Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.

1976 film by Chantal Akerman

A woman suffers a subdued psychological breakdown in the wake of a devastating breakup.

This experimental documentary is a compendium of striking images of Eastern Europe and its citizens in transition, following the collapse of the so-called Cold War. Places as diverse as Baltic beaches, and Moscow's snow-covered streets vie for attention along with the citizens of these places as they wait in lines, march in military formation, or stand idle in the waiting rooms of train stations. There is no narration, and no clear point (except the idea of transitions) is indicated by the beautifully chosen, enigmatic imagery. Indeed, there is not even much musical accompaniment. Fans of director Chantal Akerman's aggressively "non-commercial" work are likelier to find this film more appealing than the average viewer will.

The main character, Michele, spends the hour discussing her views of life with some old and new friends, and tries to understand her own feelings about her place in the world and her sexuality, while a camera follows along at close range.

1975 Belgian film by Chantal Akerman

Chantal Akerman explores Jewish American identity in this multilayered portrait of the immigrant experience. Shot in Brooklyn near the Williamsburg Bridge, Histoires D'Amérique takes the form of a series of first-person addresses delivered by a cross-section of Jewish New Yorkers, whose by turns tragic and humorous tales speak to a collective history of trauma, displacement, and resilience.

On a trip across Western Europe to promote her newest release, filmmaker Anna encounters several individuals—familiar and otherwise—and attends to their discontents.