The mythical adventures of the legendary Chinese trickster Monkey, who must outwit a variety of wily demons who stand in the way of him and his fellow Buddhist travelers. Though portrayed as a literal, if rather anthropomorphized, monkey in the original legends, this film substitutes the spindly comic actor Norihei Miki, sans makeup.

Place your bets! Koji Himuro (Akira Kobayashi) is a makeout artist with unparalleled gambling skills. Shortly after his return to Tokyo, he is invited to attend a reception being held at the Suvenian Embassy of Tokyo. This “reception” was an undercover gambling operation that was run by an international gambling syndicate. Up against a cardsharp by the name of Inumaru and his mistress Reiko, Koji plays a flawless game of Seven Bridge. Outraged by his loss, Inumaru orders Reiko to stalk Koji like a shadow.

The final film by Yuzo Kawashima.

The fictional land "Pandora" sends three (numbered) graduates of the "National Gambling University" to Japan. You should defeat the master player Kôji, control the international casino empire and use the profits to achieve world domination. But Japan's most famous left hand knows what to do.

A woman and her daughter are in love with the same man, a chef at the restaurant that the mother manages. He is slightly crippled from frostbite in his years in Siberian labor camps and considers himself 'already dead'.

A promising post-graduate literature student is transformed into a psychotic killer following the suicide of his father and a sleazy affair by his mother with a younger man.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

A salaryman's drunken ravings in public attract the attention of journalists who coerce him into telling them his life's story.

A straight young woman living in Tokyo becomes involved in the lives of a gay man and his married lover.

Keiko, whom everyone calls Mama, narrates her story: she's a hostess on the Ginza, 30, a widow. She describes life's vicious cycle: acting cheerful around drunks, dressing and living well to convey confidence, needing money for these expenses and for her demanding mother and brother, and knowing she's growing older.