First ninkyo yakuza picture at Toei directed by Teruo Ishii

In 1979 Toei president Shigeru Okada saw the future. More precisely, he saw Walter Hill's The Warriors in the US prior to its Japanese opening. Okada rushed back to make his own version. "Towards the 80! Our era! Now filming!" the trailer exclaimed. The plot is roughly the same as in The Warriors except this time the chased gang has to make it from Kobe to Tokyo and the leader's got the enemy's sister handcuffed to him. Hardly great cinema, but undeniably entertaining with frantic pacing, loads of music and even a massive roller blade street chase! As a vision of future, it wasn't too far off if the future was defined as 80s rock, bad fashion and comic book films.

Japanese crime film

A number of recently released prisoners become involved in a racket with a rancher who is a rival to a neighboring landowner and wants to use the convicts to seize his ranch. The rancher does not know, however, that he had years before killed the parents of one of their number.

Continuation of the film Once and For All about two yakuza brothers Joji and Goro.

A veteran reporter and a young journalist doggedly pursue clues through sheer persistence and intuition to unravel the mystery behind the sudden death of a teacher in the remote Hokuriku region. In pursuit of the truth, they are led to a web of corporate fraud, an inbred village, bundles of toilet paper, and flatfoots with something to hide as the bodies pile up.

Film concerning warring yakuza families.

Japan-Hong Kong co-production.

The third movie in the "Boso" series.

Two men head a team who steal a factory payroll valued at 500 million yen. Then a hoodlum gang goes after the team for the money.

G-men challenge a jewelry smuggling ring. The chase starts in Kyushu and continues to Kobe to Yokohama.

The plot opens with the hero (Tsuruta) leaving prison, having served time through taking the blame for a fellow gang member’s crime. However, his former gang boss seems to have gone to seed, with people now killing each other and dealing in drugs. The hero then teams up with a lone operator (Tamba) who specialises in shaking down gangsters.

A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

It tells the story of a couple who fall into a trap set up by a sinister organization. One of them is a guy who is framed for the murder of his lover. The other is a woman pick-pocket who is entrapped by the organization's schemes involving their crimes. Fate places them together, and they start to investigate the prostitution ring run by the organization...

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

When a rebellious roughneck enlists in the Navy and goes on a rampage against his superiors, he is sent to the Yokosuka Naval Prison.

A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

Wild-hearted mechanic boy Iwaki falls in love with the innocent but gang tied Michiko.