纽约时报

#纽约时报 剧院版：
『Book Review: “Cocktails With George and Martha” by Philip Gefter』
With Burton and Taylor as stars and a writer and director feuding, adapting the scabrous play wasn’t easy. “Cocktails With George and Martha” pours out the details.

https://www.nytimes.com/2024/02/11/books/review/cocktails-with-george-and-martha-philip-gefter-virginia-woolf.html

#nytimes #theater

#纽约时报 剧院版：
『Shakespeare to Hit the Road While Central Park Theater Is Closed』
The Delacorte is being renovated, so this summer will instead bring a mobile production and then a filmed play to outdoor sites in the city’s five boroughs.

https://www.nytimes.com/2024/02/13/theater/shakespeare-park-delacorte-2024.html

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#纽约时报 剧院版：
『‘Izzard Hamlet New York’ Review: A Solo Show That’s More Noble Than Wise』
Eddie Izzard is a wildly witty ad-libber, but a play straitjackets this gift — especially in this new staging that is short of ideas.

https://www.nytimes.com/2024/02/13/theater/izzard-hamlet-new-york-review.html

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#纽约时报 剧院版：
『Review: In ‘Self Portraits (Deluxe),’ a Provocateur Instigates Reflection』
Through self-examinations and social recriminations, Phillip Howze’s new show explores the injustices facing Black men.

https://www.nytimes.com/2024/02/12/theater/self-portraits-deluxe-review.html

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#纽约时报 剧院版：
『‘Between Two Knees’ Review: A Virtuosic Romp Through a Century of Terrors』
Two deadly standoffs at Wounded Knee are the bookends for a show that manages to narrate a violent history with moments of light and humor.

https://www.nytimes.com/2024/02/14/theater/between-two-knees-review.html

#nytimes #theater

#纽约时报 剧院版：
『Review: ‘I Love You So Much I Could Die,’ an Experiment in Distance』
Mona Pirnot’s crisis-centered play uses all its resources to keep the audience at a physical and emotional remove from her sorrow.

https://www.nytimes.com/2024/02/15/theater/i-love-you-so-much-i-could-die-review.html

#nytimes #theater

#纽约时报 剧院版：
『Tobias Menzies on ‘The Crown’ and His Role in ‘The Hunt’』
The British actor excels at playing reserve, and what roils beneath, on “The Crown.” And now he brings that stoicism to “The Hunt,” onstage in Brooklyn.

https://www.nytimes.com/2024/02/15/theater/tobias-menzies-the-crown-the-hunt.html

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#纽约时报 剧院版：
『‘Shawshank’ in China, as You’ve Never Seen It Before』
A stage adaptation of the film featured an all-Western cast, was performed in Chinese and raised questions about translation, both linguistic and cultural.

https://www.nytimes.com/2024/02/16/world/asia/shawshank-redemption-china.html

#nytimes #theater

#纽约时报 剧院版：
『‘Water for Elephants’ Brings the Circus to Broadway』
Based on the 2006 novel by Sara Gruen, the musical follows a young man who hops a train and falls in with a ragtag, traveling group of entertainers.

https://www.nytimes.com/2024/02/25/theater/water-for-elephants-circus-broadway.html

#nytimes #theater

#纽约时报 剧院版：
『Joan Holden, 85, Playwright Who Skewered Rich and Powerful, Dies』
As the principal writer for the Obie-winning San Francisco Mime Troupe, she created iconoclastic left-wing satire that courted both chuckles and outrage.

https://www.nytimes.com/2024/02/26/theater/joan-holden-dead.html

#nytimes #theater

#纽约时报 剧院版：
『What to Know About This Crazily Crowded Broadway Spring Season』
Why are 18 shows opening in March and April, and which one is for you? Our theater reporter has answers.

https://www.nytimes.com/2024/02/21/theater/broadway-musicals-plays-spring-season.html

#nytimes #theater

#纽约时报 剧院版：
『Review: Cynthia Nixon Is Nowhere and Everywhere in ‘Seven Year Disappear’』
A sleekly designed production, starring Cynthia Nixon and Taylor Trensch, aims to skewer the art world but falls flat.

https://www.nytimes.com/2024/02/26/theater/seven-year-disappear-review.html

#nytimes #theater

#纽约时报 剧院版：
『In ‘The Effect,’ Investigating Love and Other Drugs』
Jamie Lloyd’s revival of Lucy Prebble’s 2012 play, starring Paapa Essiedu and Taylor Russell, heads to the Shed after a celebrated run at the National Theater, in London.

