晚上，青少年精神神经科发生了一起可怕的事件--一名病人差点丧命。大人们认为，夜间事件的罪魁祸首就是其中一个人。医生们担心历史会重演，以悲剧收场。有一种说法是青少年在晚上玩 "狗嗡嗡"，一种窒息游戏。伊万-赫里斯托福罗夫（Ivan Khristoforov）是一位才华横溢的精神科医生，他为年轻患者治疗时，与其说是用药，不如说是用教学方法。但事实证明，找到罪魁祸首是最简单的事情。拯救他的灵魂要困难得多--这成为赫里斯托福罗夫的主要目标。为此，他准备牺牲一切。

Cinématon est une série cinématographique de portraits filmés montrant une personnalité des arts, de la culture ou du spectacle, en un seul gros plan fixe et muet de 3 minutes et demie, dans lesquels elle est libre de faire ce qu'elle veut.

The panorama of human affairs encounters the “man with a movie camera”. His playground has no boundaries, his curiosity no limits. Characters, situations and places pitch camp in the life of a humanity that is at once the viewer and the thing viewed. But what are the last days of this humanity? Have they already passed? Are they now or still to come?

Made in wartime and edited in candlelight, Mikhail Vartanov's rarely-seen masterpiece tells about his friendship with the genius Sergei Parajanov who was imprisoned by KGB "at the peak of his artistic power". Vartanov takes us back with the scenes from his censored 1969 film The Color of Armenian Land where Paradjanov is at work on his suppressed chef-d'oeuvre The Color of Pomegranates - widely regarded as one of the greatest films of all time - and contrasts it with the shocking request Parajanov sent him in unpublished 1974 letters from the Soviet prisons. Vartanov's camera documents Parajanov's striking last day at work in 1990 during the making of the unfinished Confession - the original camera negative of which survives in Parajanov: The Last Spring (1992) - as Parajanov comments on this cherished autobiographical work. A monumental wordless montage - the entire sixth reel - concludes Vartanov's acclaimed documentary, his final film, and his most important work, which, despite the prohibitive conditions it was created in, won the admiration of cinema's greatest artists.