In the mountainous region of Koshu, Taikahara, there was an intense power struggle between the prominent families, Tamaki and Kakukura. Facing the steward of Kakukura, Kurokawa Senjiro, was Tamaki Daisaburo, who was skilled with a handgun. Daisaburo had granted protection to the charcoal maker, Miyoshi, safeguarding a few mountains passed down from their ancestors. Daisaburo's elder brother, Iori, who had completed his training in Edo, saved Kakukura's only daughter, Koyumi, on his way back home. However, while Daisaburo rushed to Iori's aid after Koyumi was attacked by Kurokawa and his men, their family home was set ablaze.

This is Kanjûrô Arashi's first film with Nikkatsu after his independent production company went bankrupt (many of these independent companies went bankrupt shortly after the transition to sound). As he is mostly famous for his portrait of Kurama tengu (and on the other hand, he's the definitive actor for Kurama Tengu as well), Nikkatsu made another version of Kurama tengu, co-directed by Masahiro Makino & Sadatsugu Matsuda who are both sons of Shozo Makino. Scripted by Yoshitake Hisa, a jidaigeki specialist who later scripted several Toei All-Star Jidaigeki.

This 1956 adaptation of the novel with the same title puts more focus on the characters and their interactions than the previous version.

Gotō Matabei is the most able and fierce samurai of the Kuroda clan. However, he gradually dislikes the ruthless personality of Kuroda Nagamasa and leaves the clan. Seven years later, he joins Toyotomi Hideyori's army. Filmed in 1945 and released in 1952.

The adventures of Aoi Shingo continue. Shingo is finally given permission to officially meet his father, the Shogun. However, his journey is disturbed by those who wish to claim his life. This is the third part of "THE 10 DUELS OF YOUNG SHINGO", following the first 2 parts (which were actually done as one movie). The tension mounts as young Shingo must face obstacles the like of which he had never before seen. And, can he avenge the death of his master? The man to whom he owes everything.

After settling the matter of shogunal succession, the retired Old Lord of Mito finds himself in a sea of trouble when he gets involved in the succession of the Takamatsu clan. The usurpers try by every means to effect their takeover, even if it leads to blood being spilled. Along with Kaku and Suke, the elder must face the most dangerous time of his life, in a battle against those corrupt individuals who would use any means to further their dastardly conspiracy, regardless of how many lives might be destroyed. The great Misora Hibari gives a bravura performance, as does the rest of this all-star cast. This is another outstanding effort on the part of the Toei Films, blending fact and fiction to bright back Japan’s golden era of the Genroku period.

While on his journey through the countryside of Japan, Shingo encounters many people whose lives have been affected by his actions. Though the many duels he fought were intended to bring justice to those who sought to do evil, he is faced with the knowledge that his victories have also caused suffering amont the family members of his victims-leading him to question his life's philosophy. This superb film is the final chapter in this part of Shingo's story. A fitting tribute to his quest to be the supreme swordsman.

As Part I opens, Jubei (Denjiro Okochi), the best of sea skippers, is unable to overcome the stormy seas of Luzon. All hands on board the Kannonmaru were lost except for Shinkei, who alone made his way to land & eventually home to inform his grandson Jiromaru (Kinnosuke Nakamura) that his father Jubei met with disaster. Young Jiromaru tells his grandfather that he doesn't want to be a skipper like his father, but wants to go to Kyoto and become a samurai…

Tange Sazen interferes with an evil plot against the Iga Yagyu family.

Early film directed by Eiichi Kudô.

The film is set in Kyoto at the end of the Tokugawa period, when there is a fierce clash between the supporters of the Emperor, who are fighting for the overthrow of the Shogunate, and the Shinsengumi squad, who are chasing them. Suddenly, a mysterious masked warrior appears, on a white horse he is called Tengu from Mount Kurama and he opposes the Shinsengumi.

Taikoki is a legendary biography of Toyotomi Hideyoshi, who rose to the office of taikō. And the story of this film is about the rise to power of Toyotomi Hideyoshi from a farmer's son.

It is a historical drama that follows Katsu Kaishu's efforts to surrender Edo Castle bloodlessly in the first year of the Meiji period.

Date Mosui, a young samurai, one day gets a scolding from a nameless ronin that sets him thinking about what life is all about and his ways of living. His frined, Ando Kichinosuke, is alarmed at Mosui's despondency and invites him to his house as his little sister Tsuyu and he try to cheer him up.

The life, adventures and exploits of warlord Date Masamune the One-eyed Dragon: his early youth as an aggressive warrior, the battles he won until subduing almost all his enemies, the lonely comprehension of knowing that he actually can not take over the whole country because he was born too late.

This Japanese action-adventure is set in the 17th century when all forms of swordplay were banned. One fighter, an excellent swordsman believes the law is unfair. His brother keeps his opinions about the law to himself. The swordsman vents his frustration by cutting off the thumbs of an enemy. The fighter is then banished. To live, he becomes a thief. To restore the family's lost honor, the other brother is forced to challenge the fighter to a duel.

1716, Yoshimune becomes the 8th Shogun as high Shogunate officials are attacked. While the government tries to keep these incidents under wraps, they must take any means possible to get to the bottom of this mystery and find out who is behind them.