September 1945. The new communist authorities go into the church, hang the flag of the Party and paint over the old frescoes, but each time the frescoes miraculously return. A stranger comes to town and works miracles; the townsfolk are convinced he is the Messiah. Director Paskaljevic cut his TV miniseries, based on the novel by Borislav Pekic, to feature film length.

A disabled man takes on the system when his pension is tied up in a morass of red tape. His story is revealed on a television program, and the star of the show is admonished for trying to incite the public against the system. The media, the man and the television manager gather to try to talk out the misunderstandings they all experience with the system of slow-moving social injustices. The message of the film also states that the days of media scrutiny and public-opinion feedback are here to stay.

An ex-servant becomes a lonely Shepard, killer hidden in the mountain woods during wartime. Under disguise of a black marketeer, a woman from the town maintains steady connection between the town and mountain, and organizes a resistance movement. Shepard falls in love with her, but suspects that she possibly wants gold instead.

Two brothers return to their devastated home village after the end of the Second World War with nothing to their name but their army-issue machine guns. There they find a traumatised German, abandoned in retreat. Together, the three men act out a tragicomic tale.

During turbulent times of the First Serbian uprising in 1804, on a freshly liberated land, a woman who betrayed her husband to the Turks has been taken to the court. A complicated truth and the real motives of the case get overlooked by the judge, a neutral Turk.

A psychological study of a hero who, after being badly beaten up by Gestapo, rats on his comrades and friends and becomes their vicious killer. Now the death seems like a salvation to him.

A Serbian engineer falls for a younger woman, but he is inept at courtship.

Dr. Ilic works in the hospital for compulsory treatment of alcoholics. By conducting his own "special treatment" through physical exercises, apple eating, the healing effects of listening to Wagner's music and psychodrama, a group of six patients have been taken to visit the brewery where there is a problem of alcoholism in the workplace.

An unbearable stench makes quite wide confusion among the residents of Belgrade. The microbiologist Pavle can not remember immediately where he smelled it, but recalls the event he witnessed as a child and the smell of a burning human. A visit to the crematorium gives him the assurance: The high number of suicides in the city has meant that the ovens are in continuous operation and will probably stay that way - because the stench is slowly making other people commit suicide, too.

The Topalović family has been in the burial business for generations. When the 150-year-old Pantelija dies, five generations of his heirs start to fight for the inheritance.

This movie reflects the history of Yugoslavia since the beginning of WWII (and similar to all ex-communist countries) to the last horrible events in Balcanian countries. Behind the comedy is hidden the pain of whole generations, which have suffered WWII, The Cold War, the war in Yugoslavia, the communism, the treachery of their own leadership, the fall. The film shows us the reality, as seen by those who feel unlimited love for their country and culture. Marko and Blacky represent the true leaders of the country, the soul of the nation and not without controversies. Once Upon A Time There Was A Country is an extended TV version of Emir Kusturica's Palme d'Or winning Underground.

Young and Healthy as a Rose follows Stevan Nikolić, "Stiv", a petty criminal born in Belgrade, and his rise to power along with drugs, sex and with the help of the local police.

Convinced that his subtenant is a spy and an enemy of the state, Ilija Čvorović falls into deep paranoia which leads to an absurd and destructive chain of events.

For the young man who lives in Serbian province town, the maturing coincides with the turbulent political events of the year 1968.

A group of Serbian socialists prepares for the war in a surreal underground filled by parties, tragedies, love and hate.

On Saturday, 5 April 1941, one day before the Invasion of Yugoslavia of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated bus, headed for the capital Belgrade. The group includes two gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a shotgun. The bus is owned by Krstic senior, and driven by his impressionable and dim-witted son Misko.