An average television repairman must care for the newborn triplets of his former hometown sweetheart—now a famous movie star—so her career will not suffer.

An ex-gambler helps a beautiful widow, and becomes involved with a murder, secret agents, and saboteurs.

Prototype dumb blonde Irma and her slacker, wheeler-dealer boyfriend Al interfere in the love life of Irma's level-headed room mate Jane.

While an escaped convict, Moose Malloy, goes in search of his ex-girlfriend Velma, police inspector Michael O'Hara attempts to track him assuming him to be a prime suspect for a number of mishaps.

High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.

To Jane Falbury's New England farm comes a troup of actors to put up a show, invited by Jane's sister. At first reluctant she has them do farm chores in exchange for food. Her reluctance becomes attraction when she falls in love with the director, Joe, who happens to be her sister's fiance.

Ole Olsen and Chic Johnson are Broadway stars who return to Universal Studios to make another movie. The mere mention of Olsen and Johnson's names evacuates the studio and terrorizes the management and personnel. Undaunted, the comedians hire an assistant director and unknown talent, and set out to make their own movie.

Eccentric bellhop Stanley Belt is recruited unexpectedly by the comedy team of a recently deceased entertainer. Stanley struggles to become a song-and-dance man as the team grooms him to become a star. But as the date of a high-stakes appearance on the Ed Sullivan Show grows near, they begin to fear that the only astonishing thing about Stanley is his utter lack of talent.