https://www.nytimes.com/2024/02/27/theater/the-effect-essiedu-russell.html

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#纽约时报 剧院版：
『‘The Ally,’ a Play About Israel and Free Speech, Tackles Big Issues』
Itamar Moses wrote a drama of ideas about Israel and antisemitism. Then Oct. 7 happened.

https://www.nytimes.com/2024/02/22/theater/itamar-moses-the-ally.html

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#纽约时报 剧院版：
『Robert Macbeth, Founder of Harlem’s New Lafayette Theater, Dies at 89』
He created a vibrant space for actors and playwrights that became a seedbed for the emerging Black Arts Movement of the 1960s and ’70s.

https://www.nytimes.com/2024/02/22/theater/robert-macbeth-dead.html

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#纽约时报 剧院版：
『‘Jelly’s Last Jam’ Review: A Musical Paradise, Even in Purgatory』
Did Jelly Roll Morton “invent” jazz, as he claimed? A sensational Encores! revival offers a postmortem prosecution of one of the form’s founding fathers.

https://www.nytimes.com/2024/02/22/theater/jellys-last-jam-review.html

#nytimes #theater

#纽约时报 剧院版：
『Forbidden No More: ‘Forbidden Broadway,’ Scrappy Spoof, Bound for Broadway』
The long-running parody show, which has been staged in New York and on tour, will open this summer at the Hayes Theater.

https://www.nytimes.com/2024/02/29/theater/forbidden-broadway.html

#nytimes #theater

#纽约时报 剧院版：
『Review: For ‘Jack Tucker,’ Failure Is the Only Option』
Zach Zucker delivers a raucously funny portrait of a catastrophically dim stand-up comic at SoHo Playhouse.

https://www.nytimes.com/2024/03/05/theater/jack-tucker-comedy-standup-hour-review.html

#nytimes #theater

#纽约时报 剧院版：
『‘Illinoise’: A Place of Overflowing Emotion, but Little Dance Spirit』
Justin Peck, who directs and choreographs a narrative dance musical to Sufjan Stevens’s concept album “Illinois,” resorts to his usual standby: community.

https://www.nytimes.com/2024/03/13/arts/dance/illinoise-dance-justin-peck.html

#nytimes #theater

#纽约时报 剧院版：
『‘The Effect’ Review: Dissecting the Science of Desire』
In Jamie Lloyd’s revival of Lucy Prebble’s play, Paapa Essiedu and Taylor Russell are a couple who fall in love during a pharmaceutical trial.

https://www.nytimes.com/2024/03/13/theater/the-effect-review.html

#nytimes #theater

#纽约时报 剧院版：
『Review: Welcome to ‘Illinoise,’ Land of Love, Grief and Zombies』
Sufjan Stevens’s 2005 concept album has become an unlikely and unforgettable dance-musical hybrid, directed and choreographed by Justin Peck.

https://www.nytimes.com/2024/03/07/theater/illinoise-review-sufjan-stevens-justin-pick.html

#nytimes #theater

#纽约时报 剧院版：
『Dominique Blanc, at 67, Is in Her Prime』
After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she’s making a rare appearance in Manhattan.

https://www.nytimes.com/2024/03/08/theater/dominique-blanc.html

#nytimes #theater

#纽约时报 剧院版：
『‘The Notebook’ Review: A Musical Tear-Jerker or Just All Wet?』
The 2004 weepie comes to Broadway with songs by Ingrid Michaelson and a $5 box of tissues.

https://www.nytimes.com/2024/03/14/theater/the-notebook-review-broadway-musical.html

#nytimes #theater

#纽约时报 剧院版：
『How Ingrid Michaelson Made ‘The Notebook’ Into a Musical』
Family history is “wrapped up in these songs,” said the singer-songwriter Ingrid Michaelson, who is making the leap to Broadway with an adaptation of the popular romance novel.

https://www.nytimes.com/2024/03/08/theater/ingrid-michaelson-the-notebook-broadway.html

#nytimes #theater

#纽约时报 剧院版：
『First-Time Tony Winners on Their Awards: Daniel Radcliffe, Kecia Lewis and More』
All of the actors who took home Tonys were first-time winners. Here’s what they had to say after their wins.

https://www.nytimes.com/2024/06/17/theater/first-time-tony-winners.html

#nytimes #theater