Filmed during Orson Welles’s travels through Spain while preparing his unfinished Don Quixote project, this nine-part travelogue documents the country’s landscapes, cities, and cultural traditions—from Andalusia to Pamplona—through an intimate, observational lens. Shot as a series of personal, narration-free travel films, the material was later broadcast by Italian television (RAI) with added voiceover, making the series both a poetic portrait of Spain and a rare glimpse into Welles’s working life, family, and creative process.

An American ballistics expert in Turkey finds himself targeted by Nazi agents. Safe passage home by ship is arranged for him, but he soon discovers that his pursuers are also on board.

This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.