Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

"Sale Destin" ou l'histoire d'un boucher dans le pétrin! Il s'agit de Marboni, un homme "très correct" que d'odieuses personnes font chanter. Marboni a été photographié dans des positions scabreuses avec sa maîtresse, une prostituée inculte. Le boucher engage des tueurs, mais leur travail terminé, ils veulent le plumer. "J'ai éprouvé, déclare Claude Chabrol, une grande joie à jouer un petit rôle dans cette galerie de portraits. Car participer, si peu que ce soit, à la naissance d'un véritable auteur de film, disons le mot, est une satisfaction rare."

1987 film by Gérard Krawczyk

Cuatro jóvenes y atractivas mujeres de París que trabajan juntas en una tienda intentan escapar de la monotonía de sus vidas embarcándose en una aventura de romances por la capital francesa durante un fin de semana.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

The Tiger is sent to oversee the excavation of a sunken ship. While busy to retrieve the gold tresure in it, he is constantly thwarted by international enemies. Among them is an old Nazi named Hans von Wunchendorf who dreams of world domination. He hides behind the codename "The Orchid" and needs the treasure to sustain a worldwide network of exiled former comrades. Once sanified by the gold his organisation plans to realise the endsieg after all.

An innocent woman falls prey to her abusive husband, his wealthy father and a shady family friend.

Marie-Chantal travels by train to her cousin's place to spend a winter holiday, when a stranger entrusts her with false jewels that contain a virus powerful enough to destroy all humankind.

After long absence, a man returns to his hometown only to find his best friend has become an alcoholic.

On a work assignment in Germany, failed journalist Albin crosses paths with Andreas, a successful writer, and his wife Hélène, who quickly becomes the apple of Albin’s eye. While Andreas is off on a business trip, Albin tries to seduce Hélèn and, eventually, take over Andreas’ life

Surrounded by fans and skeptics, grizzled director J.J. "Jake" Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film. This film was started in 1970 but never completed during Welles lifetime.

Claire is a chic young Parisian woman married to a somewhat older husband, Jean As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude at his apartment; After some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband?

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rohmer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

Filmmakers discuss the legacy of Alfred Hitchcock and the book “Hitchcock/Truffaut” (“Le cinéma selon Hitchcock”), written by François Truffaut and published in 1966.