Korean productions have this quiet strength when it comes to sci-fi and apocalyptic stories: they never forget the people. While many films in the genre get lost in scale, destruction, and technical realism, Koreans guarantee the human factor is front and center. An apocalypse is not just about cities falling apart—it is about humans breaking and adapting. When everything collapses, it is humanity that bears the weight.

«The Great Flood» («대홍수») does not miss that point. It leans into the often overlooked human factor, which means it may disappoint anyone expecting a shallow, effects-driven spectacle. But for those familiar with Korean storytelling—and for anyone who value character over chaos—this film delivers. At its core is a deeply human story, a simple yet powerful focus on the bond between a mother and her child.

Kim Da-mi (김다미) was perfect for the role. She has never limited herself into a single type of role, and that range shows here. The experience she has built over time allows her to embody the character fully, moving through fear, resolve, tenderness, and desperation with ease. It is the kind of performance that allows the audience to sit with the character rather than merely watch her.

9 out of 10 stars.