wir unbedingt noch dahaben sollten?<br>Liebe Grüße aus <a href="/tags/chemnitz/" rel="tag">#chemnitz</a> <br><a href="/tags/bücher/" rel="tag">#bücher</a> <a href="/tags/lesen/" rel="tag">#lesen</a> <a href="/tags/bookstodon/" rel="tag">#bookstodon</a> <a href="/tags/bookwyrm/" rel="tag">#bookwyrm</a> <a href="/tags/books/" rel="tag">#books</a></p>

Ein Bild von Bücherschränken in der Buchhandlung am Brühl, die gerade neu arrangiert werden. Einige prominente Titel sind: Olive Otele: Afrikanische Europäer, Timothy Snider: Über Tyrranei, Casta Diva: Der Schwule Opernführer, Davi Kopenawa/Bruce Albert: Der Sturz des Himmels, Frauka Greyken: Freya von Moltke, Eva Strittmatter/Erwin Strittmatter: Du bist mein zweites Ich.

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1y

<p>The Sociopolitical Impact of A Passage to India</p><p>E. M. Forster’s novel captured not only the tensions between colonizers and colonized but also the fraught internal politics that shaped India’s fight for independence.</p><p><a href="https://daily.jstor.org/the-sociopolitical-impact-of-a-passage-to-india/" rel="nofollow" class="ellipsis" title="daily.jstor.org/the-sociopolitical-impact-of-a-passage-to-india/"><span class="invisible">https://</span><span class="ellipsis">daily.jstor.org/the-sociopolit</span><span class="invisible">ical-impact-of-a-passage-to-india/</span></a></p><p>A Passage to India at PG:<br><a href="https://www.gutenberg.org/ebooks/61221" rel="nofollow"><span class="invisible">https://</span>www.gutenberg.org/ebooks/61221</a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a></p>

First edition cover of A Passage To India, 1924.

The cover has a simple and minimalistic design, featuring a beige or light brown background with red lettering.

The title, A Passage to India, is prominently displayed at the top in bold, capital letters, while the author's name, E. M. Forster, appears at the bottom in a smaller but similarly styled red font.

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1y

<p>Kerry Ferrand is a New Zealander making book review videos, covering both fiction and non-fiction. You can follow at:</p><p>➡️ <span class="h-card"><a href="[{'type': 'Link', 'href': 'https://spectra.video/a/kerry_ferrand/video-channels', 'mediaType': 'text/html'}, {'type': 'Link', 'href': 'https://spectra.video/a/kerry_ferrand', 'mediaType': 'text/html'}, {'type': 'Link', 'href': 'https://spectra.video/accounts/kerry_ferrand', 'mediaType': 'text/html'}]" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>kerry_ferrand</span></a></span> </p><p>There are already seven videos uploaded, you can browse them all at <a href="https://spectra.video/a/kerry_ferrand/videos" rel="nofollow" class="ellipsis" title="spectra.video/a/kerry_ferrand/videos"><span class="invisible">https://</span><span class="ellipsis">spectra.video/a/kerry_ferrand/</span><span class="invisible">videos</span></a></p><p>The videos have subtitles in English, click CC to see them.</p><p><a href="/tags/featuredpeertube/" rel="tag">#FeaturedPeerTube</a> <a href="/tags/books/" rel="tag">#Books</a> <a href="/tags/bookreviews/" rel="tag">#BookReviews</a> <a href="/tags/fiction/" rel="tag">#Fiction</a> <a href="/tags/nonfiction/" rel="tag">#NonFiction</a> <a href="/tags/newzealand/" rel="tag">#NewZealand</a> <a href="/tags/peertube/" rel="tag">#PeerTube</a> <a href="/tags/peertubers/" rel="tag">#PeerTubers</a></p>

Edited 1y ago

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1y

<p>How an Obscure German Noblewoman Influenced the Way Anne Frank Wrote Her Diary </p><p>Biographer Ruth Franklin on the Value of a Careful Eye and Fresh Perspective</p><p><a href="https://lithub.com/how-an-obscure-german-noblewoman-influenced-the-way-anne-frank-wrote-her-diary/" rel="nofollow" class="ellipsis" title="lithub.com/how-an-obscure-german-noblewoman-influenced-the-way-anne-frank-wrote-her-diary/"><span class="invisible">https://</span><span class="ellipsis">lithub.com/how-an-obscure-germ</span><span class="invisible">an-noblewoman-influenced-the-way-anne-frank-wrote-her-diary/</span></a></p><p><a href="/tags/books/" rel="tag">#books</a> <a href="/tags/literature/" rel="tag">#literature</a> <a href="/tags/biography/" rel="tag">#biography</a></p>

