A gang of bank robbers plan a big robbery, but they all plot to betray each other after the heist for different reasons.

The plot opens with the hero (Tsuruta) leaving prison, having served time through taking the blame for a fellow gang member’s crime. However, his former gang boss seems to have gone to seed, with people now killing each other and dealing in drugs. The hero then teams up with a lone operator (Tamba) who specialises in shaking down gangsters.

A group of prisoners attempts to break the Abashiri prison. This film can be considered a sequel to the Abashiri Bangaichi series, written and directed by Ishii Teruo. The friendship between two men on death row, a fleeting love affair with a traveling dancer and a deadly battle with the real culprit who has hunted him down filmed over a long period of time on location in Hokkaido.

First film in Teruo Ishii's Line series.

It tells the story of a couple who fall into a trap set up by a sinister organization. One of them is a guy who is framed for the murder of his lover. The other is a woman pick-pocket who is entrapped by the organization's schemes involving their crimes. Fate places them together, and they start to investigate the prostitution ring run by the organization...

Freelance reporter “Scoop” Machida is hot on the trail of a prostitution ring called the Black Line, when he is framed for the murder of a young woman. Forced to clear his own name, the handsome journalist sinks deeper into the Black Line’s rotten swamp of drugs, prostitution, and murder and finds unexpected help in Maya, a steamy female gambler familiar with the neon-lit streets, shadowy alleyways, and seedy nightclubs he must navigate. The closest film in the Line series to classic American film noir, Ishii’s Black Line is a pulpy assortment of crime film conventions including the starkly expressionistic black and white cinematography by Jûgyô Yoshida, a jazzy music score by Michiaki Watanabe, and a sleazy screenplay by Ishii and Ichirô Miyagawa.

A 1970 entertainment action masterpiece directed by Teruo Ishii. A companion piece to another Ishii-directed film from 1970, also starring Watase, Yoshida and Sato called PRISONERS' BACK LIST.

Wild-hearted mechanic boy Iwaki falls in love with the innocent but gang tied Michiko.

This is the sixth film in the "Abashiri Series," based on an original idea by Hajime Ito, and written and directed by Teruo Ishii of "Operation Big Bad" fame. The film was shot by Kiichi Inada, who also worked with Ito.

A gripping tale of friendship set against the backdrop of Hokkaido. Shinichi sets out to earn a few honest dollars with which to bail a friend out of jail.

Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.

A gang plans to steal twenty billion yen by safecracking tactics; however, they discover that one of the gang members is an infiltrating cop.

The 5th Super Giant film. Super Giant pursues a Nazi-like army that operates on a huge satellite in space. The satellite is armed with weapons that could destroy whole cities on Earth from afar. (Part 1 of 2)

The 6th Super Giant film. Although he was believed to be destroyed by the Nazi-like army, Super Giant breaks into the satellite, and a long, riotous battle ensues. (Part 2 of 2)

The 4th Super Giant film, in which he continues his fight against the Kapia Aliens (Part 2 of 2)

The 2nd Super Giant film.
Super Giant continues his battle against the foreign terrorists. In return, they frame him for murder. (Part 2 of 2)

The 3rd Super Giant film, in which he saves Earth from the threat of the reptile-like Kapia Aliens.

Foreign terrorists threaten Japan with a nuclear attack.

After his fiancée is killed in the crossfire of a yakuza turf war, a man on the edge remorselessly hunts down the gangsters responsible.