In 2013, the Golden Horse Film Festival celebrated its 50th anniversary. The ministry of Culture commissioned director Yang Li-chou to make a documentary about the history of Golden Horse. What is unique to this film is that it's not an ode to celebrities but about the role cinema plays in ordinary people's lives. It's a love letter to cinema, filmmakers and audiences.

A personal memoir reflecting upon director Stanley Kwan's career and identity, set upon the backdrop of the 1997 handover of Hong Kong. Kwan adopts a complicated cinematic structure which includes excerpts from his previous films, his '97 stage play, and the soundtrack to Wong Kar-wai's "Days of Being Wild."

One of Hong Kong's most influential filmmakers, Ann Hui, becomes a “star” for the first time in Man Lim-chung's directorial debut. A forerunner of the New Wave, Hui’s tumultuous, forty-year career is an unequivocal testimony to her unyielding dedication to filmmaking, and her expedition into the metamorphic city. This biopic probes into the acclaimed director’s idiosyncratic world, where we witness her rashness and goofiness, as well as her humanistic concerns for the everyday nobodies which make her films so moving.

The relationship between a middle-aged man and the elderly woman who has been the family's helper for sixty years.