The last known photograph of Anne taken in May 1942, taken at a passport photo shoot. (Photo collection Anne Frank House, Amsterdam. Public Domain Work)]

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100d

America’s History of Fear-Based Governance: A review of Patrick G. Eddington, “The Triumph of Fear: Domestic Surveillance and Political Repression from McKinley to Eisenhower”

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100d

<p>How America’s First Nonbinary Minister Created True Equality in the Newly Born United States</p><p>"Nina Sankovitch on “Universal Friend,” the Genderless Messenger of God Who Aimed to Save Lost Souls and Preach Universal Salvation"</p><p><a href="https://lithub.com/how-americas-first-nonbinary-minister-created-true-equality-in-the-newly-born-united-states/" rel="nofollow" class="ellipsis" title="lithub.com/how-americas-first-nonbinary-minister-created-true-equality-in-the-newly-born-united-states/"><span class="invisible">https://</span><span class="ellipsis">lithub.com/how-americas-first-</span><span class="invisible">nonbinary-minister-created-true-equality-in-the-newly-born-united-states/</span></a></p><p><a href="/tags/lgbtqia/" rel="tag">#lgbtqia</a> <a href="/tags/religion/" rel="tag">#religion</a> <a href="/tags/books/" rel="tag">#books</a></p>

Portrait of the Public Universal Friend by J.L.D. Mathies.

The painting shows the Friend in simple, dark clerical clothing with a white cravat, hair pulled back in a queue (typical 18th-century style), presenting an androgynous appearance consistent with the Friend's rejection of gender categories. The serious, direct gaze conveys the spiritual authority the Friend claimed.

Edited 99d ago

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99d

Maisonneuve: The Winter 2025 Book Room <small class="notice" x-post-type-data="None"> Takahe has limited support for this type: <a href="https://lemmy.ca/post/59018635">See Original Page</a> </small>

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99d

<p>Ebook and paperback: <a href="https://books2read.com/TymeDarkMoon" rel="nofollow"><span class="invisible">https://</span>books2read.com/TymeDarkMoon</a></p><p>On a world long thought to have no moon, its sudden appearance inspires wonder and terror. Hasty research links the full moon and catastrophe, revealing the existence of the so-called ‘Harbingers of Doom’, creatures from the moon that harvest souls. Can everyone survive or will they become part of the dark harvest?</p><p><span class="h-card"><a href="https://fedigroups.social/@bookstodon" class="u-url mention" rel="nofollow noopener noreferrer" target="_blank">@<span>bookstodon</span></a></span><br><a href="/tags/author/" rel="tag">#author</a> <a href="/tags/indieauthor/" rel="tag">#indieauthor</a> <a href="/tags/writing/" rel="tag">#writing</a> <a href="/tags/fantasy/" rel="tag">#fantasy</a> <a href="/tags/scifi/" rel="tag">#scifi</a> <a href="/tags/sciencefiction/" rel="tag">#sciencefiction</a> <a href="/tags/sff/" rel="tag">#sff</a> <a href="/tags/sciencefantasy/" rel="tag">#sciencefantasy</a> <a href="/tags/scifi/" rel="tag">#scifi</a> <a href="/tags/actionadventure/" rel="tag">#actionadventure</a> <a href="/tags/fiction/" rel="tag">#fiction</a> <a href="/tags/books/" rel="tag">#books</a></p>

(Left) The cover of dark moon, by Owen Tyme, illustrated by Ryan Johnson.

In the foreground, a redheaded witch and a dark haired wizard fight back to back, holding some rather large pistols. The witch is in a black dress and the wizard is in a black robe with golden decorations. Both looked a bit purple, due to the lighting. The witch's hair blows on the wind and she wears a necklace of bone beads.

Behind them, there's dust, mist and fog lit by twilight as a moon rises, framing their heads. Objects that look like shooting stars fall from the moon and there's a few visible impacts.

(Right) A white moon, on a background of the stars of space, with the following quote over the top of it:

“Idiot! You’ve likely killed us both, leaving us stuck out in the open like this.”

“We’ve got incoming. I know you’re angry and I suppose you’ve got every right to be, but we need to defend ourselves.”

“ ‘The enemy of my enemy is my friend’, for now, and then we decide what to do about the conflict between us.”

(Bottom) https://books2read.com/TymeDarkMoon

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